What does it mean to create in the face of loss and uncertainty? In this episode, acclaimed author Edwidge Danticat and multidisciplinary artist Manuel Mathieu reflect on their creative journeys, tracing the origins of their respective practices and the formative moments that gave them permission to see themselves as artists.

Danticat and Mathieu discuss how their shared Haitian ancestry shapes their work and the artistic lineages that inform it. At heart is a preoccupation with ephemerality, the tension between making something that lasts while living in a fragile world. For both artists, to create is to become a vessel.

The two consider what it means to align one’s work with a deeper sense of purpose, overcoming fear and self-censorship, and empathy’s relationship to art.

A meditation on the role of the artist and what it means to create dangerously in these times.

06:07 — Edwidge on learning to tell stories

11:06 — On inheritance and artistic lineage

17:34 — On ephemerality

27:20 — On being a vessel

34:29 — On finding one’s calling

51:33 — On rage

01:01:20 — Manuel on channeling the invisible through scent

Edwidge Danticat is the author of numerous books, including Breath, Eyes, Memory, Krik? Krak!, and The Farming of Bones. Her work explores migration, memory, and the Haitian diaspora. She is a MacArthur Fellow and teaches at Columbia University.

Manuel Mathieu is a multidisciplinary artist working across painting, ceramics, and installation. Born in Haiti and based in Montreal, his practice examines historical violence, memory, and spiritual legacy. His work has been exhibited internationally, including at the Museum of Contemporary Art North Miami and the Montreal Museum of Fine Arts. He will debut new and existing works at the 61st International Art Exhibition of La Biennale di Venezia.

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