Episode 720 - Hollis Jo McCollum - Epic Dark Fantasy with Inspired Romantic Subplots

In this lively author episode, Dave is joined by dark fantasy writer and podcaster Hollis Jo McCollum for an unscripted, improv flavored conversation about creativity, connection and the realities of podcasting as an author. Hollis broadcasts from Suwanee, in the north metro Atlanta area, where she loves the local community, walking trails and especially the vibrant Korean cafes and markets that have become part of her daily rhythm. Her podcast is called “I Do What I Want!” which she describes as both a catchphrase and a mindset; she is not belligerent, but proudly stubborn about creating on her own terms, using improv skills instead of heavy editing and embracing a live, unedited format on YouTube and Spotify so listeners see the authentic process, cats and all.

Throughout the conversation, Hollis traces how improv, drama club and “yes, and” thinking shaped her confidence and on mic presence, and she and Dave dig into the importance of being fully present in conversations. That leads to a thoughtful tangent on how phones and constant screen time are eroding social skills and problem solving in younger generations, illustrated by a story about a Gen Z teen who is anxious about a simple interaction asking for napkins and by Hollis’s partner’s candid street photography full of “nose to phone” subjects. Both hosts advocate for being more present, talking to actual humans, and deliberately stepping outside comfort zones as a path to growth, creativity and better podcasting.

Hollis then shares the origin of “I Do What I Want!” which began as a single planned episode about the Dungeons and Dragons campaign that inspired her novel “To Save a World,” recorded with her best friend of over thirty years. Unsure how to start, she actually hired a production company to help her set up her mic, hosting and Spotify presence, and discovered she loved the format enough to keep going, mostly solo, with occasional author friends as relaxed guests. That experience taught her how critical scheduling is: she originally aimed for longer, twice monthly episodes but quickly learned that with a full time job, writing, marketing and life responsibilities, she needed a realistic rhythm. Now she anchors the show to one live episode on the last Sunday of each month, built on a simple half page outline with a few milestones, trusting that the format and voice will naturally evolve over time rather than being over planned from the start.

The episode also touches on her voice acting work, where she leans into character voices like the insidious villain Simoom, and on her strong feelings about listeners speeding up audiobooks and performance heavy podcasts. For Hollis, pacing, pauses and breathing are integral to emotional impact, so compressing audio feels like stripping respect from the performer and story, even though she concedes some people prioritize efficiency. As the conversation closes, Hollis talks about why podcasting remains worthwhile even though she is not chasing huge download numbers; it gives readers and potential fans a way to discover her personality, ask questions and connect outside crowded conventions.

https://www.hollisjomccollumauthor.com/

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