『Violets』のカバーアート

Violets

From the bestselling author of Please Look After Mother

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Violets

著者: Kyung-Sook Shin, Jung Bum Hur - translator
ナレーター: Megan Affonso
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'Dreamy, immersive and evocative' TLS

'Darkly beautiful' Frances Cha

'Strange and gripping' Guardian

San is twenty-two and alone when she happens upon a job at a flower shop in Seoul's bustling city centre.

Haunted by childhood rejection, she stumbles through life - painfully vulnerable, stifled, and unsure. She barely registers to others, especially by the ruthless standards of 1990s South Korea.

But over the course of one summer, San meets a curious cast of characters: the nonspeaking shop owner, a brash co-worker, aggressive customers and an enigmatic magazine photographer. Fuelled by a quiet desperation to jump-start her life, she dares, briefly, to dream of connection in an unforgiving world.

Translated by Anton Hur
アジア 大衆小説 女性文学 文学・フィクション 文芸小説 韓国・朝鮮
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批評家のレビュー

Violets is a novel built on the proximity of beauty and violence . . . Shin finds indirect and nuanced ways to conjure the atmosphere of a place where flourishing is thwarted at every turn . . . There's a timeless, fable-like quality to the narration that makes the story strange and gripping. (Lara Feigel)
Dreamy, immersive and evocative . . . What Shin does well in Violets . . . is the portrayal of the disappointments, desires, regrets and loneliness of everywoman characters on the fringes of society. San's failures - to get a respectable job, to have her own writing desk, to be acknowledged by the man she desires - are depicted with credibility and tenderness
Mesmerising, dreamlike and prescient in its sharpness and attentiveness to the dynamics between women and the male and female gaze. VIOLETS feels utterly contemporary and recalls the work of Mariana Enriquez and Dorthe Nors (Sharlene Teo, author of Ponti)
Darkly beautiful, Violets explores the toll of abandonment and the relentless marginalization of a helpless young woman. The protagonist, San, shivers with insecurity and loneliness but still dares, briefly, to dream of friendship and a normal life. Shin writes of the cruelty and dangers of disempowerment, and an ensuing spiral of despair (Frances Cha, author of If I Had Your Face)
Violets lavishes attention on the kind of person who often slips through the cracks, unseen or ignored. There is a beauty and a bravery in speaking for small lives (Rowan Hisayo Buchanan, author of Harmless Like You)
Kyung-sook Shin has a way of seeing past the smooth surface of societal appearance and into the fragile, obscure psychological space that lies just beneath, where her characters ache in ways that feel both recognizable and possessed of deep insight. I don't know if I've ever read a book that so masterfully captures the subtle desperation of seeking a desire that can be your own in a fast-changing world (Alexandra Kleeman, author of Something New Under the Sun)
An intimate portrait of isolation and unspoken desire. Darkly poetic, dreamlike and meditative, Kyung-Sook Shin's spellbinding tale captures the invisible life and longing of a country girl trapped in a rapidly changing city (Adelle Stripe, author of Black Teeth and a Brilliant Smile)
As a beautiful window on San's world Violets is like a perfectly detailed painting, but it also tells the heart-rending story of a hurt child growing up as a lonely outsider. For me now, with her tragedy so well-realised, Violets will stay with me, and those flowers will always make me think of her (Vashti Bunyan)
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