A family is slaughtered in their beds. No forced entry. No warning. The only timeline comes from what three children ate for dinner.

David Hendricks said he left town. Police said the clock told a different story.

Convicted. Overturned. Acquitted.

Four victims. No answers.

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American pop culture in the 1920s and 1930s was on the verge of a new sort of entertainment. Cultural shifts and breakthroughs in technology had led to a steady stream of new kinds of books, comics, music, and magazines, but it would be film that transformed popular culture forever. The ghostly images watched with strangers in the dark proved to be powerful enough to incite as well as to entertain.

Soon after films gained popularity, Americans began to use them to frame their history and their identity, as well as to literally project their fears and anxieties.

And among those fears were the fears of the Devil.

When the Devil first began to appear in early American movies, his story was part of a heavily Christianized moral lesson. The same couldn’t be said for Europe – where filmmakers were using satanic lore to create fantastic and uncanny imagery, but American films were much tamer and much more puritanical. They steered mostly clear of explicitly supernatural subjects and used theaters as fire and brimstone pulpits instead.

At first anyway… because as the imagery onscreen eventually began to reflect satanic themes, audiences responded and darker days for the cinema were soon on the way.

John Torrio was finally exactly where he wanted to be.

With his uncle, Big Jim Colosimo out of the way, his business expanding across the South Side of the city and into the suburbs, and his trustworthy young right-hand man, Al Capone, at his side, he was ready to start dividing up the Chicago into territories. With all the various gangs that already existed in the city eager to jump into the liquor business, Torrio knew that it would be impossible to keep the peace without a plan...

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Have a question or comment? Text us on the Haunt Line @ 217-791-7859

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This episode was written by Troy Taylor

Produced and edited by Cody Beck