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The headlines feel like they’re written by a prankster, so we start where any sane Tuesday begins: an April Fool’s argument about Michael McDonald, Kenny Loggins, and whether “What A Fool Believes” can possibly be called a cover. Then the mood shifts hard into a true crime mystery that’s been eating at us, the disappearance of Nancy Guthrie, Savannah Guthrie’s 84-year-old mother. With a $1 million reward, cameras everywhere, and weeks gone by, we keep coming back to the same question: what motive makes sense, and why does it still feel like nobody knows anything?

From there we jump to Jerusalem and Palm Sunday reporting about access to the Church of the Holy Sepulchre, plus the way a single claim can turn into global outrage when people are already raw. Anne brings lived experience from Israel and pushes back on what sounds exaggerated, while we talk about why sources matter, what gets lost in translation, and how fear travels faster than facts.

The back half turns into a whirlwind of modern anxiety and very real consequences: rumors of boots on the ground in Iran, a teacher accused of bringing marijuana to school to sell to minors, and the rise of AI music and AI-generated junk that’s slipping onto charts. We also get personal about how AI can be used for harassment and stalking, then zoom out to public health with measles surging again. We end on incarceration stories and deaths in custody, then take one last sharp detour into the bizarre with “baloney pockets,” plus pop culture check-ins from The Hail Mary Project to celebrity image changes and classic-rock cameos.

Subscribe so you don’t miss the next one, share this with a friend who loves weird news with real stakes, and leave a review telling us what story you can’t stop thinking about.

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Feathers in faces, wisteria on bodices, and a brooch so big it becomes a character. We’re coming to you from WOMR/WFMR with our full 2026 Oscars roundup, and we’re not playing it safe. Michael and I start with something that’s been bugging us all week: the rise of AI voices in media and how quickly “real people” can get swapped for something that sounds human enough. That thread keeps popping up as we watch Hollywood try to stay glamorous while the ground shifts under it.

Then we hit the red carpet hard. We talk feather overload, the rare white-gown prophecy that actually works, and the looks that feel instantly iconic versus the ones that feel like a craft project. We also dig into the documentary race, the films we were rooting for, and why the winner still lands as important. From there it’s a rapid-fire tour of the night’s biggest fashion debates, including our unapologetic worst-dressed picks and a longer chat about stylists, aging, and what it means to dress for your body when millions are judging every seam.

And yes, we get to Conan. The fake commercials are killer, the jokes are sharp, and the most shocking takeaway might be this: starting in 2029, the Oscars won’t be on television at all, they’ll be YouTube-exclusive. Add in winners, acting highlights, Devil Wears Prada 2 news, Project Hail Mary anticipation, and an In Memoriam that genuinely hurts, and you’ve got a night that feels like the end of one era and the start of something stranger. Subscribe for more, share this with your favorite film friend, and leave a review, then tell us: which Oscars moment did you love or hate the most?

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Ever wonder what happens when a Hollywood designer lands on Cape Cod with a toolbox, a memory bank full of backstage stories, and an eye out for robots? We invited Jonathan “Silver Lake” Stockwell Baker into the studio and into our home, where he’s quietly transforming rooms while we broadcast. What starts with a 1975 Pirates of Penzance audition blooms into a bigger story about the places that hold us together, the art that taught us how to feel, and the little rituals—like ocean air and an unapologetic power walk—that keep a life steady.

We travel from Provincetown’s calm streets to LA’s strange present, where delivery bots queue on sidewalks and driverless taxis glide through green lights. Jonathan talks to them by name. It’s funny until it isn’t, and then it turns practical—maybe the machines drive better than we do. That sense of uneasy wonder sets the stage for Fluff and Fold, Jonathan’s hands-on design work that treats interiors like living systems: shift a chair, clear a shelf, dust a library, and watch the room remember its purpose. You can hear the care in his choices, and you can feel why a simple rearrangement can change how people read, talk, and rest.

With the Oscars looming, we dig into Bugonia without spoiling a beat: a smart, pacey film that refuses to be one thing for too long, anchored by sharp performances and a cameo that lands with 90s-era charm. And then we face the headline: Timothée Chalamet’s offhand swipe at opera and ballet. We don’t just vent. We map a fix—an annual benefit for the Met and City Ballet, visible support for institutions in real need, even buying endangered art and gifting it back. We remember how many of us first met classical music through Bugs Bunny and Leonard Bernstein’s Young People’s Concerts. If patient cinema matters, the stage that taught patience matters too.

It’s an hour about stewardship: of friendships that stretch across decades, of coastal towns that fight sprawl, of art forms that require breath, and of rooms that work better when you make space for what you value. Subscribe, share with a friend who loves movies or ballet, and tell us where you land: are you team patient craft or fast-cut chaos? Leave a review with your take—we’ll read a few on the next show.

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