I had the good fortune to go and interview the Grand Canyon Superintendent, Ed Keable, and at the time, I was also allowed to do a tour of the Kolb House. This is a very special place and the story is amazing. It really is a story made for a movie. In fact, I'm surprised it hasn't been mad into one yet because it tells the story of these brothers that came to Arizona in 1901 and 1902, and they set up this photography studio, right on the edge of the Grand Canyon on the South Rim.

It's still there, and we were given access to the property and to get to see and view how they lived in their house from 1904 until Emory dies in 1976. Inside is the photography room, the areas where they would have parties, and some of the most amazing views you've ever seen of the Grand Canyon.

Part of the house is open as a museum, but part of it isn't. And we're going to show you the part that isn't. That's what's special about this and why I wanted to make it into a podcast. This is one of those that I highly recommend watching on YouTube.

It's a pretty compelling story, and I think it's one of those places that you may never get to visit in person. Hopefully this tour via my podcast/video will give you a sense of what it's like and what it would have been like at the turn of the century in Arizona.

This is the kind of podcast I enjoy making the most. It's one of those in the perfect location that's just off the cuff. You see, I went to artist Shonto Begay's studio in Flagstaff. We were picking up some paintings, and it was just a great opportunity to spend some time with him talking about his work, his studio, and things that affect his life. It was actually a very moving interview, and I think you'll feel the same.

Artist studios are sacred places. Shonto's studio is no different and in some ways even more sacred than usual. He shared a couple of extremely personal pieces that are in his studio. Paintings that not only show how he sees the world, but how he views the healing process.

So it's a great video to watch. I know it's a podcast, but if you have the chance, watch it on YouTube. Not only is it a treat to be teleported inside an important artist's studio, but it's so real and in the moment.

At one point he even goes, "oh no, I gotta go put some money in the meter!" We just run down to the street to put money in the parking meter while we were filming because that's what he has to do every day where his studio is. He had been at the studio all day getting his paintings ready for me. I felt so bad I was even prepared to pay his parking ticket.

So this is a very interesting and beautiful podcast with Shonto Begay.

I had a very interesting conversation with Ed Keable, who's Superintendent of Grand Canyon National Park. The setting was unbelievable. We literally sat at the Kolb House overlooking the Grand Canyon. Ed was so fascinating though that I could really only focus on his story, and so the canyon just kind of melted away.

He's has a very unique position with an immense amount of responsibility. He had a somewhat unexpected journey to get to be Superintendent because his training was as a lawyer. He worked for the Department of Interior for 23 years before becoming the Superintendent.

He took the job at the beginning of Covid, so he was dealing with big problems from the very beginning. We talk about that, as well as other issues he faced such as the recent Dragon Bravo fire that swept across the North Rim and the ecological trouble facing the Colorado River. In fact, Ed is responsible for 277 miles of the river that passes through the Grand Canyon. He's on three different committees related to the Colorado River. Yet with all of these troubles he's facing, he clearly loves his job, and is clearly very good at it. It is the kind of profession that requires you to do a lot.

I was enthralled for an hour listening to Superintendent Keeble, who is a very sharp, interesting human. I must say, I feel very lucky that we have someone of this quality in charge of such an important place, the Grand Canyon.

I had Wendie Martin on my podcast today, and she's co-owner of International Artist Publishing along with Adolfo Castillo. That's the media group responsible for magazines such as Western Art Collector, Native American Art, American Art Collector, American Fine Art Magazine, and International Artist. So she's got her hands full.

We talked about her magazines, sure, but we mostly spoke about the process of how she got where is she is today. When i do these podcasts I want to know how people became what they became and their journey. Wendie's journey is a very interesting one.

Her father was a car racer and somebody who was a specialist in fixing and rebuilding motors and we learn about how that affected her trajectory. She's still involved the automotive world and at one point became an auctioneer that specialized in auctioning classic cars.

Wendie is just this very interesting person who's quite important in the world of Western & Native arts because of her magazines and their influence. She gets it. She loves collectors, she loves what she does, and this passion comes across in this podcast.

That's why I do these things. To try and learn and to understand somebody like Wendie Martin. Someone who is really interested in, not only artists, not only collectors, but the entire business of art. That's a big component of what this podcast is all about.

So enjoyed it a lot. This is Wendie Martin on episode 395 of the Art Dealer Diaries Podcast.

Sometimes you do podcasts not only because you're interested in the person, but you're also interested in just history, right? In this case, it's the history of Skip Andrews, his own personal journey as an artist, as well as his relationship with the iconic Arizona artist, Ed Mell.

Skip and Ed were friends in high school and ended up working together in New York City in the late 60's and early 70's. They started a company together called Sagebrush Studios and did some really great work together. I got to hear stories about Ed and Skip and their antics and see artwork that I would have never guessed was done by Ed Mell.

We see plenty of work by Skip as well who is a highly regarded illustrator, designer and airbrush artist. He did magazine covers for National Lampoon and Arizona Highways, worked on ad campaigns for Coca-Cola and Dickies, and showed us many other incredible works of commercial art.

So this is probably the kind of video that is best taken in through YouTube, because you can see the images that we're talking about, and there's just something about seeing Skip's face as we discuss one of his closest and dearest friends.

I found to be very interesting. I learned a lot. I had a great time. We filmed this in Ed's studio, which was a just a treat to be able to to do that, feel the energy of Ed and all the great paintings he had done alongside one of his best friends.

This is Skip Andrews on episode 394 of the Art Dealer Diaries Podcast.

In March 2026, the Scottsdale Art week had some discussions which were really informative. I really enjoyed this part of the programming and I wanted to share it with you.

We had a booth there and I gave a lecture on Maynard Dixon and Ed Mell, but there were some other lovely panels/lectures that we recorded, and one of them included Diné weavers, Naiomi and Tyler Glasses. I've been fortunate to get to know them and I'm just so impressed with their creativity.

They talked about their upbringing and the influence their grandmother had on their path towards becoming weavers. They speak on the connection between traditional Navajo weaving and contemporary fashion, and how blending utility and beauty is nothing new for the Diné.

During the panel we hear about the origin of Naiomi’s collaboration with Polo Ralph Lauren and how she was able to bring her brother on to help with a subsequent venture with Ralph Lauren Home. It's really interesting to get their take on how they've grown as a brother and sister team looking at fashion through the eyes of their own culture.

So, I felt it was a really insightful discussion and something that you would have missed were you not in Scottsdale during the show, but luckily we are able to bring it to you today. This is Naiomi Glasses and her brother Tyler Glasses on the Art Dealer Diaries Podcast episode 393.

I recently gave a lecture called "Ed Mell: A Closer Look" at the Phoenix Art Museum and I wanted to share it with all of you as an episode of my podcast.

It was an interesting experience for me for two reasons. One, I knew Ed very well as a friend. Two, I represented him for almost 30 years. So with this lecture, I got to think and speak about him how an art historian would. The friendship element was part of the lecture, no doubt, but the talk is filled with the other more analytical art world components as well.

For example, I talk about the difference between a 1980 Ed Mell and a 1981 Ed Mell. I analyze the kind of subject matter that he did and when he did it and why he did it. If you love Ed Mell you will probably find this talk that I did to be very interesting and maybe even compelling. I thought it was a really enjoyable from the speaking perspective.

The Phoenix Art Museum just has such a beautiful collection and they have an exhibit called "Ed Mell: In the Studio" in their all new James K. Ballinger Wing. The wing is going to be closed for a renovation from now until mid September 2026, but it'll be open again after Labor Day. Once it opens back up, the Ed Mell exhibition will be up through April 2027. Most of the work in the exhibit came right out of his studio, including some very early pastels and small oil studies. It's a very cool setup and it was curated by Chief Curator Olga Viso, who I interview at the end of the podcast about the show.

So if you love Ed Mell, you might want to watch this one. Keep in mind the YouTube version will have all of the images I discuss, as well as the bonus interview at the end that shows parts of "Ed Mell: In the Studio."

I love a podcast that's a little different. Today, Shonto Begay showed up with four new paintings and they're all terrific. One of them however was incredibly important because it explores Shonto's experience at an Indian school and how that affected him. I mean, he's 72 years old and this is something that still affects him to this day and I completely understand why.

You see, he's able to make that world different in his own mind through the catharsis of painting. In this painting I'm referring to, he explores that and lets the viewer see it how they want to see it, but the story of the painting is there for everyone. If you go to the YouTube version of the podcast you'll be able to actually see the painting we're talking about.

So we talk about the four paintings he brings in for about half of the podcast, and then we move over to the Maynard Dixon and Native American Art Museum where we talk about a couple of his other paintings that are a part of the exhibition "Native Voices: 75 Years of Creativity."

One is called "Helpless," which is a monumentally important painting and a marker for Shonto's art career. It was done in 1996, and I've owned it for at least 15 years. It happens to be a very important painting in my life as well.

Shonto is somebody that I respect and appreciate very much. You can hear the passion, the wisdom, and the energy that he breathes into the world as he speaks. He's just a remarkable individual, not only as a painter, but as just a human being. I'm grateful that I get to show his work and to call him my friend.

This is Shonto Begay on episode 391 of the Art Dealer Diaries Podcast.