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  • Ishay Rosen-Zvi, "How to Read Mishnah and Midrash: An Introduction to Early Rabbinic Literature" (U California Press, 2026)

    Ishay Rosen-Zvi, "How to Read Mishnah and Midrash: An Introduction to Early Rabbinic Literature" (U California Press, 2026)
    2026/05/11
    The early rabbinic period produced two major literary formations—the Mishnah and Midrash—which have since remained central pillars of Jewish textual tradition. How to Read the Mishnah and Midrash: An Introduction to Early Rabbinic Literature (U California Press, 2026) is the first comprehensive introduction to these two foundational works of Jewish thought in English. In many ways, all subsequent rabbinic literature emerged from the framework established by these two genres. The Mishnah presented a comprehensive legal system independent of the Bible, encompassing a remarkably broad spectrum of legal topics—from ritual law to civil disputes, capital legislation, marital status, and beyond—woven into a coherent and autonomous legal corpus. The Midrash is the first comprehensive running commentary of the Pentateuch, marked by its interpretive freedom and creative playfulness. This hands-on companion provides an intimate understanding of how the two texts function and essential tools for engaging with them in depth. With translations, close readings, and analyses of hundreds of primary source materials, this book offers readers a deeper appreciation of the structure, methodology, and enduring impact of the Mishnah and Midrash. New Books in Late Antiquity is presented by Ancient Jew Review Ishay Rosen-Zvi teaches rabbinic literature at the Department of Jewish philosophy and Talmud at Tal-Aviv University. His previous books include: Goy: Israel’s Multiple Others and the Birth of the Gentile, written with Adi Ophir; The Mishnaic Sotah Ritual; and Demonic Desires: “Yetzer Hara and the Problem of Evil in Late Antiquity.” Michael Motia teaches Classics and Religious Studies at UMass Boston
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    1 時間
  • Scott Kurashige, "American Peril: The Violent History of Anti-Asian Racism" (U California Press, 2026)

    Scott Kurashige, "American Peril: The Violent History of Anti-Asian Racism" (U California Press, 2026)
    2026/05/02
    This probing account shines a new light on the problem of anti-Asian violence and inspires us to build lasting solidarity. During the COVID-19 pandemic, racist demagoguery fomented a campaign of terror against Asian Americans. But these attacks were part of a much longer pattern that made anti-Asian racism integral to the outbreak of white supremacist, misogynist, and colonial violence across 175 years of U.S. history. Written in the radical spirit of Howard Zinn, American Peril: The Violent History of Anti-Asian Racism (U California Press, 2026) represents the culmination of thirty-five years of study and activism by award-winning scholar Scott Kurashige. From the lynching of Asian immigrants during the exclusion era to the ongoing slaughter of Asian civilians by the U.S. military, the book connects domestic and global events that have been erased from the official record. Going beyond victimhood, Kurashige traces the rise of Asian American community protest and activism in response to the 1982 murder of Vincent Chin and other overlooked tragedies. While many have worked to legislate and prosecute hate crimes, Kurashige argues that hope lies in grassroots activism for multiracial solidarity.
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    47 分
  • Andrea Horbinski, "Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989" (U California Press, 2025)

    Andrea Horbinski, "Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989" (U California Press, 2025)
    2026/04/30
    Andrea Horbinski's Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989 (U California Press, 2025) centers the fans and creators who built Japanese comics into a massive global phenomenon. The book traces the history of manga from the art form's distinctly modern emergence in the early 1900s, one that first hybridized the artistic legacy of Japan with the world of Western political satire but very quickly expanded its scope. By the 1920s and 1930s, manga was already beginning to show some of the breadth of genre and style that has become a trademark of Japanese comics and their byproducts today. In the postwar, manga's embrace of new audiences and stylistic conventions, and the embrace of these new forms by audiences of amateur consumer-creators especially since the mid-1970s, led to an explosion in popularity that has made manga a global phenomenon.
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    50 分
  • Laura Horak, "Trans Cinema: Making Communities, Identities, and Worlds" (U California Press, 2026)

    Laura Horak, "Trans Cinema: Making Communities, Identities, and Worlds" (U California Press, 2026)
    2026/04/23
    Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous, and people of color. Overlooked until now, this rich collection of media ranges in genre from romantic comedies to horror films and asks essential questions about how to be human and how to craft a livable life in a world on fire. Okay.Using the fundamentals of film studies, Horak reveals the innovative approaches taken by trans and gender-nonconforming artists to explore how we relate to other people, what it's like to have a body, and how we survive in an oppressive society. These filmmakers tackle the challenging paradox of representing trans lives when greater visibility is associated with ever-increasing levels of harm. In the process, they produce art that emphasizes trans survival and resilience and imagines a more expansive world for trans communities. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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    36 分
  • Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)

    Aurore Spiers, "Archiving the Past: Women's Film History in France, 1927–1978" (U California Press, 2026)
    2026/04/20
    What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’s archival labor, however fleeting, contingent, or speculative they may be. She reflects on how gendered ideas and norms have defined—and limited—our sense of what counts as film-historical labor. And she ruminates on what it means for feminist scholars, in and beyond film and media studies, to collect and recollect the past—for the sake of the feminist present and its still-possible futures. Alix Beeston is Reader in Literature and Visual Culture at Cardiff University. She's the author of In and Out of Sight: Modernist Writing and the Photographic Unseen (Oxford UP, 2018) and the co-editor of the award-winning volume Incomplete: The Feminist Possibilities of the Unfinished Film (University of California Press, 2023).
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    1 時間 5 分
  • Rebecca Buxton and Samuel Ritholtz, "The Way Out: Justice in the Queer Search for Refuge" (U California Press, 2026)

    Rebecca Buxton and Samuel Ritholtz, "The Way Out: Justice in the Queer Search for Refuge" (U California Press, 2026)
    2026/04/20
    The global refugee regime has shifted under our feet. Over the last forty years, international asylum practices have expanded to include the queer and trans displaced. At least thirty-seven countries now recognize LGBTIQ refugees on the basis of sexual orientation or gender identity, with some states providing specialized support. Yet amid this expansion, backlash has intensified against refugee protection as well as the hard-earned rights of LGBTIQ people. In this disquieting context, the protection of LGBTIQ refugees remains partial and exclusionary. The Way Out: Justice in the Queer Search for Refuge (University of California Press, 2026) examines the complexities of queer and trans displacement around the world. Centering personal narratives of LGBTIQ refugees, the book exposes the shortcomings of an international protection regime that is unable to address the harms that drive displacement. Rebecca Buxton and Samuel Ritholtz's analysis of the stakes of queer and trans inclusion in accounts of displacement justice offers a vibrant example of theory brought to life. This interview was conducted by Dr. Hannah Pool, a senior researcher at the Max Planck Institute for the Studies of Societies. Her research focuses on human mobilities and her new book has been published in 2025 by Oxford University Press.
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    1 時間 6 分
  • Ladder or Lottery? Gary Hoover on the Consequences of Broken Economic Promises

    Ladder or Lottery? Gary Hoover on the Consequences of Broken Economic Promises
    2026/04/20
    Today I have the pleasure of speaking with Gary Hoover about his new book, Ladder or Lottery: Economic Promises and the Reality of Who Gets Ahead (University of California Press, 2026). Gary is Professor of Economics and Executive Director of the Murphy Institute at Tulane University. One of the most challenging aspects of life is that sometimes, despite our very best efforts, we still miss the mark. Life can feel like a lottery, where success comes down to luck or the privilege to have the resources to buy as many lottery tickets as possible. For some, life appears like a ladder. No matter where you start, all you need to do is climb to get to the top. These metaphors encapsulate the dilemmas explored by Gary in his important work, as he examines in a variety of case studies whether economic conditions look more like a ladder or more like a lottery. When enough people feel that the system is more like a lottery than a ladder, social order breaks down, protests erupt, and, on occasion, revolutions take place. To take on this weighty topic, I’m thrilled today to have Gary Hoover on the podcast. Gary A. Hoover is Executive Director of the Murphy Institute, Professor of Economics, and Affiliate Professor of Law at Tulane University. Caleb Zakarin is the CEO and Publisher of the New Books Network.
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    1 時間 18 分
  • Miranda Banks and Kate Fortmueller, "Boom to Bust: How Streaming Broke Hollywood Workers" (U California Press, 2026)

    Miranda Banks and Kate Fortmueller, "Boom to Bust: How Streaming Broke Hollywood Workers" (U California Press, 2026)
    2026/04/19
    Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood’s present—and what comes next. Miranda Banks is Professor of Film, Television, and Media Studies at Loyola Marymount University, author of The Writers: A History of American Screenwriters and Their Guild, and coeditor of Production Studies. Kate Fortmueller is Associate Professor of Film and Media History at Georgia State University and author of Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production and Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID. Peter C. Kunze is an assistant professor of communication at Tulane University.
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    1 時間 6 分