『Book 1 - Revelation at Tikal — Ch. 2: Rocinante and Old Friends』のカバーアート

Book 1 - Revelation at Tikal — Ch. 2: Rocinante and Old Friends

Book 1 - Revelation at Tikal — Ch. 2: Rocinante and Old Friends

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概要

 Chapter 2: Rocinante and Old Friends Floey's no-show at her own gallery opening sends Cutty back to old haunts. He rides up to Jerry's Pasadena house, lets his hand trail along Rocinante — the thirty-foot diesel bus Floey gave him as a graduation gift — and drops down into the bomb-shelter bunker where Jerry, Mark, and Randy are still jamming as if no time has passed. The weed is gone, replaced by jars of fermenting cabbage juice. Floey, of course, is the one who sold them on it. A long-distance call to Carl in Nevada turns up something colder than dead air: fear in his voice, and a warning to keep Floey away from the children. --- ## Full Episode Description In Chapter 2 of Revelation at Tikal, Cutty's search for his missing sister carries him sideways into the past. He rides up to Jerry's place in Pasadena, where Rocinante still sits on the cracked driveway like a beached whale next to Jerry's eternally "almost restored" Nash. The house is the same and not the same. The television has been gutted and replaced by a murky aquarium with a single swollen-headed goldfish drifting around like a tiny convict in an orange jumpsuit. Mark's surgical neatness still rules the surfaces, but the neglected fish tank suggests his order is already starting to rot. Cutty hasn't come for the bus. He's circling old haunts, driven by the larger question of why Floey didn't show at her own gallery opening that morning. The story of Rocinante carries the chapter's first weight. Floey bought Cutty the diesel-guzzling, thirty-foot recreational vehicle as a high school graduation gift, carved out of her share from selling the family ranch — the one she sold when she married Eugene "Carl" and shipped Cutty off to boarding school. She paid less than she should have, the way she always did. People did things for Floey the way iron filings line up for a magnet. Realtors, mechanics, and one stunned banker all seemed to wake up in the middle of helping her, wondering when they had agreed. Following the music, Cutty drops down into the bomb shelter behind the house. The bunker is late-fifties vintage, built by a previous owner with a reputation for high-functioning paranoia, then stripped of its fallout fantasies and converted by Jerry into a musician's den: waterbeds, an over-tuned sound system, instruments wired for maximum volume and minimum sleep. Jerry is half-naked on a waterbed with his guitar. Mark is on bass, ghosting his fingers over the strings as if he doesn't want to fully acknowledge Cutty's arrival. Randy stands in the middle with his flute, eyes half-lidded, swaying to the rhythm. They are jamming exactly the way Cutty left them a year ago, locked into an eternal practice session. Only one thing is off. The familiar marijuana cloud is gone, replaced by something sour and vegetal. Mark opens a cabinet, pulls out a glass crusted with dried green sludge, and pours from a pitcher of cabbage juice. Floey, of course, turned them on to it. She convinced them it would replace drugs, sharpen the senses, and even land Randy a job at his father's insurance company. Floey's charisma working at full strength, even in absentia. Mark steers the conversation toward Mahesh "the Animal" Davis, the only one of the old crew Cutty ever truly trusted. The story is about a sixteen-year-old neighbor, a tutoring arrangement gone sideways, and Mark's barely concealed pleasure at having walked in on it. The story matters less to Mark than the way he can use it to needle Cutty about his own private silences. Cutty extracts himself, climbs back upstairs, and uses Jerry's phone — Jerry's father's bill — to dial long distance to the Magnin ranch in Nevada's Big Smoky Valley. His nephew Davy answers, repeating that he is not supposed to talk to Cutty anymore, that Daddy doesn't want him "corrupted," maybe by those Zen books. Then Carl gets on the line. He tells Cutty the place is locked against Floey. She hasn't been there. She won't be coming back. And then, beneath the anger, something Cutty has never heard in Carl's voice before: fear. "You tell her to stay away from me and the children." By the end of the chapter, the gallery's missing painter, the bunker's missing weed, and the ranch's missing welcome have all clicked into the same quiet pattern. Floey isn't just absent. Something is wrong. --- ## In This Episode - Rocinante on the cracked Pasadena driveway, and the story of how Floey bought it - Jerry's "almost restored" Nash and the gutted-television aquarium - Mark's territorial neatness, the policed ashtrays, and the borrowed Webster's incident - Down the steel stairs into the converted bomb shelter - Jerry, Mark, and Randy locked into the same year-old jam session - Cabbage juice, Floey's latest spell, and Randy's improbable new job - Mahesh "the Animal" Davis and the gossip Mark can't resist sharpening - Mark's needling about Cutty's private life, and the trauma Cutty cannot quite name - A long-distance call to the Magnin ranch...
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