We're taking an encore spin this morning...going back to a show first broadcast as "Country Leftovers" in late 2019. But it deserved a better name “…and I fell asleep with a troubled dream and dreamed I road on the hellbound train.” Just one line from one track from our Friday morning Deeper Roots show which focuses on some country songs ‘from the edge’. An eclectic blend of sometimes morose and other times kitschy stories of mid-century country singers looking for the next “Big Bad John” with stories of engine mishaps, disturbances of mind and relationships, and the general consensus of lyrical country that ‘the world is a monster’. Hillbillies, rabble rousers, and would-be crooners give us those tormented testimonies of country music. Join us for a very unusual collection of sounds from the archives of the fifties and sixties, when country blossomed; the songs we'll feature had a hard time cracking the Top 100 because the stories told are ‘out there’, even for country music.

We’ve got ourselves a musical breadcrumb trail show featuring songs connected by titles, themes, characters, occupations, relationships, Cajun culture, tattoos, grace, summer romance, and a healthy dose of American eccentricity. We’ll be taking our journey from country to rockabilly, some Howlin’ Wolf, classic doo-wop, folk, gospel, swamp pop, and everything in between. It’s a scenic route through a century of American music. Starting with John Prine's "Nine Pound Hammer," we'll follow a trail that winds through the Louvin Brothers, Willie Nelson, Elvis Presley, The Band, Johnny Cash, John Lee Hooker, Sam Cooke, and many others. Join us for another Friday morning two hours winding through the back roads. Because that’s where the roots run deepest.

Roll down the windows and put that pedal to the metal because we’ve got two hours of wild rhythms and deep cuts this coming Friday. We’ll be digging into those slap-back echo, train-beat rhythms and wild-eyed energy of rockabilly music — that explosive blend of country, blues, boogie and early rock ’n’ roll that rattled America in the 1950s and helped redraw the cultural map for a generation of teenagers looking for something loud, fast and a little dangerous. Now sure, everybody knows the giants — Elvis, Carl Perkins, Johnny Cash and Jerry Lee Lewis — but tonight’s show leans into the side roads and back highways of rockabilly history. Alongside a few familiar names, we’ll spend two hours with the obscure cats, regional stars, one-hit wonders and forgotten firebrands producing some of the wildest sounds ever pressed onto vinyl. From Sonny Fisher and Ronnie Self to Roy Duke, Sonny Burgess, Johnny Garner and Laura Lee Perkins, this is the sound of American youth culture before it was polished, corporate or safe.

From rocking celebrations to hard-earned reflections, this week’s episode of Deeper Roots turns its attention to the man they called “The King.” We’ve got two hours with songs about Elvis Presley — musical tributes, name-drops, eulogies, and love letters from artists across the past century. Some are playful, some reverent, and some wrestle with the contradictions that made Elvis both larger than life and painfully human. Together, they form a kind of American scrapbook around a figure who never really left the cultural conversation. From the wide-eyed devotion of artists like George Jones, Janis Martin, and Bobby Bare, to later songs reflecting on the strange and tragic arc that carried Elvis from hip-shaking revolutionary to Vegas spectacle, from the Nixon White House photo-op to a lonely and frightening decline, these recordings trace the many ways America mythologized him. Whether delivered as tribute, cautionary tale, obituary, or heartfelt fan letter, the songs on this morning’s show reveal just how deeply Elvis worked his way into the DNA of rock ’n’ roll mythology — and into the imagination of generations that followed.

They say that tears are the safety valve of the heart when too much pressure is laid on it. Whether they are shed in the dark of a midnight heartbreak, the overwhelming light of a spiritual awakening, or the quiet ache of a memory that just won't fade, these tiny drops of salt water carry the weight of our history. Today, we’re tracing those trails down the cheeks of American music. with a show whose theme is 'tears'. We’ve got two hours of the lonesome, the joyful, and the broken-hearted. Featured artists include Etta James, Mac Wiseman, Big Maybelle, Faron Young and The Pilgrim Travelers, spanning the past century of America’s music from the mid-1930s to a cover of Tennessee Ernie Ford’s Ocean of Tears from 2019. We’ll experience tears that take us from remorse to pure joy and pleasant surprise full circle to tears brought on by physical pain. So pull up a chair, settle in, and let’s let the music do the weeping for us.

It’s a 1950 heatwave of rhythm and blues sounds this morning on Deeper Roots. We’ll move away from anything that might be polite or polished and turn our attention to the sweat-soaked, neon-lit world of rhythm and blues, a sound that was the early morning thunder and lightning just ahead of the dawn of rock ‘n roll. We’re focusing on the year 1950 where jump blues started to grow teeth --- where the saxophones were honking, the backbeats hitting harder, and indie labels from Memphis to LA were capturing lightning in a bottle. From the smoky corners of the Delta to the high voltage clubs of the North, we’re digging deep into the crates for the some pounding rhythms from Dave Bartholomew, Julia Lee, Bull Moose Jackson, Jimmy McCracklin as well as Buddy and Ella Johnson…oh, and some Tiny Bradshaw’s Breaking Up The House. As Chuck Berry pointed out: “…it's got a backbeat, you can't lose it, any old time you use it”.

Get ready for a deep dive into the last 100 years of America’s musical DNA. This week’s Deeper Roots is a ‘romp’ in the truest sense—a free form show celebrating the winsome, the lonesome, and everything in between. We’ve got a heavy-hitting lineup including Etta James, Jimmie Davis, and Billie Holiday, spanning the full spectrum of gospel, country, blues, and jazz. Dave’s been digging through the “digital crates” of the past century to bring you two hours of essential, sometimes irreverent, always authentic sounds. Whether the selections are wholesome or a bit rowdy, this episode runs the full gamut of the American songbook. Pull up a chair at the Deeper Roots dining hall this Friday morning on KOWS Community Radio—there is plenty of soul to go around.

This week’s show peels back the velvet curtain of the Golden Age of Country music and introduces some lower chart shed shakers from the outskirts of Nashville. While the charts were full of polished crooners and weeping violins, there was a different sound brewing in and around the perimeter—a raw, frantic energy that didn’t belong in a ballroom. These are the tracks that blurred the line between the honky-tonk and the garage. We’ll deliver the distorted side of that golden age with some familiar names (Buck Owens, Jerry Reed, Johnny Bond) and some of those who were lost to those dusty Ernest Tubb Record Shop dollar bins (Eddie Zack, Jimmy Swan, Benny Barnes), all in a package meant to get those fingers poppin’. Hope you can join us for some gritty, low-fi country vibes.