Oz and Curtis are strapping on the girdles, grabbin' their saxophones, and hopping the train to Florida to break down the undisputed heavyweight champion of Classic Comedy: Some Like It Hot!

After witnessing the St. Valentine's Day Massacre, two struggling jazz musicians—Joe (Tony Curtis) and Jerry (Jack Lemmon)—need to get out of Chicago fast. Their only ticket out? Disguising themselves as "Josephine" and "Daphne" to join an all-female band heading south. Things get complicated when they both fall for the band's ukulele-playing singer, Sugar Kane (Marilyn Monroe), while Jerry (as Daphne) finds himself pursued by an eccentric millionaire who won't take "I'm a man" for an answer.

We break down the film’s bulletproof brilliance: Billy Wilder’s razor-sharp direction, the incredible physical comedy of Jack Lemmon, the surprisingly bold (for 1959) playfulness with Gender-Bending tropes, and the sheer incandescent glow of Marilyn Monroe. Is Some Like It Hot the funniest movie ever put to film and a definitive AFI Top 100 essential, or just a movie that proves that life is always better when you're playing the bull fiddle? Tune in for our full Some Like It Hot 1959 movie review!

If you’re into analyzing Golden Age Hollywood, appreciating the art of the perfect punchline, or listening to two dudes who would definitely trip over their own pumps in the first five minutes, this episode is for you.

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