『FRIENDS AND LEGENDS WITH SKIP MARTIN』のカバーアート

FRIENDS AND LEGENDS WITH SKIP MARTIN

FRIENDS AND LEGENDS WITH SKIP MARTIN

著者: Skip Martin
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Skip Martin, a Grammy Award winner, has dedicated his life to the rooms where music history unfolds. As former lead vocalist for Kool & the Gang and the Dazz Band, he has shared stages with the greatest artists of his generation — and built friendships that have lasted decades. Friends and Legends is the platform where these friendships are brought to life. This is not a standard interview show. Skip does not sit across from his guests — he sits beside them. These are real talks with people who were there, built something, and have stories to tell. From platinum records to personal breakthroughs. From the road to the recording studio, the journey was transformative. From the highs to the moments that tested everything. New episodes drop regularly. "Music is the sound of a soul singing." Don't play no games. 経済学 音楽
エピソード
  • Episode 007 — Music Saved My Life with Arturo Sandoval
    2026/06/02
    A conversation with Arturo Sandoval — Cuban-born trumpet legend, Presidential Medal of Freedom recipient, Kennedy Center honoree — on Dizzy Gillespie changing everything, what it means to teach with love, and why music is the only language the whole world speaks. Host: Skip Martin Summary: Arturo Sandoval was born in a small village in Cuba in 1949. He heard a Charlie Parker recording as a young man and his life was never the same. Dizzy Gillespie became his mentor and the man who walked with him to the American embassy to secure political asylum. He has since collaborated with Frank Sinatra, Tony Bennett, Alicia Keys, and countless others, taught at Florida International University for 20 years, received the Presidential Medal of Freedom, and is preparing for a Kennedy Center Honor. In this phone conversation with his friend Skip Martin, Arturo talks about what music means, why he teaches, and what he owes to the art that saved his life. Main Topics: Growing up in Cuba and hearing Charlie Parker for the first time — the moment that changed everything Dizzy Gillespie as mentor, champion, and the man who helped Arturo get political asylum in the United States His definition of music — the only truly international language Twenty years teaching at Florida International University — and why he still gives private lessons at home The pedal tones session with Skip and the jam in Perth, Australia — two moments that made Skip cry in public Collaborating with Frank Sinatra, Tony Bennett, Alicia Keys, and playing on Skip's Just Believe in Love The Presidential Medal of Freedom and the upcoming Kennedy Center Honor — alongside Bonnie Raitt, the Grateful Dead, Francis Ford Coppola, and the Apollo Theater Skip's origin story — seven years old, Nat King Cole on the radio, and the promise he made to his grandmother Why Arturo says music saved his life Intriguing Quotes: "Music is probably the only international language that everybody can understand. Everywhere in the world." "When I see the student that really got a passion and love for music, I really try my best to help." "It's a blessing from God. I'm so grateful because I got those opportunities." "Music saved my life. I owe everything to the music." "I'm going to play music so that when I die, people will feel like I'm still in the car with them." — Skip Martin "My definition of music is the sound of a soul singing." — Skip Martin Key Moments: [02:00] A teacher plays Arturo a compilation of Charlie Parker recordings from the 1940s. He cannot believe what he is hearing. That moment has never left him. [03:00] Dizzy Gillespie becomes Arturo's mentor — and when the time comes to seek political asylum in the United States, Dizzy is the one standing beside him at the American embassy. [05:30] Skip tells Arturo about the two times he made him cry in public — the pedal tones lesson that changed how Skip plays trumpet, and the night in Perth, Australia when Arturo handed him a custom practice tool and said, this is for you. [08:30] Arturo shares the news — a Kennedy Center Honor is coming. He will be honoured alongside Bonnie Raitt, the Grateful Dead, Francis Ford Coppola, and the Apollo Theater. [15:00] Skip tells Arturo why he plays music. Seven years old. His grandparents' car. Nat King Cole on the radio after he had just passed. The promise he made to his grandmother in that moment. Notable Resources: Just Believe in Love — Skip Martin featuring Arturo Sandoval on trumpet Connect with Arturo Sandoval: Website: arturosandoval.com Search Arturo Sandoval on social platforms and streaming services Connect with Skip Martin: Website: https://www.skipmartinmusic.com/ Facebook: http://www.facebook.com/skipmartinmusic Instagram: https://www.instagram.com/skipmartinmusic/ Twitter: http://www.twitter.com/skipmartinmusic YouTube: https://www.youtube.com/c/skipmartinmusic Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    20 分
  • Episode 006 — Carry On with John Elefante of Kansas
    2026/05/26
    A conversation with John Elefante — former lead vocalist of Kansas, Long Island kid raised on everything from Led Zeppelin to Earth Wind and Fire — on owning your music, freeing yourself from record labels, and what happens when your fans become your record company. Host: Skip Martin Summary: John Elefante sang Carry On Wayward Son. He fronted one of the most iconic rock bands in history. And when it came time to make his new album, he didn't call a label. He called his fans. In this backstage conversation with Skip Martin at Sea Island, Georgia, John talks about growing up on Long Island surrounded by every genre imaginable, what it really means to be independent as an artist, and how crowdfunding through Kickstarter raised close to $70,000 and gave him something he had never had before — he owns the record. Main Topics: Growing up on Long Island with records playing around the clock — Led Zeppelin, Earth Wind and Fire, the Jacksons, everything in between His new album On My Way to the Sun and how it came to be Why he didn't want to do crowdfunding at first — and what changed his mind How Kickstarter works for an artist at his level — autographed CDs, memorabilia, gold records for major donors Raising close to $70,000 from fans who felt like they were part of making the record What it means to own your music after decades of getting 25 cents an album on an $18 record The Greatest Hits Live show — John performing Kansas material on the road Intriguing Quotes: "For the first time in my life I'm not a slave to a record company." "It was made by my fans fanning it." "Back in the day we used to have to be a slave to Polygram, Warner Brothers, Sony, Motown, whoever it is, for a pittance of a dollar. We were selling albums for $18 and getting 25 cents an album." "Everybody feels like they're part of the making of the record." Key Moments: [03:30] John explains how crowdfunding through Kickstarter worked for On My Way to the Sun — the rewards tiers, the community buy-in, and why he almost didn't do it at all. [04:45] He breaks down the old label math. Eighteen dollar albums. Twenty-five cents per record to the artist. The industry that built careers on those terms is the same one he just walked away from. [05:00] The moment that defines it all — John says for the first time in his life he owns his record. He doesn't owe it to anyone. It belongs to him and the fans who made it happen. Notable Resources: Album: On My Way to the Sun — available on streaming platforms Kickstarter — kickstarter.com for artists looking to fund independently Connect with John Elefante: Search John Elefante on social platforms and streaming services Connect with Skip Martin: Website: https://www.skipmartinmusic.com/ Facebook: http://www.facebook.com/skipmartinmusic Instagram: https://www.instagram.com/skipmartinmusic/ Twitter: http://www.twitter.com/skipmartinmusic YouTube: https://www.youtube.com/c/skipmartinmusic Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    7 分
  • Episode 005 — Who You Gonna Call? The Ray Parker Jr. Story
    2026/05/22
    A conversation with Ray Parker Jr. — from a six-year-old marching into the principal's office to avoid gym class, to touring with the Spinners at 13, to hanging up on Stevie Wonder three times, to writing the most recognisable theme song on the planet. And the secret? Never say the word. Host: Skip Martin Summary: Ray Parker Jr. has seven consecutive gold and platinum albums, a number one in 18 countries, and one of the most played songs in recorded history. In this conversation with his friend Skip Martin, Ray traces it all the way back to a Detroit classroom, a $40 acoustic guitar, and a broken leg that gave him nothing to do but practice. He talks about the Spinners at 13, Stevie Wonder at 17, Clive Davis over lunch, and the phone call from Columbia Pictures that turned into Ghostbusters. A conversation about simplicity, instinct, and why the man next door should always be able to sing along. Main Topics: How a six-year-old's visit to the principal's office started everything — and the teacher who changed Ray's life Trading an $850 saxophone for a $40 guitar — and why the guitar was the one Touring with the Spinners at 13, playing the 20 Grand in Detroit at 14, and joining Stevie Wonder's band at 17 Hanging up on Stevie Wonder three times — and what made Ray finally believe it was really him The conversation with his father before dropping out of college — and how Ray handled it Writing You Got the Love for Chaka Khan at 19 and hitting number one at 20 Lunch with Clive Davis, the Jack and Jill story, and the pact that built Radio A black poster on Sunset Boulevard, a phone call from Columbia Pictures, and a year's worth of rejected songs Why Ray never says the word Ghostbusters in the song — and why that's the whole secret Less is more — what Kool and the Gang taught Ray, and what Ray and Skip share about it Intriguing Quotes: "The guitar was just my natural instrument. Like a message from up above saying, this is what you're supposed to do." "I repeated everything back to him that he told me. And I said, great. I don't wanna do that." "I never say the words Ghostbusters. I just say, who you gonna call? And then the answer to that is Ghostbusters. That's what made the whole thing work." "I don't believe in solos. If you can't hum the solo, I don't want it in my song." "Music is what makes people happy and what makes them smile." "My happy place is creating it. And I can see that about you too." Key Moments: [01:00] Ray is six years old. He walks into the principal's office and tells her he doesn't want to do gym class anymore. She takes his hand, walks him down the hall, and opens a door that never closes. [04:30] Ray trades an $850 saxophone for his brother's $40 guitar. His parents think he's lost his mind. He hasn't. The guitar speaks to him in a way nothing else has. [08:30] Stevie Wonder calls. Ray hangs up. Stevie calls back. Ray hangs up again. By the third time, Stevie plays him the raw rhythm track for Superstition. Ray stops hanging up. [10:30] Ray sits across from his father and repeats back everything he said — the pension, the Ford job, the security — word for word. Then tells him he doesn't want any of it. [19:45] A black poster goes up on Sunset Boulevard. A red circle, no words. Ray's phone rings. Columbia Pictures. They've been trying to find a Ghostbusters theme for a year. He's their last call. [21:45] Ray realises he can never say the word Ghostbusters in the song. The moment he figures out how to get around that is the moment the whole thing works. Notable Resources: Ray Parker Jr. on Facebook and Instagram — search Ray Parker Jr. Connect with Skip Martin: Website: https://www.skipmartinmusic.com/ Facebook: http://www.facebook.com/skipmartinmusic Instagram: https://www.instagram.com/skipmartinmusic/ Twitter: http://www.twitter.com/skipmartinmusic YouTube: https://www.youtube.com/c/skipmartinmusic Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    31 分
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