『No Set Path: Entertainment Break-In Stories』のカバーアート

No Set Path: Entertainment Break-In Stories

No Set Path: Entertainment Break-In Stories

著者: Rebecca Doyle
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今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

No Set Path is a biweekly podcast exploring how to succeed in film & TV by talking to people who have actually done it.Rebecca Doyle アート
エピソード
  • 74 - Rejected from USC Film School. Now What?
    2026/04/10

    So you've been rejected from USC SCA (or USC altogether) - what have people done in the past to overcome this and either eventually land a spot as a Trojan, or carve a path toward a film career without it?

    BREAKDOWN:

    0:00 - Intro/Context

    3:00 - Episode Outline

    3:56 - A note about the appeal process!! (FAQ)

    6:24 - For parents!!!

    8:13 - My journey getting rejected from USC SCA: admission to USC but denied from SCA, adding a major in Annenberg, transferring into Cinema-Media Studies and eventually transferring into Film & Television Production

    44:52 - Stories of successful people who were initially rejected from USC


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    59 分
  • 73 - Breaking into TV Writing with Evan Iwata (Outlander, CSI: Cyber, Pure Genius, The Fix, Emergence)
    2026/03/26

    Evan Iwata is a TV drama writer who recently sold his original high-concept crime procedural ON THE CLOCK to ABC with Lionsgate Television and Alexi Hawley’s Perfectman Pictures. He was previously a staff writer on the HBO Max sci-fi thriller SUBJECT TO CHANGE from J.J. Abrams and Bad Robot, and has also developed a YA action-adventure series for DreamWorks Animation. He began his career in the writers room, working in support staff roles on series including Starz's OUTLANDER, CBS's CSI:CYBER and PURE GENIUS, and ABC's THE FIX and EMERGENCE. An alum of the Warner Bros. TV Writers’ Workshop and the USC School of Cinematic Arts.

    Today we are getting into how Evan went from being rejected from USC film school to a WGA writer selling his own show, what it was like working directly with JJ Abrams ona series for HBO and the three typical expectations most writers have that are completely incorrect.

    BREAKDOWN:

    13:46 – Evan’s work on a potential Dreamworks show
    18:26 – Pitch vs. pilot vs. series bible
    23:18 – How to get paid before you start writing the pilot
    28:41 – From Oshkosh to USC / underGRAD
    31:41 – Megan Niquette
    33:21 – Namrata
    34:11 – Evan McGahey, Monisha Dadlani, Ethan Welling
    41:41 – Signing with reps
    42:24 – Writers’ Assistant Program, Conrad Sun
    46:41 – Knowing when to add an agent to the team
    46:41 – Kat Reilly
    50:41 – Warner Bros. TV Writer Workshop + Covid
    51:26 – Jennifer Yale
    52:01 – Getting in the writers room on JJ Abrams show
    59:21 – Starting as support staff (CSI: Cyber, Outlander)
    1:06:11 – Wrong expectations as writers
    1:17:41 – Getting a WGA card
    1:18:11 – Adapting a true story from an article
    1:24:36 – TIME CAPSULE


    KEEP UP WITH EVAN: @iwhata

    KEEP UP WITH THE SHOW:

    All Platforms: @NoSetPathShow

    www.NoSetPathShow.com

    bio.site/NoSetPath

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    1 時間 38 分
  • 72 - Third-Year Podcasting Recap!
    2026/03/11

    RSVP FOR 3/11: Link in bio on IG @NoSetPathShow

    https://docs.google.com/forms/d/e/1FAIpQLSedN4zJwMFdQeR-NMkI6uaoXu8EoCdTLR4FhG7GNoDa68jdig/viewform?usp=header


    WATCH ANDREA'S GAMBIT: https://thempi.org/film/andreas-gambit/


    KEEP UP WITH THE SHOW:

    All Platforms: @NoSetPathShow

    www.NoSetPathShow.com

    bio.site/NoSetPath

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    20 分
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