『The Girlfriend, The Sex Object, The Nag』のカバーアート

The Girlfriend, The Sex Object, The Nag

The Girlfriend, The Sex Object, The Nag

著者: Cat Rhinehart and Maria Shehata
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今ならプレミアムプランが3カ月 月額99円

2026年5月12日まで。4か月目以降は月額1,500円で自動更新します。

概要

Comedian Maria Shehata and writer/director Cat Rhinehart revisit their favorite movies to see how the female characters stack up against the newish realization women are people.Cat Rhinehart and Maria Shehata アート
エピソード
  • Episode 14 - Wuthering Heights (1939 vs 2026)
    2026/03/28

    **All Episodes Contain Spoilers** This episode of The Girlfriend, The Sex Object, The Nag compares two very different adaptations of Wuthering Heights: the classic 1939 film and the controversial 2026 version. Maria and Cat unpack how Catherine, Heathcliff, and Isabella are written across generations, exploring obsession, power dynamics, class, race, and whether passion alone is enough to sustain a relationship. Expect sharp commentary on female character agency, toxic romance tropes, adaptation choices, and whether Heathcliff is a romantic hero or just deeply problematic.Support the podcast and help us keep making episodes:☕ Ko-fi: https://ko-fi.com/thenagpod

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    33 分
  • Episode 13 - Office Space
    2026/03/13

    **All Episodes Contain Spoilers** Comedian Maria Shehata and Writer/Director Cat Rhinehart break down the cult classic Office Space (1999) and ask a simple question: what does Joanna actually want? In this episode of The Girlfriend, The Sex Object, The Nag, they analyze Jennifer Aniston’s character, the infamous “pieces of flair,” and whether the movie gives its female character any real agency. A funny, feminist look at one of the most iconic workplace comedies ever made.

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    36 分
  • Episode 12 - Roman Holiday
    2026/03/04

    Comedian Maria Shehata and writer/director Cat Rhinehart break down the 1953 classic Roman Holiday, starring Audrey Hepburn and Gregory Peck, through the lens of their feminist film podcast. They explore Princess Anne’s brief escape from royal duty, why the film’s ending is surprisingly honest, and how classic Hollywood sometimes gave female characters more agency than movies of the 80s and 90s. The hosts debate whether Gregory Peck’s character is actually good for the princess. They also dive into why actors looked older in classic films, the pressures of royalty, and what modern movies could learn from this charming, bittersweet classic.

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    26 分
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