The charts have been unusually static this year so far. The big hits have been sticking around for several months while catalogue tracks are increasingly making their way into the top ten, leaving little room for newer music to break through. Should India then follow Australia with a chart that only showcases frontline releases? In this episode, we discuss why there might be a need for such a chart, what other countries have done to fix the issue, how open our music industry would be to such a survey, and more

Last week, Spotify shocked the music industry by discontinuing its Viral Songs chart. In India, it was among the few places that put a spotlight on upcoming music acts, and served as a discovery tool for both listeners and A&Rs. In this episode, we discuss the role the chart played, the possible reasons behind Spotify’s decision and whether it’s good or bad for the Indian music business.

Last month witnessed the long-awaited return of BTS with the release of their new album ‘Arirang’. While the comeback effort broke streaming records globally, lead single “Swim”, somewhat surprisingly, did not follow earlier hits such as“Dynamite”, “Butter” and “Permission To Dance” to the No.1 spot in India. The album, meanwhile, debuted at No.2 on Spotify’s chart for the country. For any other international release, that would be a remarkable achievement but given BTS’s chart history, it feels like the LP has underperformed here. How far is this true? And what are the reasons for it? On this special episode, we’re joined by our friends, the hosts of the ‘K-Pop in India’ podcast, Shreya Khaladkar and Soham Sengupta, to help us answer these questions.