Most artists don’t fail because they lack talent. They fail because they rush, chase the wrong signals, or hand over control before they understand what they own. I’m joined by John Hart, A&R consultant and artist management specialist, for a straight-talking look at what sustainable artist development really means in today’s music industry.

We get specific about what a good manager looks for and it’s not “who might get a hit”. John explains why he backs long-term career potential, why songwriting still sits at the centre of modern revenue, and how authenticity is built through clear identity rather than rigid genre rules. We also dig into audience thinking: who your fans are, what they value, and how that should shape everything from your visuals to your live strategy.

From there we go deep on deal structures and rights. We talk publishing deals that fund recording, working with producers as true creative partners, and why keeping control of masters can open up options later through licensing deals, catalogue value, and smarter investment. We also cover the unglamorous money: neighbouring rights, mechanicals, and metadata, plus the mistakes artists make by releasing too early and treating Spotify like a shop instead of a discovery platform. We finish with the big shifts ahead, including AI, market fragmentation, and the resilience you need to survive rejection and keep moving.

If you’re building a serious independent music career, hit subscribe, share this with an artist mate, and leave a review. Which part of your career needs a clearer plan right now?

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Most music producers spend years trying to be louder, faster, and more impressive in the room. Tenroc argues the opposite;l the real edge is knowing what the song needs, then doing only that. Jonny Amos sits down with the New York songwriter-producer behind work connected to artists like Jon Bellion, Rihanna, the Jonas Brothers and Julia Michaels, and pulls back the curtain on how modern sessions actually function.

We dig into the messy, practical question every producer faces - am I here to write, to build tracks, to programme drums, to play instruments, or to get out of the way? Tenroc explains how he reads the room, protects the creative flow, and builds relationships that last even when the song never gets released. He also shares a personal turning point: moving from behind-the-scenes work into putting out an album as an artist, driven by a clear sense of purpose.

If you love craft, you will enjoy the nerdy details. Tenroc breaks down how he learned “commercial” sound through chart study and reverse-engineering, why emotion is often innate, and how tools like GarageBand, Logic Pro and FL Studio shaped his workflow. We also tackle the underrated skill that gets producers paid: finishing songs, using song structure to hold attention, and understanding when a verse, pre-chorus, hook, or bridge should appear.

Finally, we talk music publishing in plain language - what a good publisher actually does, and why taste and collaborator fit matter more than chasing the biggest name on paper. If you want practical music production advice, major label session reality, and a clearer path for artist development, press play, then subscribe, share with a producer friend, and leave us a review.

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jonnyamos@me.com

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The music industry does not just need more songs and artists. It needs more people who understand how the whole machine fits together and who can help artists build sustainable careers. That is why I brought three of my former students onto the podcast: Natalie Brown, Lotty Evans and Chris Beswick. They have just finished their degrees at BIMM University in Birmingham (UK) and they already sound like the next wave of UK music executives.

We get into what they actually want from the next few years, from freelancing in music marketing and branding to artist management and development, to music journalism and editorial pathways. They talk honestly about competition, building a portfolio career and why “getting in” often starts with showing your work in public. We also dig into how education changes your music business understanding, especially around publishing vs distribution, copyright, contracts and the practical value of music law when you are trying to protect artists early.

Then we turn the spotlight onto emerging artists: the common mistakes they see, the pressure to rush into “professional mode”, and why identity usually needs time to grow from the music before the visuals and strategy can really land. We talk social media consistency, choosing bandmates with aligned goals and treating artwork, photography and story as creative output rather than an afterthought.

If you want a clear look at modern music industry careers, artist development and what actually makes someone employable in music, hit play. Subscribe, share this with a mate who is trying to break in, and leave a review with the biggest lesson you are taking away.

Chris Beswick - Artist Development Professional

https://chrisbeswickmusic.wixsite.com/portfolio

Instagram @chrisbeswickmusic

Tik Tok @chrisbeswickmusic

Natalie Brown - Media and Marketing Professional

https://www.morethanjustmusicblog.com

Instagram @morethanjustmusicblog

Tik Tok @x_natalie_b

Lotty Evans - Freelance Music Marketer

Photography, PR, Marketing and Journalism under her professional brand Charlie Brook Media.

www.melomaniablog.co.uk

I'm Losing It @imlosingitfanzine online

Instagram @charliebr00k

TikTok @.charliebr00k

Reach out to me !

Support the show

Enjoyed this episode? Subscribe to The Music Business Buddy Brief for weekly insights on the future of the music industry, AI, artist development, rights and the creator economy. The podcast explains what's happening. The newsletter explains why it matters.

Join The Music Business Buddy Brief for exclusive weekly insights on the future of the music industry.

Subscribe: https://themusicbusinessbuddy.beehiiv.com

Websites
www.jonnyamos.com
https://themusicbusinessbuddy.buzzsprout.com

Instagram
https://www.instagram.com/themusicbusinessbuddypodcast/
https://www.instagram.com/jonny_amos/

Email
jonnyamos@me.com

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