『The University Press of Kentucky Podcast』のカバーアート

The University Press of Kentucky Podcast

The University Press of Kentucky Podcast

著者: New Books Network
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Interviews with authors of the University Press of Kentucky books.New Books Network アート 世界 文学史・文学批評
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  • Tony Lee Moral, "A Century of Hitchcock: The Man, the Myths, the Legacy" (UP of Kentucky, 2026)
    2026/05/22
    For over a century, Alfred Hitchcock has remained one of cinema's most influential directors. Known as the Master of Suspense, this visionary filmmaker directed more than fifty films over six decades. His thriller The Lodger (1927) marked the start of his signature style, which was later exemplified in classic films like Vertigo (1958), North by Northwest (1959), Psycho (1960), and The Birds (1963). Hitchcock's work received tremendous success and critical acclaim. While he never won the competitive Academy Award for Best Director, he received five Oscar nominations, two Golden Globes, the Irving G. Thalberg Memorial Award, a BAFTA Fellowship, multiple lifetime achievement awards, and two stars on the Hollywood Walk of Fame. Nine of his films are preserved in the United States National Film Registry. His mastery of tension, innovative camera techniques, and psychological depth continue to inspire and influence modern filmmakers such as Christopher Nolan, Jordan Peele, and Bong Joon Ho. Drawing on new archival research, previously unpublished interviews, and a rigorous examination of key biographies, A Century of Hitchcock: The Man, the Myths, the Legacy (University Press of Kentucky, 2026) challenges the long-standing narratives that have shaped Hitchcock's legacy. Author Tony Lee Moral revisits controversial claims regarding Hitchcock's alleged abuses, scrutinizing biographer Donald Spoto's interpretations—particularly Spoto's portrayal of the director's relationship with actress Tippi Hedren. With his analysis of Spoto's 1980 interview of Hedren, Moral reveals for the first time how one key document contradicts decades of exaggeration. In this comprehensive reappraisal of Hitchcock's career, Moral encourages readers to explore the complexities of creative collaboration and the risks of relying on a single biographical narrative. Marking one hundred years since Hitchcock's first film, The Pleasure Garden, and fifty years since his last film, Family Plot, Moral reexamines the director's cinematic brilliance, storytelling mastery, creative partnerships, and controversies, offering a fresh perspective on Hitchcock's legacy in the post-#MeToo era. Tony Lee Moral is a British filmmaker and author who specializes in film history, especially the work of Alfred Hitchcock. He is the author of Hitchcock and the Making of Marnie, The Making of Hitchcock's The Birds, The Young Alfred Hitchcock's Moviemaking Master Class, and Alfred Hitchcock Storyboards. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th- and 19th-century British Literature.  Learn more about your ad choices. Visit megaphone.fm/adchoices
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    36 分
  • Elizabeth A. DeWolfe, "Alias Agnes: The Notorious Tale of a Gilded Age Spy" (UP of Kentucky, 2025)
    2026/02/11
    Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too. Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social  Learn more about your ad choices. Visit megaphone.fm/adchoices
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    49 分
  • Sonya Lea, "American Bloodlines: Reckoning with Lynch Culture" (UP of Kentucky, 2025)
    2026/01/09
    Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival. Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging. American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    49 分
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