I explain Eisner Award-winning creator, Phil Jimenez's, most defining work (Wonder Woman, Amazonia) to him, and he responds politely.

As a bonus, we talk about Wonder Woman and Faith; behind the scenes tea on DC's blockbuster Y2K mini-series, Infinite Crisis, and some of the motivations behind Phil's defining runs on Wonder Woman, Tempest, and JLA/Titans. We even dish on the industry politics of DC's Absolute Titles.

Eisner Award-winning researcher (The Claremont Run: Subverting Gender in the X-Men) and the mastermind behind my absolute favorite Twitter/X account, @ClaremontRun, Andrew Deman joins the show to discuss the X-Woman closest to my heart, Rogue, as a case study in reparative justice, the idea that law should seek to repair the damage wrought by crime and systemic injustice not only through restitution and compensation for victims but also rehabilitation of bad actors.

Today's episode discussing the greatest X-Men story of all time, the Dark Phoenix Saga, and BDSM features my brilliant mentee, Monica Geraffo. Monica is something a renaissance woman - a fashion professional, co-host of the VoxPopCast, and PhD Candidate in Theatre and Performance Studies - so her thoughts are layered, scintillating, and unapologetically MATERIALIST. Her fetish is for what you can touch, build, and construct: Jean Grey's dominatrix gear as the Black Queen, Storm's leather jacket as leader of the Morlocks, the Hellfire Club's period costumery at their 5th avenue soiree. We come to find midway through the pod that your host's kink is altogether different, invested in SUBJECTIVITY, role play, and identification: The White Queen's cannibalistic desire for Kitty Pryde and Jean Grey's sadistic role play not only as the Black Queen but as her own teenage self, Marvel Girl, in the Dark Phoenix Saga's tragic conclusion. (Are you ready for the DARKEST interpretation of the DARK Phoenix Saga you've ever DARKED in your life? Because I'm about to give it to you . . . DARKLY). We also discuss: how mutants have sex (on a butte, of course), theories of masochism as temporality (Cue: "Slow" by Kylie Minogue), and how some of our faves can be problematic (trigger warning: race play and racism) and then learn from their own mistakes to become progressive icons. At the end, despite our erotic, academic, and ideological differences, Monica and I achieve flesh to flesh contact. If you want to find out who absorbs whom, GIVE US A LISTEN.