One of the greatest films never finished. One of Hollywood’s most dangerous alliances. One enduring legend.

In the late 1920s, at the height of silent cinema’s reckless glamour, three formidable figures set out to make an impossible film. Gloria Swanson, the era’s most dazzling star. Erich von Stroheim, cinema’s most obsessive and uncompromising auteur. And Joseph P. Kennedy, a ruthless financier with ambitions far beyond Hollywood. The result was Queen Kelly — a production so extravagant, scandalous, and volatile that it collapsed before completion, leaving behind fragments, myths, and a curse that would haunt everyone involved.

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Although Alfred Hitchcock was notoriously dismissive of actors, Victoria Lowe (University of Manchester) and Adrian Garvey have edited a collection of essays which argues that acting played a key element of his work. Films discussed include Notorious, Stage Fright and Strangers on a Train. The book provides detailed analysis of some exceptional performances by major stars – from Ivor Novello to Tippi Hedren – and considers performance as a theme across Hitchcock’s oeuvre.

I talk to Adrian and Victoria about their work and Hitchcock more generally.

The Book is available Here.

Connery: A Novel by John Bleasdale is available here.

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Filmmakers Thinking begins from a simple premise: that we do not take the ongoing reflections of filmmakers about their medium, their art and their craft, seriously enough. Every day, everywhere, filmmakers are asked to talk mainly about themselves and their own works. Yet their vocation springs from a deep engagement with the history and possibilities of cinema as a whole. Going beyond the usual, oft-cited sources, Filmmakers Thinking delves into a vast archive of writings (public and private), interviews, talks, and anecdotes to discover what filmmakers think about how to create cinema – and what cinema is, or could be.

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Connery A Novel by John Bleasdale is available here.

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