検索キーワード： ジェンダー研究

Nina Auerbach shows how every age embraces the vampire it needs, and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred...

At its core, an economy is about providing goods and services for human well-being. But many economists and critics preach that an economy is something far different: a cold and heartless system that operates outside of human control. In this impassioned and perceptive work, Julie A. Nelson asks...

A clarion call, a practical resource and a hopeful invitation to radically reimagine how boys are understood, nurtured and raised in the 21st century, from clinical psychologist and bestselling author Dr Shefali Tsabary. Boys today are standing at a critical crossroads unlike any generation...

A powerful wake-up call, a hands-on guide and a pathway forward to reclaim how daughters are seen, supported and raised in the 21st century, by clinical psychologist and bestselling author Dr Shefali Tsabary. Something unprecedented is unfolding in the inner lives of our girls today. On the...

Author of The Fact of a Body, and winner of this year’s Whiting Creative Nonfiction Grant, Alex Marzano-Lesnevich considers how we bear witness to trans lives, past and present. In Both and Neither, Alex Marzano-Lesnevich weaves memoir and history into a singular work shaped by the figures who...

From the author of Enemy Feminisms and Abolish the Family , an original diagnosis of femmephobia in our culture, and a vision of a life-giving femme feminism for all. To be femme is to embody a dispossessed femininity, to be freighted with freedom, to refuse to be made proper or institutionalized. To love it is to embrace love for women (be they butch or not) in the broadest sense.

Was ist eigentlich mit den Jungs? Haben wir die in den letzten Jahren eventuell ein bisschen vergessen? Und wenn wir über sie nachgedacht oder öffentlich geredet haben, waren sie dann nicht vor allem ein Problem? Aber gleichzeitig sollen sie unsere Demokratie und unsere Art zu leben mit ihrem eigenen Leben verteidigen? Irgendwas daran ist nicht ganz fair, oder? Wie zieht man in dieser Welt einen Jungen auf?

From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies.

The culture wars have raged for decades, but with seemingly little success. Christians are losing the cultural battle for family, life, and faith. But why? In this riveting look at the underbelly of feminism, Dr. Carrie Gress lays out why pro-life and pro-family efforts have failed to deliver. Feminism has quietly captured the minds and hearts of women by mimicking aspects of Christianity. Through its own “commandments,” “virtues,” “evangelization,” and even “a sacrament,” feminism has become an exceedingly powerful megachurch.

Most men today are sent off into society with a broken belief system, which they use to make choices that get them terrible results with life and women. Men have been conditioned to be the quintessential “nice guy.” They’re trained to be overly humble, kind to a fault, and that just “being themselves” is enough to attract the women of their dreams. Men are told to believe that conventional masculinity is toxic, and to put women ahead of their own interests, passions, and purpose.

Por que o estupro é um crime ainda tão comum no Brasil? Por que a vítima muitas vezes é tão – ou mais – julgada pela sociedade do que o próprio criminoso? Por que é tão difícil fazer uma denúncia? Após quatro anos de pesquisas, viagens pelo país e mais de 100 entrevistas com vítimas e familiares, criminosos, psiquiatras e diversos especialistas no assunto, a jornalista Ana Paula Araújo escreve Abuso - a cultura do estupro no Brasil com coragem e sem meias-verdades.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

Ellie y Rebecca son dos estudiantes de la universidad de Florida que tratan de mantenerse al día con sus estudios, divertirse con sus amigas y soportar el ambiente machista que prevalece en su escuela. Todo cambia cuando los restos de un estudiante son encontrados en aguas cercanas al campus...

The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag 11 years later after a tweet by White actor Alyssa Milano. Mainstream movements like #MeToo have often built on and coopted the work of women of color, while refusing to learn from them or center their concerns. Far too often, the message is not "Me, Too" but "Me, Not You". Me, Not You argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential.

THE SUNDAY TIMES BESTSELLER Angry, opinionated, mouthy, aggressive, hysterical, mad, disordered, crazy, psycho, delusional, borderline, hormonal . . . Women have long been pathologized, locked up and medicated for not conforming to whichever norms or stereotypes are expected of them in that time...

“I am most grateful for two things: that I was born in North Korea, and that I escaped from North Korea.” —Yeonmi Park “One of the most harrowing stories I have ever heard—and one of the most inspiring.” —The Bookseller In In Order to Live, Yeonmi Park shines a light not just into...

Featuring real-life situations and scenarios, a glossary, and further resources, this book enables professionals in a variety of school roles to integrate foundational concepts into their everyday interactions with students, families, and staff to create an overall school culture that nurtures a welcoming, inclusive, and affirming environment for all. This book can be utilized by independent readers, department teams, and entire school district reading experiences.

Bloomsbury presents Sway by Pragya Agarwal, read by Aysha Kala. ‘Passionate and urgent.’ Guardian, Book of the Week ‘A must-read for all.’ Stylist, best new books for 2020 ‘Cogently argued and intensely persuasive. Groundbreaking Work.’ Waterstones, best new books of April...