検索キーワード： キリスト教の文学・美術

In Samuel Johnson's famous quote, "When a man knows he is to be hanged in a fortnight, it concentrates his mind wonderfully," we find a sobering observation about the power of impending death to focus one's thoughts. Thus is was for the mind and spirit of this soon-to-be martyr.

Read by the author. Traditional Christian virtue and vices like abstinence, gluttony, and sloth make many of us bored or uncomfortable. At their best, these words sound dead or confusing, like incomplete fossils that belong to a distant past awkwardly enshrined in a museum. At worst, they...

But what is inspiration? When we train artists, we typically identify them by their talent and train them in technique. We talk very little about the crucial creative spark of inspiration. Where does it come from? What does it want from us? How can we get more of it? In The Discipline of Inspiration, Carey Wallace meditates on this vital spark and on the ways artists have negotiated with it across genres and throughout history.

The Jesus Music explores the history, evolution, and redemptive thread of Contemporary Christian music over the last fifty years as it spans the convergence of rock and roll, country, and gospel music.

Character is a significant factor that has been and continues to impact today's generation. Despite its relevance, it is one thing that is not taught in various levels of education and even in some churches. The Bible, along with other articles and research, has proven that character is crucial for the success of every individual. This is why God gave man an image (character) before granting him dominion.

"Dearly Beloved, we are gathered here today to get through this thing called life." When Prince spoke those words over celestial organ sounds in the opening moments of "Let's Go Crazy," he wasn't just inaugurating yet another Billboard Hot 100 hit—one of forty-seven in his career; he was also giving voice to the deep-seated and richly complex spiritual underpinning of his art.

This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist's soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura's New York art studio stood, this anniversary edition includes new essays unpacking the author's further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope.

'A new star in the crime-writing firmament' Elly Griffths The charming and delightfully cosy debut crime novel from Reverend Penny Stephens. Weddings can be murder . . . Reverend Clare Brakespear is used to a challenge. With a young family to wrangle, a parish to manage and a particularly...

In a captivating realm where cinematic narratives enchant countless viewers, how can one harmonize their faith with the craft of filmmaking? The Wages of Cinema encourages a deep dive into this relationship, drawing upon the significant reflections of Dorothy L. Sayers defending the authenticity of art and truth's manifestation.

Many of us have been taught to read Scripture as a collection of information that needs to be categorized, systematized, and analyzed verse by verse, concept by concept. But the Bible isn't a jigsaw puzzle, and it wasn't written in just Hebrew, Aramaic, and Greek. It was also written in the language of story. And as with every good story, we get to meet colorful characters, unravel mysteries, and see the world from a different point of view. It all makes more sense when understood from the perspective of storytelling.

To most, the term “Christian horror” probably seems like an oxymoron. Nevertheless, there are very good arguments to be made that “horror” is an eminently biblical genre and that Christian artists should be at the forefront of reclaiming it. In this work, novelist and freelance writer Mike Duran explores the Judeo-Christian roots of contemporary horror, the religious themes that frame much of the horror art, and how evangelical culture has come to distance itself from such a potentially rich and powerful medium.