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Occasionally an author appears who, in a short career, emblazons a legacy so bright and so distinct, as well as popular, that it is difficult to believe it is the output of only one man. Robert Louis Balfour Stevenson was such a talent. Over the course of his prolific career, Stevenson had not only given his audience many classic novels but beautiful poetry such as ‘A Child’s Garden of Verses’ and many short stories as with his dark classic of Christmas Day ‘Markheim’ (1884).

"Narrator Avi Roque delivers a perfectly paced performance....seamlessly switching between English, Scottish, and American accents to distinguish the variety of characters." —AudioFile on What Moves the Dead, an Earphones Award winner) The follow-up to T. Kingfisher’s bestselling gothic...

I’m under the influence of centuries-old, incredibly powerful vampire Meg, and, as such, I’m wreaking havoc all over Splendor and the Netherworld. But, I can’t help it. I’m not even aware of what’s going on.

"Narrators Dan Bittner, Eliza Foss, John Pirhalla, and Patti Murin provide outstanding performances, creating such believable characters that listeners might wonder if the story is based in fact."—Library Journal This program features multicast narration. New York Times bestselling author...

John Grissom's enhanced vampiric hearing leads him to investigate the oldest and most powerful order of vampires in England. His investigation takes him from London to Brighton and back again, from a vampire proof dungeon to a glittering masked assembly.

From first dates to shipwrecked sailors, encompassing modern horror to gothic tropes, this anthology has something for every listener with one thing in common: They want something to think about when they go to bed.

Favel Farrington meets Roc Pendorric on the idyllic Mediterranean island of Capri, where she was raised and lives with her father. Roc sweeps her off her feet, taking her from her home by an emerald sea to the ancient family home of the Pendorrics, in Cornwall. His sister and her family await them with open arms, welcoming young Favel. She is the much anticipated Bride of Pendorric, a name that amuses and flatters her. The castle is beautiful in its way, but the atmosphere is foreboding. Roc's twin nieces begin watching her carefully; even the stones in the courtyard seem to have eyes.

Hired to write the biography of elderly tycoon Henry Wolfe, Dianne Grayson happily comes to Wolfe House, a Victorian mansion set deep in the piney woods of East Texax that she has always wanted to see.

Pain is an abyss. How naive of me to think I’d already reached the very depths of it when fate shook my world with a crushing blow. It turns out there are fathomless levels of pain, like a winding labyrinth of doors leading to shadowy figures and long-forgotten secrets. The kind of inescapable descent into madness that twists nightmares into reality. What lies at the end of this obscure path I have yet to discover. But where it begins is a place called Infernium: an asylum feared by those in Nightshade and untrodden by the angels who’ve forsaken its many lost souls.

When the children and grandchildren drive north from Toronto to visit, they bring along their own problems and secrets. The novel takes place over a weekend visit, with multiple narrators, each offering their very personal take on what unfolds. Along with the riveting drama, it is the unveiling of inner lives, feelings, memories, and relationships that make the story so moving.

Our lives are digital, exposed and always on. We track our friends and family wherever they go. We have millennia of knowledge at our fingertips. We know everything about our world. But we know nothing about theirs. We have changed, but our ghosts have not. They've simply adapted and innovated, found new channels to reach us. They inhabit our apps and wander the metaverse just as they haunt our homes and our memories, always seeking new ways to connect. To live amongst us. To remind us. To tempt us. To take their revenge.

'Chillingly gothic' — The Guardian, Best Crime and Thrillers of the Year Inspired by the haunting true story of the Winchester Mystery House, Ray Celestin's Palace of Shadows is an outstanding historical thriller set against the awe-inspiring terror of the Yorkshire Moors. From the...

Vincentio di Vivaldi has fallen in love with Ellena Rosalba. However, his proud and noble family vehemently oppose the match: they cannot allow him to wed someone with no money or social standing. Thus, his mother, the mean-spirited Marchesa, and her minion, the evil monk Father Schedoni, set in motion a malign plot that has Ellena kidnapped and imprisoned in a convent, to prevent a hasty marriage.

Roger “Bud” Macleod and his two brothers return to the ramshackle home of their youth on emergency leave from the military after the murder of their reviled father. Instead of having the festive reunion they’d planned with Mama and their sister, the three soldiers are flung into a series of violent confrontations with old and new rivals plus double trouble: Papa’s siblings.

When the curtain rises on Malmaison, it reveals a once-enchanting estate, quietly falling into darkness and ruin, and at the heart of it, a father, one of a long line of fathers who have flourished at the expense of those around them. The silence seems peaceful, but lurking under it is a deep malevolence, scores of ugly and violent secrets kept by cast-off mistresses and abandoned daughters.

On the day of her grandmother's funeral, Marta discovers that she is to be sent to be governess at Fyneshade, her charge the young daughter of the owner, Sir William Pritchard. All is not well at Fyneshade. Sir William is mysteriously absent, and his son and heir Vaughan is forbidden to enter the house. Marta finds herself drawn to him, despite the warnings of the housekeeper that Vaughan is a danger to all around him. But Marta is no innocent to be preyed upon. Guided by the dark gift taught to her by her grandmother, she has made her own plans.

This chilling tale of one man’s descent into madness was published shortly before the author was institutionalized for insanity, and so The Horla has inevitably been seen as informed by Guy de Maupassant’s mental illness. While such speculation is murky, it is clear that de Maupassant—hailed alongside Chekhov as father of the short story—was at the peak of his powers in this innovative precursor of first-person psychological fiction.

Bertha Mellish, “the most peculiar, quiet, reserved girl” at Mount Holyoke College, is missing. One cold November morning the junior is spotted walking through the Massachusetts woods; then, she vanishes. As a search team dredges the pond where she might have drowned, Bertha’s panicked father and sister arrive at the campus desperate to find some clue as to her fate or state of mind. Bertha’s best friend, Agnes, a scholarly loner studying medicine, might know the truth, but she is being unhelpfully tightlipped.

“Haunting...Ominous.” —The New York Times Book Review A “wonderfully chilling” (Christopher Golden, New York Times bestselling author) polar gothic about a Victorian explorer in search of his lost shipmate–and redemption–from the Bram Stoker Award–nominated author of All the...

Keim Matteo Camarda torna con un noir a fosche tinte dark, che assomiglia più a un horror gotico e antico. Breve ma intenso, cupo e misterioso, dove la retorica fa da padrona, dando spazio a un personaggio meno considerato nell'universo di Wicked Dreams. Johanna, matrona in casa Rikven, madre del becchino, intrattiene un dialogo oscuro con l'aspirante poetessa Yvonne Lermié, celando dietro alle parole più di un segreto.