検索キーワード： 女性学

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

لقد كان هذا المجتمع المصري يحيا على الرجال وحدهم. وكانت المرأة، المضروب عليها الحجاب، تعيش بين أربعة جدران في المنزل، تختبئ وراء الأبواب والشبابيك. ولكن هذا التعليم الذي أخذت به فتياتنا في مراحله الثلاث، الابتدائية والثانوية والعليا، قد نقل المرأة المصرية إلى مستوى رفيع يقسر الرجل على احترامها ويقسرنا جميعًا على تغيير القوانين الجائرة التي أذلتها.

The culture wars have raged for decades, but with seemingly little success. Christians are losing the cultural battle for family, life, and faith. But why? In this riveting look at the underbelly of feminism, Dr. Carrie Gress lays out why pro-life and pro-family efforts have failed to deliver. Feminism has quietly captured the minds and hearts of women by mimicking aspects of Christianity. Through its own “commandments,” “virtues,” “evangelization,” and even “a sacrament,” feminism has become an exceedingly powerful megachurch.

At its core, an economy is about providing goods and services for human well-being. But many economists and critics preach that an economy is something far different: a cold and heartless system that operates outside of human control. In this impassioned and perceptive work, Julie A. Nelson asks...

A powerful wake-up call, a hands-on guide and a pathway forward to reclaim how daughters are seen, supported and raised in the 21st century, by clinical psychologist and bestselling author Dr Shefali Tsabary. Something unprecedented is unfolding in the inner lives of our girls today. On the...

From the author of Enemy Feminisms and Abolish the Family , an original diagnosis of femmephobia in our culture, and a vision of a life-giving femme feminism for all. To be femme is to embody a dispossessed femininity, to be freighted with freedom, to refuse to be made proper or institutionalized. To love it is to embrace love for women (be they butch or not) in the broadest sense.

From the single ladies of Beyoncé and Taylor Swift songs to Phoebe Waller-Bridge's irreverent television series Fleabag (2016–2019) to as far back as Miss Havisham in Great Expectations, the stereotype of the damaged single woman has long pervaded music, books, television, and Hollywood movies.

Por que o estupro é um crime ainda tão comum no Brasil? Por que a vítima muitas vezes é tão – ou mais – julgada pela sociedade do que o próprio criminoso? Por que é tão difícil fazer uma denúncia? Após quatro anos de pesquisas, viagens pelo país e mais de 100 entrevistas com vítimas e familiares, criminosos, psiquiatras e diversos especialistas no assunto, a jornalista Ana Paula Araújo escreve Abuso - a cultura do estupro no Brasil com coragem e sem meias-verdades.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

Ellie y Rebecca son dos estudiantes de la universidad de Florida que tratan de mantenerse al día con sus estudios, divertirse con sus amigas y soportar el ambiente machista que prevalece en su escuela. Todo cambia cuando los restos de un estudiante son encontrados en aguas cercanas al campus...

The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag 11 years later after a tweet by White actor Alyssa Milano. Mainstream movements like #MeToo have often built on and coopted the work of women of color, while refusing to learn from them or center their concerns. Far too often, the message is not "Me, Too" but "Me, Not You". Me, Not You argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential.

THE SUNDAY TIMES BESTSELLER Angry, opinionated, mouthy, aggressive, hysterical, mad, disordered, crazy, psycho, delusional, borderline, hormonal . . . Women have long been pathologized, locked up and medicated for not conforming to whichever norms or stereotypes are expected of them in that time...

“I am most grateful for two things: that I was born in North Korea, and that I escaped from North Korea.” —Yeonmi Park “One of the most harrowing stories I have ever heard—and one of the most inspiring.” —The Bookseller In In Order to Live, Yeonmi Park shines a light not just into...

Bloomsbury presents Sway by Pragya Agarwal, read by Aysha Kala. ‘Passionate and urgent.’ Guardian, Book of the Week ‘A must-read for all.’ Stylist, best new books for 2020 ‘Cogently argued and intensely persuasive. Groundbreaking Work.’ Waterstones, best new books of April...

In Programmed Inequality, Marie Hicks explores the story of labor feminization and gendered technocracy that undercut British efforts to computerize. Women were a hidden engine of growth in high technology from World War II to the 1960s. As computing experienced a gender flip, labor problems grew into structural ones, and gender discrimination caused the nation's largest computer user to make decisions that were disastrous for the British computer industry and the nation as a whole.

Meet the Female Chauvinist Pig - the new brand of "empowered woman" who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces "raunch culture". If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better. They think they're being brave, they think they're being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them.

From Dr. Clarissa Pinkola Estés, Part Three of Her Masterwork on The Dangerous Old Woman "It is the nature of the saplings to quake in the winds; hesitant, learning to hold their own places. But, the older trees, with their years of testing and being tested, they are the ones who, whether in...

In this brilliantly original book, Camille Paglia identifies some of the major patterns that have endured in western culture from ancient Egypt and Greece to the present. According to Paglia, one source of continuity is paganism, which, undefeated by Judeo-Christianity, continues to flourish in art, eroticism, astrology, and pop culture. Others, she says, are androgyny, sadism, and the aggressive western eye, which has created our art and cinema.