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Jane Austen, George Eliot, and Thomas Hardy-three great masters of the English novel-are three remarkable imagining minds. As readers of their novels, we feel ourselves to be in contact with their authorial minds and conjure the minds they create spread across the pages of their narrative worlds. In the way that we believe in and hold in mind the idea that other human beings have minds of their own do we as readers of the novel believe we are in the presence of these other minds. But how?

An introduction to Harry, accompanied by 15 poems in his tribute - the leader of the pack.

Master builder Halvard Solness is a self-made man. With no professional qualifications, he has built himself up through ruthless ambition and achieved a position of power and domination in his home town. But his success has come at a cost. His marriage is empty, destroyed by a personal tragedy that has left him wracked with guilt and pain, and he is increasingly frightened of failure and being displaced by the next generation. Then a mysterious young woman, Hilde Wangel, appears from the mountains, claiming to have met Solness 10 years earlier, when she was only 13. 

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

English literature may very well be the greatest body of imaginative writing the world has yet seen. The human experience has been understood, interpreted, and conveyed by writers of genius in a tradition stretching through six or more centuries, from Chaucer to Philip Larking, from Defoe to William Golding.

Emily Dickinson (1830-1886) was a reclusive poet whose only friendships were carried out by letter. She wrote nearly 1,800 poems in her life, but very few were published until after her death. In this volume, the poems are presented in chronological order in their original form, unaltered by editorial revision. It offers a wide-angle view of Dickinson's poetic development, from the clunky rhyme schemes of her youth, through valentines she wrote in the early 1850s, to the gloomy writings of her last years.

George Bernard Shaw's warm and witty play continues to challenge conventional wisdom about male/female relationships. Candida concerns a beautiful married woman's choice between the two men who love her.

Tess of the D'Urbervilles is an early exercise in girl power. Tess spends her life being bullied by men and is pushed to the brink. A dramatic and tragic story, a listener cannot fail to be moved by Tess' story, which is sadly surprisingly familiar to many modern women in the world today.

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

William Butler Yeats, the first Irishman to win the Nobel Prize for Literature, is not only one of the greatest poets of the 20th century but one of the most widely read. The landscape, myths, legends, and folklore of his homeland lie at the heart of his poetic imagination, and the unique musicality of Ireland adds to the richness of his verse. But the themes of his poetry are universal and timeless: the conflict between life and death, love and hate, and the meaning of man’s existence in an imperfect world.

A dynamic remastering of the second BBC Radio 4 full-cast serial – Fit the Seventh to Fit the Twelfth – which spawned a phenomenal hitchhiking legend The second original series of The Hitchhiker’s Guide to the Galaxy remastered by Dirk Maggs (director of the Tertiary, Quandary and...

Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only 15 centimetres tall . . . I was so surprised that I gave a great shout. ’But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk. An Oxford Bookworms Library reader for learners of English, adapted from the Jonathan Swift original by Clare West.

Richard Le Gallienne was a notable example of the Bohemian literary figure. He travelled widely, had many acquaintances among notable figures of his day, including Oscar Wilde, Rupert Brooke, and John Cowper Powys, and worked through a long series of romantic relationships. However, his poetic verbiage is economical and disciplined, and free from rhetorical affectation. This collection was published in 1895, and reflects the mature style of the poet.

Surah al-Fatihah (Arabic: سُورَةُ الْفَاتِحَة ‎) is the first chapter (surah) of the Quran. Its seven verses (ayat) are a prayer for the guidance, lordship and mercy of God. This chapter has an essential role in Islamic prayer (salat). The primary literal meaning of the expression "al-Fatihah" is "The Opener," which could refer to this Surah being "the opener of the Book" (Fatihat al-kitab), to its being the first Surah recited in full in every prayer cycle (rakʿah), or to the manner in which it serves as an opening for many functions in everyday Islamic life.

This is a full-cast, unabridged performance with comprehensive commentary and analysis, enabling any student to fully understand and appreciate the play. Peel away the layers of Priestley's complex drama to appreciate his powerful warning, wrapped up in the genre of a gripping detective story, to truly understand that "We don't live alone. We are members of one body."

There’s something Constance Middleton’s friends are dying to tell her: her husband is having an affair – with her best friend! Despite their hints, Constance remains ever cool, and seemingly oblivious. Or is she? In this biting comedy of manners, marriages and mistresses, Constance – a not-so-desperate housewife - has some ideas of her own about extra-marital activity that surprise everyone in the end!

Keats Gedichte bergen nicht nur eine unglaubliche Leichtigkeit und Unbeschwertheit in ihrem anmutigen voluminös-poetischen Klangbild, sondern laufen überdies vor Leidenschaft und Energie fast über und man fühlt sofort, dass hier ein überragender Künstler etwas reflektiert, was so manchen bereits in jungen Jahren verloren geht: Herz, Seele und eine unbändige Freude am Leben. Der Gedichte John Keats erster Teil.

"The Merchant of Venice" is a 16th-century play by William Shakespeare in which a merchant in Venice must default on a large loan provided by a Jewish moneylender. It has been listed among Shakespeare's greatest comedies, although its tone is often dramatic. This is a detailed summary of the play, written in today's language, for all willing to acquire a greater understanding of Shakespeare's work and widen their culture.

This is the second collection of short stories relating to the fictional sea-sprayed Canadian village of Avonlea. Anne Shirley appears in a few, but most concern other characters from the Anne Shirley series, including Diana Barry and members of the Meredith and Blair families. Published in 1920, these tales of hidden hopes and cherished dreams are sure to enchant fans of Anne of Green Gables.

For students of Middle English, Andrew and Waldron's The Poems of the Pearl Manuscript has been the key edition of the four Pearl poems for over 30 years. With the changing needs of today's students in mind, the editors produced a complete prose translation of the four poems - the best known of which is "Sir Gawain and the Green Knight". The near-literal translations are intended to facilitate understanding of the four poems - to lead readers to, rather than away from, the original texts.