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10 Tips for Setting Up Theatrical Screening for Your Film describes how to set up a series of screening after your initial premiere. It suggests doing these additional screenings to get more recognition for a film with broad appeal, and it describes how and where to select theaters in different cities. It indicates the kinds of costs to expect for showings in different types of theaters and recommends creating a marketing plan to guide you in doing these screenings to gain more recognition to help with the other types of distribution you do.

The YouTube money craze is on. Because of this wonderful innovation, ordinary individuals can now upload their own videos and monetize that through the number of viewers. But as more people join in the money tree, the competition has become very stiff. The explosion of videos taken by ordinary individuals has taken the world by storm and the formula for what would make the next YouTube viral video is on.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

10 Ways to Find a Distributor for Your Film describes how to best pitch your script to distributors, starting with having a good script, writing an effective query letter, creating a short treatment or synopsis, and taking steps to make your script stand out. The audiobook is part of a series of short books, in which each book features tips and techniques for becoming more successful in the film industry.

10 Legal Basics for Getting a Distribution Deal describes the different provisions that are commonly included in a contract for distributing a film. It details the rights you are licensing and the obligations you have in return for what the distributor will do in releasing your film. It lists the many documents you need to supply and suggestions on what you can’t or can negotiate, such as the cost of marketing fees, the term of the agreement, and the requirement for insurance on your film.

10 Keys to Making a Low-Cost Documentary Feature describes a low-cost approach for producing a feature-length documentary with a budget under $50,000. It features an approach I have used that combines interviews with interviewees and experts along with B-roll shots of activities to use with voice-overs from the interviews. It also suggests ways to find interviewees, obtain funding for the film, and more.The book is formatted like a journal, so readers can write down their ideas for what to do after reading each tip.

10 Legal Basics for Producing a Feature Film or Documentary describes the major legal documentaries you need to produce a feature-length film or documentary. It covers the basics of getting a fictitious name, filing for a copyright, obtaining E&O and other types of insurance, creating release forms for actors, interviewees, crew members, and other film participants, and much more.

A must listen for any bootstrapping creative or entrepreneur! 10,000 Miles to Go: An American Filmmaking Odyssey focuses on the making of an award winning contemporary feature film, which was successfully bootstrapped against monumental odds with near-zero funding, yet which made its way to numerous international sales and broadcasts and a place in the Museum of Modern Art (MoMA), NYC, films collection.

Charles Band's Full Moon Entertainment was the most remarkable B-movie studio of the 1990s, responsible for a barrage of sci-fi, fantasy, and horror classics during the last true "golden age" of the home video era. From Puppetmaster to Trancers and beyond, Full Moon transformed the VHS experience for fans worldwide, bringing the inner workings of the movie-making process into the living room, and in turn creating a ravenous fan base that remains to this day.

It’s harder today than ever before for independent filmmakers to make money with their films. From predatory film distributors ripping them off to huckster film aggregators who prey upon them, the odds are stacked against the indie filmmaker. The old distribution model for making money with your film is broken, and there needs to be a change.

Animators work within a strictly defined, limited space that requires difficult artistic decisions. The blank frame presents a dilemma for all animators, and the decision of what to include and leave out raises important questions about artistry, authorship, and cultural influence. In Animating Space: From Mickey to WALL-E, renowned scholar J. P. Telotte explores how animation has confronted the blank template, and how responses to that confrontation have changed.

In the world of Fringe (or off-off-Broadway) theatre, a strong debate has been raging for years - when you're producing a low/no-budget production, how on earth can you make it happen and still treat everyone involved in an open, honest, and ethical manner? Open Book Theatre Management is the first audiobook ever to show you exactly how to mount a theatre production without losing either your integrity or your shirt.

In this follow-up to his first collection of essays - Shoot This One - television writer and producer Javier Grillo-Marxuach continues to overshare about his misadventures in the small screen to a degree that will make you fear for his future employment. The essays in Shoot That One offer both a tantalizing glimpse into the inner circles of the entertainment industry, as well a management lesson disguised as a juicy tell-all.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Molding a Jurassic Universe is a collection of essays exploring the space where nostalgia and geek culture collide, all through the lens of Jurassic Park and the Jurassic Park franchise. The 21 essays muse on traumatized heroes, dinosaur martyrdom, the ethical implications of having a theme park full of extinct creatures brought back to life, cynicism as form and function in filmmaking, a shaving cream can as a foundation to worldbuilding, and more.

Get on TV!, Jacquie Jordan brings her expert advice straight to you - the entrepreneurs, experts, authors, and future reality stars looking to land a television spot....Jacquie Jordan has been involved in booking, supervising or producing over 10,000 television guests, as well as coaching countless people on how to get on air.

Filmmakers, film students, documentary makers for film and television, and lovers of pop culture will hear, in the filmmakers’ own words, the challenges and triumphs faced in making documentaries. Firsthand knowledge is shared on such topics as how the documentary process differs from making fictional films, storytelling technique, ethical boundaries, funding, film festivals, and much more.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Barry Avrich - a self-made, Montreal-born film producer-director, flamboyant advertising executive, and legendary biographer and connector of moguls and stars. For over three decades, he has relentlessly produced films on some of the most notorious show-business titans and also found the time to market and promote feature films, concerts, and the biggest shows on Broadway.