検索キーワード： 著者 "Robert Browning" すべてのカテゴリー

BBC Radio dramatisations and readings of Browning’s most famous poems, performed by stars including Anton Lesser, Roger Allam and David Tennant, plus two bonus plays Victorian poet Robert Browning was renowned for his evocative dramatic monologues peopled with vivid, morally ambiguous...

Robert and Elizabeth Barrett Browning were united not only as man and wife, but also as writers who shared and debated ideas, values, and literary craft.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

"Better translate--"A Roman murder-case: "Position of the entire criminal cause "Of Guido Franceschini, nobleman, "With certain Four the cutthroats in his pay, "Tried, all five, and found guilty and put to death "By heading or hanging as befitted ranks, "At Rome on February Twenty-Two, "Since our salvation Sixteen Ninety Eight: "Wherein it is disputed if, and when, "Husbands may kill adulterous wives, yet 'scape 'The customary forfeit.'" (Excerpt from first chapter of The Ring and the Book.) Note from reader: The main text I have read from follows the first edition; but there are some words or...

NOTES: "My Last Duchess" puts in the mouth of a Duke of Ferrara, a typical husband and art patron of the Renaissance, a description of his last wife, whose happy nature and universal kindliness were a perpetual affront to his exacting self-predominance, and whose suppression, by his command, has made the vacancy he is now, in his interview with the envoy for a new match, taking precaution to fill more acceptably. (Dramatic Romances by Robert Browning)

Robert Browning (1812-1889), playwright and poet, is known and admired for his dramatic monologues in blank verse, of which he is a recognized master. He also wrote many lighter poems with a humorous touch. Here is one of his best known, The Pied Piper of Hamelin.

Robert Browning’s popular poems "The Pied Piper of Hamelin" and "How They Brought the Good News" are often anthologised, but it is in his dramatic lyrics such as "My Last Duchess" and the chilling "Porphyria’s Lover" that his poetic genius shines. Browning, with his unusual use of language, can be a challenging poet, but one who is always rewarding. This selection shows the many imaginative facets of this often neglected Victorian poet.

Robert and Elizabeth Barrett Browning shared one of the great literary and romantic marriages of the 19th century, eloping to Italy to escape the objections of her family. Although they both wrote poetry throughout their married life, this collection was selected and edited after the death of both writers and there is no evidence that they themselves ever intended these poems to be a single collection. - Summary by Alan Mapstone

Part 1 of the extensive collection of all the letters which passed between Robert Browning (1812-1889) and Elizabeth Barrett Moulton-Barrett (1806-1861) in the years 1845 and 1846, which marked the beginning of their acquaintance and formation of their romantic relationship. The nearly daily exchange of letters during this period gives a minute insight into the private and public life of these two authors, as well as into their work and how they influenced each other in their writings. Part 1: January to December 1845. - Summary by Sonia

Part 3 of the extensive collection of all the letters which passed between Robert Browning (1812-1889) and Elizabeth Barrett Moulton-Barrett (1806-1861) in the years 1845 and 1846, which marked the beginning of their acquaintance and formation of their romantic relationship. The nearly daily exchange of letters during this period gives a minute insight into the private and public life of these two authors, as well as into their work and how they influenced each other in their writings. Part 3: June to September 1846. - Summary by Sonia

For this collection, LibriVox volunteers made their own selections from Robert Browning's poetry and prose to celebrate the 200th anniversary of his birth on 7th May 1812.

"In considering the question of publishing these letters, which are all that ever passed between my father and mother, for after their marriage they were never separated, it seemed to me that my only alternatives were to allow them to be published or to destroy them. I might, indeed, have left the matter to the decision of others after my death, but that would be evading a responsibility which I feel that I ought to accept. "Ever since my mother's death these letters were kept by my father in a certain inlaid box, into which they exactly fitted, and where they have always rested, letter beside...

Part 2 of the extensive collection of all the letters which passed between Robert Browning (1812-1889) and Elizabeth Barrett Moulton-Barrett (1806-1861) in the years 1845 and 1846, which marked the beginning of their acquaintance and formation of their romantic relationship. The nearly daily exchange of letters during this period gives a minute insight into the private and public life of these two authors, as well as into their work and how they influenced each other in their writings. Part 2: January to May 1846. - Summary by Sonia

As read with haunting resonance by John Alban Coughlan, Robert Browning’s enduring classic The Pied Piper of Hamelin emerges anew—more vivid, more chilling, and more unsettlingly relevant than ever before. This timeless tale, steeped in folklore and shadowed by moral consequence, stands as a prophetically horrific warning of what unfolds when avarice and greed eclipse honor and humanity. Through Coughlan’s richly atmospheric narration, the medieval town of Hamelin springs to life in all its uneasy splendor—its desperation, its deception, and its ultimate reckoning.

Robert Browning was fascinated by people—not only people of his own day, but also people who had lived in the remote past. Five of his famous dramatic monologues are spoken by characters from the ancient Classical world: a Greek goddess (Artemis), a Roman senator (in “Imperante Augusto Natus Est—”), an Arab physician (Karshish), a Greek poet (Cleon), and the last surviving eyewitness of Jesus Christ (in “A Death in the Desert”). They probe many different questions, especially regarding the transition from paganism to Christianity.

In Childe Roland, the title poem, Robert Browning weaves a rich tapestry of surreal imagery inspired by his experiences in Italy. Drawing from an ancient tower in the Carrara Mountains, a captivating painting in Paris, and a striking horse depicted on a tapestry in his Florentine home, Browning channels the haunting words from Shakespeares King Lear Childe Roland to the dark tower came. This evocative poem invites listeners into a realm reminiscent of the epic The Song of Roland and the legendary quests of Arthurian knights, where the journey into the unknown is fraught with challenges and the...

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

The legend of a garishly-dressed piper who uses his musical skills to rid a town of a plague of rats and then lures the town's children into a mysterious and inaccessible realm when denied payment for his services dates back to the Middle Ages. Browning's colorful retelling of the tale first appeared in 1842 in the collection Dramatic Lyrics. As with many of Browning's monologues, the poem's vivid wordplay and jangling rhymes make it an apt vehicle for recitation.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

You have been looking for this book for quite some time. Pick it up to begin a journey into the deepest depths of the human psyche and the darkest corners of the imagination. Dare to delve into the human psyche's unspeakable corners and passages with this chilling horror anthology collecting some of history's greatest English poems.