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When Misa Atkinson confesses to the murder of Steven Bingham, her sister's brother-in-law, for doing the unthinkable to her son, everything is turned upside down. Misa now faces jail time and the loss of her son forever, and his drug lord brother Frankie Bingham is out for revenge. Camille drops another bomb on Frankie, telling her estranged husband (and his mistress) that she is pregnant with his child. Their friends Dominique and Toya gather around Camille and Misa in their time of need, but the storm clouds have gathered over their own lives as well.

Stories navigating the commplicated terrain of race in America, from acclaimed writers like Toni Morrison, E.L. Doctorow, Sandra Cisneros, Sherman Alexie, and Amy Tan The editors who brought us Unsettling America and Identity Lessons have compiled a short-story anthology that focuses on themes...

Set in the fictional African village of Kosawa, How Beautiful We Were tells the story of a people living in fear amidst environmental degradation wrought by an American oil company. Pipeline spills have rendered farmlands infertile. Children are dying from drinking toxic water. Promises of clean-up and financial reparations to the villagers are made-and ignored. The country's government, led by a brazen dictator, exists to serve its own interest only. Left with few choices, the people of Kosawa decide to fight back.

What was the fate of the first generations of black women born after abolition in America? Struggle: to create autonomous and beautiful lives, to escape new forms of servitude, and to live as if they really were free. This book re-creates the radical imagination and wayward practices of these young women by describing the world through their eyes. Re-creating their fragmentary life stories using a combination of archival research and virtuosic literary imagination, a very different vision of the 20th century emerges, one that offers an intimate chronicle of black radicalism. 

Black women have higher rates of premature birth than other women in America. This cannot be simply explained by economic factors, with poorer women lacking resources or access to care. Even professional, middle-class Black women are at a much higher risk of premature birth than low-income White women in the United States. Dána-Ain Davis looks into this phenomenon, placing racial differences in birth outcomes into a historical context, revealing that ideas about reproduction and race today have been influenced by the legacy of ideas which developed during the era of slavery.

In our era of mass incarceration, gun violence, and Black Lives Matters, a handbook showing how racial justice and restorative justice can transform the African American experience in America. 

For Black Americans, the food system is broken. When it comes to nutrition, Black consumers experience an unjust and inequitable distribution of resources. Black Food Matters examines these issues through in-depth essays that analyze how Blackness is contested through food, differing ideas of what makes our sustenance "healthy", and Black individuals' own beliefs about what their cuisine should be.

New Yorker Jasmine Washington had a successful interior design business, a high-powered marriage, and a chance at motherhood - until her perfect husband betrayed her bigtime. Now starting from scratch, the Asian and African American stunner is tackling a lifetime opportunity: comanaging her friend's new luxury inn about to open in the Garden District. The last thing Jasmine needs is romance. New Orleans' most eligible bachelor, investment banker Cameron Singleton, begs to differ. 

South Carolina, 1862. Emily Jarvie is determined to send her family's slave-owning history to its grave. When the Union Army captures the Sea Islands, she returns to the south to teach the former slaves, part of the Army's unusual experiment in racial equality. Despite her loyalty to the Union cause, her Southern heritage raises a brick wall of Yankee suspicion.

A Charleston belle with slavery on her conscience. A slave with rebellion in her heart. In South Carolina in 1858, no friendship could be more dangerous.  

 New Suns: Original Speculative Fiction by People of Color showcases emerging and seasoned writers of many races telling stories filled with shocking delights, powerful visions of the familiar made strange. Within this book burn tales of science fiction, fantasy, horror, and their indefinable overlappings. These are authors aware of our many possible pasts and futures, authors freed of stereotypes and cliches, ready to dazzle you with their daring genius. 

There is an obesity epidemic in this country, and poor Black women are particularly stigmatized as "diseased" and a burden on the public health-care system. This is only the most recent incarnation of the fear of fat Black women, which Sabrina Strings shows took root more than 200 years ago. 

The half-century before the Civil War was beset with conflict over equality as well as freedom. Beginning in 1803, many free states, claiming the authority to maintain the domestic peace, enacted laws that discouraged free African Americans from settling their boundaries and restricted the rights to testify in court, move freely from place to place, work, vote, and attend public school. But over time, African American activists and their white allies, often facing mob violence, courageously built a movement to fight these racist laws.  

"Momma set me on the jukebox." So begins the personal story of Denise (Sweetie) Wooten, set between a post-civil rights era New York City and a growing but stale rural Alabama. We are thrust in the midst of a family longing for normalcy, but instead struggling with illness and all that comes with it - denial, anger, misunderstanding, and love. As cultures clash, we see the family through a child's eyes and walk with her as she makes sense of war fought far away, but with effects close to home, and a tragedy that changes her life forever.

"The dead can't hurt you. Only the living can." Effie Jones, a former slave who escaped to the Union side as a child, knows the truth of her words. Taken in by an army surgeon and his wife during the War, she learned to read and write, to tolerate the sight of blood and broken bodies - and to forget what is too painful to bear. Now a young freedwoman, she has returned south to New Orleans and earns her living as an embalmer, her steady hand and skillful incisions compensating for her white employer's shortcomings. 

In 1961 Charlotte, North Carolina, the predominantly black neighborhood of Brooklyn is a bustling city within a city. Self-contained and vibrant, it has its own restaurants, schools, theaters, churches, and night clubs. There are shotgun shacks and poverty, along with well-maintained houses like the one Loraylee Hawkins shares with her young son, Hawk, her Uncle Ray, and her grandmother, Bibi. Loraylee's love for Archibald Griffin, Hawk's white father and manager of the cafeteria where she works, must be kept secret in the segregated South.

Two decades before the Civil War, a middle-class farmer named Samuel Maddox lies on his deathbed. Elsewhere in his Virginia home, a young woman named Kitty knows her life is about to change. She is one of the Maddox family's slaves - and Samuel's biological daughter. When Samuel's wife Mary inherits her husband's property, she will own Kitty, too, along with Kitty's three small children. After Samuel's death, Mary decides to grant Kitty and her children their freedom and travels with them to Pennsylvania, where she will file papers declaring Kitty's emancipation.

The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. 

Fearful of prison time - or lynching - for violating Indiana’s anti-miscegenation laws in the 1940s, E. Dolores Johnson's Black father and White mother fled Indianapolis to secretly marry in Buffalo. Her mother simply vanished, evading an FBI and police search that ended with the declaration to her family that she was the victim of foul play, either dead or sold into white slavery.

Standing at Armageddon is a comprehensive and lively historical account of America's shift from a rural and agrarian society to an urban and industrial society.