検索キーワード： ナレーター "David Parker" すべてのカテゴリー

Franz Kafka was born on 3rd July 1883 in Prague, then in Bohemia, the eldest of 6, into a middle-class Jewish family. Life for the young Kafka and his passion for literature was often made an ordeal by his over-bearing and domineering entrepreneur of a father. His literary works are few in number but towering in influence. His masterpieces include ‘The Trial’, ‘The Metamorphosis’ as well as a number of short stories which reveal facets of humankind that truthfully could only be born from Kafka’s brain and pen.

Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London. Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew. As an author he is most remembered for his short ghost stories.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume we come up against the definition of Northern Europe. There are many, each with plausibility and each so obvious. So, here’s ours.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. In this volume we examine one of the great names from the past whose works invite life, rituals and the spirit world together to fashion dramatic and chilling unforeseen happenings.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume the Mad Scientist takes centre stage. Naturally the stories come in all shapes and sizes and in the pens of our classic authors the scientists more usually arrive as dark, twisted and evil as they go about their work illuminating humanity as only a mad scientist can.

Anton Pavlovich Chekhov was born on 29th January 1860 in Taganrog, on the south coast of Russia. His family life was difficult; his father was strict and overbearing, but his mother was a passionate story-teller, a subject Chekhov warmed to. As he later said; ‘our talents we got from our father, but our soul from our mother’. Chekhov wrote over 500 short stories which included many, many classics including ‘The Kiss’ and ‘The Lady with a Dog’. His collection ‘At Dusk’ won him the coveted Pushkin Prize when was only 26.

Along the centuries numerous interpretations and definitions of Sufism have waxed and waned but the undeniable beauty of their verse in its myriad of forms including the musical Ghazal (love song), Masnavi (narrative) and Rubai (quatrain) always remains. Our chronological volume of the classic Sufi poets helps us understand the spiritual direction of Sufism, starting with Rabia in the 8th century through to Khwaja Ghulam Farid over a thousand years later.

Guy de Maupassant is justly revered as one of the strongest proponents of the short story. The miniature gems he created are woven from the many worlds and strata of society that surrounded him. From feuds and revenge to tales of avarice and friendship de Maupassant is the master of all and second to none.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 46. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Anton Chekhov is amongst the most vaunted of authors. His tales can take a small fragment of a person’s life and turn it into a narrative of unrivalled and compelling power. This volume perfectly illustrates Chekhov and his miniature masterpieces.

Whilst the notion of the Mystic East and Oriental wisdom was greatly romanticised by the Victorians and others, the shadow of Colonialism has smudged the view. These great cultures are some of humanity’s earliest, their works, their art some of its most daring and most accomplished. In these 50 poems across 50 poets we hope, at least in part, to rebalance our view of this subject. We begin in the 6th century BC and travel with a poet’s words and eyes across India, China, Persia and many other places in between.

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

In this volume our classic authors conjure up all sorts of damnations and destructions in literary assaults testing our will to survive and our ingenuity to overcome situations where the outlook is bleak at best and the total extinction of us at worse.

Hector Hugh Munro, more familiarly known by his pen-name ‘Saki’, was born in what was then Akyab in British Burma on 18th December 1870. His father was an Inspector General for the Indian Imperial Police, and his mother the daughter of a Rear Admiral. After a stint working in Burma with the Indian Imperial Police, Saki decided to move to London to make a living as a writer. Initially he wrote as a journalist for a number of newspapers and magazines before attempting an historical study, ‘The Rise of the Russian Empire’, whose real value lay in directing him to writing short stories instead.

Leonid Nikolaievich Andreyev was born on 21st August in Oryol, Russia, to a middle-class family of Polish, Ukranian and Finnish ancestry. In 1898 his first short story ‘Bargamot and Garaska’, published in the ‘Kurier’ newspaper, caught the attention and friendship of Maxim Gorky. Andreyev now discarded any other career path apart from that of author. His classic story ‘Lazarus’ brilliantly tells the story of Christ’s disciple, forced to wander the earth for all time; it is both chilling and heart-breaking in its Russian setting.

Mary Rackham was born in Norwich on 14th August 1848 to a merchant family. Little is known of her early life and her biography only re-appears in September 1871 with marriage to Fairman Joseph Mann, a farmer with 800 acres. She took up writing, partly to offset the dreary village life of her surroundings, in the 1880s and published her first novel, ‘The Parish of Hilby’ (1883) at her own expense. It was well received by the critics. Thus began a career that spanning three decades provided thirty-three novels, hundreds of short stories, and fourteen plays.