検索キーワード： 著者 "Henry Kuttner" すべてのカテゴリー

Henry Kuttner's "Hydra" falls primarily into the genres of horror and fantasy, with elements of occultism and science fiction. The story deals with a dangerous experiment in occultism that opens a door to another dimension, resulting in horrific consequences. It's also considered part of the Cthulhu Mythos, a subgenre of cosmic horror created by H.P. Lovecraft and his associates.

"The Eater of Souls" by Henry Kuttner tells the story of Sindara, the ruler of Bel Yarnak, who confronts a monstrous entity known as the Eater of Souls. This entity's call has been drawing his people to their deaths in the Gray Gulf of Yarnak. Sindara, rejecting the advice of his necromancers and hydromancers, turns to his god, Vorvadoss, for help. After a harrowing battle, Sindara undergoes a horrific transformation, merging with the Eater of Souls to break the cycle of despair. The story ends with his tragic descent into darkness, forever separated from the beauty of his homeland.

"The Secret of Kralitz" by Henry Kuttner tells the story of Franz, the twenty-first Baron Kralitz, who is summoned one night by two figures cloaked in black. These figures, wardens of the Kralitz lineage's secret, reveal a horrifying truth: the Baron is part of a long line bound to a malevolent curse and dark rituals. The story culminates in Franz's realization that each Baron Kralitz is initiated into a brotherhood of blood, and that his own name is inscribed on a sarcophagus, sealing his fate.

Risking his own life force to cure a patient’s psychosis, Dr. Robert Bruno learns of the true individualism of human minds!

Ego Machine is a sharp-witted sci-fi comedy in which a playwright struggling with Hollywood’s absurd demands encounters a futuristic robot with a mind of its own. As reality and fiction collide, chaos ensues in this satirical take on art, technology, and human ambition.

Beneath the crumbling tombstones of Salem's old cemetery, something stirs in the dark. The dead do not rest easy here, not because of ghosts, but because of what lurks beneath—the scurrying, gnawing, ever-hungry things that slither through tunnels older than memory. Massing in the catacombs, these rats are no mere vermin. They are watchers, thieves of the dead, and perhaps something far worse. For every corpse lowered into the earth, another vanishes, stolen away into the labyrinth of writhing shadows.