検索キーワード： 著者 "Lawrence Block" すべてのカテゴリー

In the 1980s, Lawrence Block developed an interactional seminar that adapted elements of the human potential movement specifically for writers. For several years, he and his wife, Lynne, traveled the country conducting seminars that focused on the inner game of writing and designed to enable participants to get out of their own way and put their best work on paper.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

Sound interesting? The author thinks so too! Listen to Born to Be Bad and experience the compelling world of erotica.

Jeff Flanders has a perfectly good life. Until Candace Cain sashays into it, and turns it upside-down. Jeff’s got a good-looking wife; he loves her, and she loves him. He’s got a job, swinging a desk at a semi-shady finance company, signing off on usurious loans to losers; he doesn’t love it and it doesn’t love him, but it’s easy work and it pays the bills. Until a girl called Candy applies for a $1000 loan - with no job, no bank account, no security.

Cold War superspy Evan Tanner lost the ability to sleep on a battlefield in Korea. So where the heck has he been since the '70s? Frozen. Cryogenically. A Tanner-sicle. Which he never thought would happen when he walked into a basement in Union City, New Jersey, more than a quarter century ago. Now he's unthawed and ready to rumble, and his somewhat addled, former super-secret boss, "the Chief", is glad his favorite operative's active again.

MWA Grand Master Lawrence Block presents 23 stories, all of them on the dark side, and all of them set in the city that never sleeps.

Ein Mann kommt in eine Bar und ab da nimmt sein Leben eine Kehrtwendung. Der Mann bringt eine Frau um, flieht vor dem Gesetz und fängt ein neues Leben an, in einer anderen Stadt, und unter einem anderen Namen. Wird ihn seine Vergangenheit irgendwann wieder einholen? Oder schafft er es, mit einem Mord davonzukommen?

The ménage a trois in its many forms has fascinated both observers and participants throughout history. John Warren Wells provides in-depth interviews with all the participants in a manner designed to make the dynamics of these relationships readily comprehensible - but no less intriguing.

In A Woman Must Love, Barbara, a young widow, has vowed to be true to her husband’s memory (even though he’d wished otherwise). She’s courted, and she has a couple of adventures.

The Cold War's boiling over. Global tensions are near the breaking point. So, what's the perfect assignment for a super-spy who hasn't slept since the Korean conflict? A fun-filled trip to the Montreal World's Fair! The adorable little girl he's escorting - who, under different circumstances, would be sitting on the Lithuanian throne - can hardly contain her excitement, but it isn't all playtime for Evan Tanner.

And at one point we decided it might be fun to do a novel together. Not by thinking it out and talking through it and, you know, collaborating in a serious artistic manner. Our method was simpler. One of us would write a chapter, and then the other would write a chapter to come after it, and back and forth, like that, until we had a book. It worked, and by God it was fun. The first of our efforts was A Girl Called Honey, and it started when I wrote a chapter and sent it to Don. And so on, and we stopped when we had a book and sent it to Henry Morrison.

After spending her girlhood writing gentle and thoughtful novels of the lesbian experience (Shadows, Warm and Willing, Enough of Sorrow), Jill Emerson reinvented herself in the early 1970s, just when contemporary literature was experiencing an enormous flowering of sexuality.

There's no glass slipper in this fairy tale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies. Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and she needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment.

Struggling folksinger Ellen Cameron can't believe her luck. Not only is the State Department sponsoring her trip to West Berlin, but her agent has arranged for her to tour Ireland. It's just the break she needs. And better yet, she's meeting the friendliest and most interesting people on her trip, from a kind priest on the plane to a handsome American studying abroad.

In Thirty, the novel pretended to be a diary. That worked fine, and the resultant narrative proved at once challenging and effortless to sustain. I enjoyed writing it, Berkley enjoyed publishing it - and they wanted something else. What they got in Threesome was a novel pretending to be a novel. The premise, as you’ll see, is that the book has been written by its three main characters, Harry and Rhoda and Priss, in the form of a lightly fictionalized chronicle of their own life as a menage a trois.

For 14 years, five-time Edgar winner and MWA grandmaster Lawrence Block wrote a monthly column on fiction for Writers Digest magazine. These columns yielded four books regarded as classics: Telling Lies for Fun & Profit, Spider Spin Me a Web, The Liar's Bible, and now, The Liar's Companion. Listen to The Liar's Companion and gain inspiration to create outstanding fiction.

I wrote three paperback original novels for Berkley under the pen name Jill Emerson, two of them in diary form, the third a presumed collaborative novel written in concert by the three viewpoint characters. These were fun to do and worked out well, and they led to Ronald Rabbit Is a Dirty Old Man. I riffed on the experience of my friend George Dickerson, who, like the novel's protagonist, had the magazine he was editing folded out from under him.

An MWA Grand Master and a multiple winner of the Edgar, Shamus, and Maltese Falcon awards, Lawrence Block’s reflections and observations come from over a half century as a writer of best-selling crime fiction. Several of his novels have been filmed, most recently A Walk Among the Tombstones, starring Liam Neeson.

Five-time Edgar winner and MWA grand master Lawrence Block wrote a monthly column for the Writers Digest magazine for 14 years. The Liar's Bible consists of previously uncollected columns, chosen to illuminate the often dimly-lit path of the writer of fiction.

The craft of writing is a lot like spinning a web: You take threads and weave them skillfully together, and only you know where this intricate network of twists and turns begin and how it will end. Now, with Lawrence Block's expert advice, you can learn this art of entrapping your reader in a maze of fascinating fiction. Spider, Spin Me a Web is the perfect companion volume to Block's previous book on writing, Telling Lies for Fun and Profit, which Sue Grafton noted "should be a permanent part of every writer's library".