検索キーワード： 著者 "Mary Wollstonecraft" すべてのカテゴリー

It tells the story of a young woman whose mother died in her childbirth - just as Shelly's own mother died after hers - and whose relationship with her bereaved father becomes sexually charged as he conflates her with his lost wife, while she becomes involved with a handsome poet.

Mary Shelley wished with her classic Gothic novel Frankenstein to "make the reader dread to look round, to curdle the blood, and quicken the beatings of the heart". Mary Shelley succeeded. Victor Frankenstein finally fulfills his dream of creating his own living creature, stitched together from the macabre remains of corpses. To his horror he finds he has created something even more ghastly than in his worst imaginings. Frankenstein has created a monster with a soul!

The story concerns a scientist, Victor Frankenstein, who conducts a great experiment to see if he can create a living being from the body parts of corpses. Only whe the experiment is successful does he begin to think of the ethics and consequences of what he has done. The creature he created becomes embittered when he finds that no one will love him becuase of his appearance.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

Mary Wollstonecraft Shelley was an English romantic and gothic novelist who is most famous as the author of Frankenstein, or The Modern Prometheus. She was married to the notable Romantic poet Percy Bysshe Shelley. She also wrote a number of shorter "tales of the unnatural", of which "The Mortal Immortal", a story of a man who will not die, is the most famous.

Following the framework of a tale within a tale, Mary Shelley's novel Frankenstein, which features the subtitle The Modern Prometheus follows the scientific - and at times horrific - exploits of Victor Frankenstein. Victor studied alchemy in college, and after a mere two years he figures out that he can put human body pieces back together and restore the entire corpse to life.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.

The real love story of Frankenstein! Released from a promise to keep portions of her journey secret, Mary Shelley lays her soul bare in the intimacy of love, loss, and betrayal, the search for a mother's validation, and inspiration as a woman artist discovering her voice.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

"Frankenstein" begins in epistolary form, documenting the correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame and friendship. The ship becomes trapped in ice, and, one day, the crew sees a dog sled in the distance, on which there is the figure of a giant man. Hours later, the crew finds a frozen and emaciated man, Victor Frankenstein, in desperate need of sustenance.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Victor Frankenstein is a driven man. His single-minded scientific drive has controlled his life from childhood. It has driven him to do the unthinkable, to carry out fiendish, craven tasks, to do that which only God has done before. His goal of creating life - a living, thinking being, a man - has come to pass. Little did he expect that his zeal would forge a monster, an intelligent being set upon Victor's complete destruction.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

Set against the backdrop of a world and society in turmoil during the various revolutions across the globe, and written before the term “feminism” had become popularized, A Vindication of the Rights of Woman is a treatise that explains the ways in which women were mistreated and marginalized. Specifically, this explication was writing to respond to a particular popular idea of the time: that women were unsuited for getting their own educations and were better off living private, quiet lives in service of husbands.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

Brought to you by Penguin. This Penguin Classic is performed by celebrated British novelist Jeanette Winterson, CBE. This definitive recording includes an introduction to the audio edition written and performed by Jeanette Winterson. Writing in an age when the call for the rights of man had...

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

First published in 1792, Wollstonecraft’s groundbreaking essay, written against the tumultuous backdrop of the French revolution, was an immediate success. Challenging the idea that women are inferior to men, Wollstonecraft argued that women deserved the same access to education, and the chance to develop as independent individuals. Blending Enlightenment ideals with sharp social critique, this pioneering work laid the foundation for modern feminist thought, provocatively – and successfully – defying gender norms in the eighteenth century.