検索キーワード： ナレーター "Maggie Weber" すべてのカテゴリー

The story begins on a distant planet, home to a seemingly ordinary orphanage that harbours extraordinary children. Among them is Blue-46-O4-1000, a genius driven by an unending urge to uncover the meaning of a cryptic message in his head. Meanwhile, the Elismere, led by its captain, Jack, and backed by one of the galactic superpowers, has spent years trying to expose the misdeeds of a secretive order that holds sway over the galaxy. Their relentless quest for truth attracts unwanted attention, forcing them into a fight for survival and leading them to form unexpected alliances along the way.

Colt Sturgess is hell-bent on a mission of revenge. A trail of abandoned towns leads him to a group of travelling body harvesters seeking eternal life. Along the way, he meets four people and a team of mercenaries who will alter his perspective. The reluctant hero must first face a mad professor, ghouls, demented twins, a charnel house of reanimated flesh, and himself before making the ultimate choice.

Greg is a reporter who is about to get the story of his life. The Prophet, an elusive figure who makes predictions about disasters has just tapped him to do an exclusive interview. Except Greg's not really a reporter. Two minutes before entering his apartment, he didn't exist and when he meets the Prophet he finds out his true purpose- to kill the Prophet. But killing someone who is near omnipotent isn't easy, in fact, it takes more than one try even if you get it right.

I'm Rick. AKA, Beelzebub. AKA, Mephistopheles. AKA, Old Hat. AKA, Mr. Scratch. AKA... AKA... AKA. You may think of me as the Father of Lies, but for the record, I'm also the Daddy of Mammon and Steve. But both of them are b-holes. In fact, all my hellspawn are. So, I got this idea. I wanted to have a kiddo with a human. I had it all lined up for this adult film star to carry my seed, except the demon who shall remain unnamed screwed up and impregnated the wrong person.

Alberta “Sanz” Sanchez and Baker Koma Kulshan White battle ghosts cycling through the terrors of their past existences without witness or reprieve. Heir to Whitmore Manor, a mansion filled with what “Sanz” refers to as a fine collection of sins, she and Baker become embroiled in the potent memories of slavery, abuse and murder of Chinese children indentured into the coal industry, centering on the afflictions suffered under the witch’s cap turret in the Whitmore Mansion. As they begin a relationship, they note that darkness can hide a multitude of sins. Or a fine collection of them.