検索キーワード： 著者 "D.H. Lawrence" すべてのカテゴリー

The inevitable is understood by each and every one of us who faces the final calling. So too are the effects on those left behind. The memories are there but the empty space, the void can never be refilled. It remains a dark, unreliable pit of loneliness. The sadness and often depression, the lack of will to continue may swamp us all. Unquenchable, undeniable. But loss can, after mourning, give the opportunity to reappraise the lost and how we can each move forward. In the literary world an accessible balance can be given.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When D.H. Lawrence's Lady Chatterley's Lover first appeared in print in the late 1920s, it was an immediate sensation. A vivid—often graphic—exploration of infidelity, sexual awakening, intimacy and free thinking, Chatterley was banned in Britain, America and dozens of other countries for its frank depiction of the sexual act, explicit descriptions of physical love and the liberal use of once-prohibited four-letter words.

Step into a world where social dynamics and personal ambitions intertwine, exploring the intricate dance of relationships and self-discovery. This podcast captures the essence of navigating societal expectations and individual desires, offering a rich collection of stories that reflect these universal tensions. Each week, listeners are treated to a new full-length audiobook, showcasing a diverse range of perspectives, time periods, and narrative styles. With every episode, gain fresh insights and broaden your understanding of human nature and society. New books are added weekly, keeping the ...

Lawrence wrote The Plumed Serpent between 1923 to 1924, a time when he was in ill health, living in Mexico, and becoming dependent on his wife Frieda. The plot revolves around a movement to replace the Christian God with the old pre-conquest gods, such as Quetzalcoatl, the plumed serpent of the title.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.

Here we journey with our classic poets from Christina Georgina Rossetti and Thomas Hardy to Frances W. Harper and Kipling, not only the ways, the wonders and the women who take on the responsibility to raise children no matter the problems or dangers to themselves, but also the difficulties and sometimes desperate tragedies that motherhood can involve. We hope these poems inspire every generation to reach out and better themselves and those around. This is our tribute to mothers everywhere.

Written in 1913, D H Lawrence's first major novel, Sons and Lovers, was the one of the earliest in the English language to explore a close-knit mining community from the inside. Lawrence's semi-autobiographical novel, set in the Nottinghamshire coal fields, is renowned for its accurate portrayal of working-class life and for its use of local dialect. It traces emotional conflicts through the protagonist, Paul Morel, and his suffocating relationships with his over possessive mother, and the women he falls in love with.

Women in Love (1920) is a novel by English author D. H. Lawrence. It is a sequel to his earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula Brangwen and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author.

Siegmund deserts his family in the London suburbs for a five day holiday on the Isle of Wight with his lover and violin pupil Helena. Despairing of both his marriage and his future with Helena, Siegmund returns home and takes his own life. Made of stronger stuff, Helena and Beatrice, his wife, move on.

This overlooked work of Lawrence contains both beautiful descriptions of his travels in Italy during this period as well as a thoroughly engrossing portrait of a man, M, who he meets and can't quite get away from for months until the end. This true story grabs at you on several levels. Originally published as the introduction to M's work, Memoirs of the Foreign Legion, it stands on its own.

Following the death of her parents, a young and innocent Fanny Hill travels to London to find work. She has barely arrived, however, when she is lured into a brothel and has a sexual experience with another woman. A costumer gets her out of there and becomes her lover, but a whole new world has opened to Fanny, who sets out to explore all the pleasures her body has in store for her. Considered the first prose pornography ‘Fanny Hill - Memoirs of a Woman of Pleasure’ (1748) is one of the most prosecuted and banned books of all time.

Lawrence wrote three drafts of ‘Lady Chatterley’s Lover’ between 1926 and 1928: ‘The First Lady Chatterley’s Lover', this audiobook, ‘John Thomas and Lady Jane’ and the final version, ‘Lady Chatterley’s Lover’. Although all three books have the same story line of an aristocratic woman falling in love with a working-class man, there are differences in their tone and sensibilities.

"In Love" handles a serious subject in a light, almost comic way. A couple are engaged but have no sexual feelings for each other. The tensions, as they try to do what is expected of them, explode until a compromise is reached. But will the marriage last?

"None of That" concerns itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper with imagination, but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude, and can only bring unhappiness on herself if she tries to live on her own terms.

Two Blue Birds tells the tale of the classic triangle of the man, the wife and the secretary, who struggle to work out what their relationships are with each other. Neither of the women seem to want the man sexually but the secretary offers devotion while the parasitic wife has more insight into the man and his work. All the relationships seem unhealthy, all three seem to want something different but are incapable of expressing what they desire.

"The Man Who Was Through With the World" picks up the same themes as in Lawrence's short story "The Man Who Loved Islands". He asks if we can ever withdraw from the world, no matter how much it disgusts us. The ironic part of this fragment is that the hermit vainly seeks to think holy thoughts while all around him is the natural world which could provide his life with meaning. The fragment is unfinished, leaving the listener to wonder if the hero would return to the world, if the world would come to him, or if nature would take its course and let him die in his hut.

"The Undying Man" is a slightly unfinished piece, drawing its inspiration from Shelley's Frankenstein about the creation of life and the fear of death. It is interesting to speculate where Lawrence would have gone with the story, but the sound of broken glass is the most likely ending.

"The Blue Moccasins" has the charm of looking at some eternal human problems such as unequal marriage, the waning of sexual desire, and a woman who cannot give herself wholly to her husband in a thoroughly English and local setting: the stage of an amateur dramatic society where all the passions and delusions come to a head.