検索キーワード： 著者 "George Eliot" すべてのカテゴリー

Silas Marner, a reclusive weaver shunned by the villagers of Raveloe, lives a solitary life marked by suspicion and isolation. Once cast out from his religious community due to false accusations, he finds comfort in his weaving and a growing obsession with gold. However, the sudden loss of his treasure and the unexpected arrival of a small child turn his world upside down, leading him on an unforeseen journey of redemption and connection. - Summary by Sarah Bacaller

Delve into George Eliots beloved novel, Silas Marner, set against the backdrop of early 19th century England. Follow the poignant journey of Silas, a weaver shunned by society after being wrongfully accused of a crime. Retreating to a solitary existence in the village of Raveloe, he dedicates himself to weaving and hoarding gold for fifteen lonely years. However, unexpected events begin to reshape his life and rekindle his faith in humanity, leading to a heartwarming transformation. (Summary by T.Hynes)

Delve into George Eliot’s 1859 novella, The Lifted Veil, which breaks away from the realistic narratives of her more renowned novels like Middlemarch and Daniel Deronda. This haunting tale echoes the works of middlebrow Sensationists, such as Wilkie Collins (The Moonstone), and renowned Victorian horror writers like Bram Stoker (Dracula) and Mary Shelley (Frankenstein). Eliot navigates the realm of the unseen, exploring mystical themes and the psychological underpinnings of her protagonist, Latimer, whose supposed clairvoyance is intricately tied to his tumultuous early life. As Latimer ...

Impressions of Theophrastus Such is the final work of fiction by George Eliot, published in 1879. This innovative piece stands out as Eliots most experimental endeavor, presenting a collection of literary essays penned by an imaginary minor scholar. Through these essays, the eccentricities and complexities of the scholars character are artfully revealed, inviting readers into a rich exploration of thought and perspective. (Summary from Wikipedia)

Set against the backdrop of the river Floss in the early 1820s, Mill on the Floss paints a vivid portrait of the lives of Tom and Maggie Tulliver, a brother and sister navigating the challenges of family, love, and societal expectations. Over the span of 10-15 years, we follow their journey from childhood to the tragic end of their lives in a flood. This semi-autobiographical novel by George Eliot (Mary Ann Evans) explores Maggies tumultuous relationships with her brother Tom, her sensitive friend Philip Wakem, and the charming Stephen Guest, who is engaged to her cousin Lucy Deane. Through ...

Considered one of the great English novels, George Eliot's Middlemarch, A Study of Provincial Life follows myriad characters and their lives in the eponymous town, Middlemarch, in the 1800s. Utilizing a realistic style, Eliot considers issues such as religion, education, and the status of women—to name just a few.

In the quiet world of rural English clergy, lives are full of challenges, conflicts, desires and expectations. George Eliot’s first published work of fiction (1857) comprises three separate stories and has the hallmarks of her famous later works–her gentle wit and clever satire, her psychological insight, and her keen observation of human nature and frailty. These are beautifully written and poignant tales, set in and around the fictional Midlands town of Milby.

Explore the intricate dynamics of society and personal ambition through the lens of provincial life, as suggested by this title. The tensions between individual aspirations and societal expectations drive compelling narratives that resonate across generations. Our podcast offers a rotating collection of complete audiobooks, each week presenting a new title that captures the essence of such societal and personal struggles. From different time periods and varied perspectives, this series invites listeners to gain insight and broaden their understanding of human motivations and relationships. New...

The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can't help trying to subvert his vividly glimpsed destiny, it is easy to understand The Lifted Veil as being autobiographically revealing of Eliot's sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella's publication).

A commentary on guilt, material wealth, community, religion, and more, this novel is a thought provoking yet heartwarming tale. Banished from his church after being falsely accused of theft, Silas Marner becomes a bitter hermit consumed only by the wealth and goods he has been able to attain in exile. After losing everything he loved from his past, he clings now to the materials he has gained since. However, he must suffer through losing those too and instead gain the love of an innocent orphan to find the redemption he didn’t know he needed.

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

This powerful and moving 1860 novel is believed to be George Eliot’s most autobiographical novel. She was certainly referencing personal experience when she wrote the character of Maggie Tulliver.

In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women’s fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women’s intellectual capacities within society.

"The Mill on the Floss" is George Eliot’s second novel, and was published in 1860, only a year after her first, "Adam Bede". It centres on the lives of brother and sister Tom and Maggie Tulliver growing up on the river Floss near the town of St. Oggs (a fictionalised version of Gainsborough, in Lincolnshire, England) in the years following the Napoleonic Wars, with both as young adults eventually meeting a tragic end by the Mill which the family holds so dear.

"Impressions of Theophrastus Such" is a work of fiction by George Eliot, first published in 1879. It was Eliot's last published writing and her most experimental, taking the form of a series of literary essays by an imaginary minor scholar whose eccentric character is revealed through his work.

George Eliot was the pen name of Mary Ann Evans – an ironic ‘deception’ given that "Adam Bede", her first novel, is written unashamedly from a feminist standpoint. The story centres on a pastoral love triangle. Two young men, carpenter Adam Bede and squire Captain Arthur Donnithorne, are both in love with the mercurial Hetty Sorrel. There’s a further love interest between Adam and beautiful lay preacher Dinah Morris. The setting is a country village in the north of England in the last years of the eighteenth century.

Reputed as Eliot’s favourite novel "Silas Marner" is set in the early years of the 19th century. Marner, a weaver, is a member of a small congregation in Lantern Yard. Falsely accused of a crime he didn’t commit, he leaves his home and lives a solitary life near the village of Raveloe. Dedicating his life to weaving and hoarding gold for the next fifteen years, circumstances beyond his control shape his destiny and help to restore his faith in humanity.

Among the many fatalities attending the bloom of young desire, that of blindly taking to the confectionery line has not, perhaps, been sufficiently considered. How is the son of a British yeoman, who has been fed principally on salt pork and yeast dumplings, to know that there is satiety for the human stomach even in a paradise of glass jars full of sugared almonds and pink lozenges, and that the tedium of life can reach a pitch where plum-buns at discretion cease to offer the slightest excitement.

George Eliot’s 1859 novella, "The Lifted Veil", departs radically from the grounded realism of her longer and better known works, such as "Middlemarch" and "Daniel Deronda". Its tone calls to mind the works of middlebrow Sensationists, like Wilkie Collins ("The Moonstone"), and of some of the better known authors of Victorian era horror writings, such as Bram Stoker ("Dracula") and Mary Shelley ("Frankenstein"). Eliot here explores mystical themes, considering the world of phenomena which are felt but not seen.