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The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England, the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

Andrew Marvell was born in Winestead-in-Holderness, in the East Riding of Yorkshire on March 31st, 1621. He was educated at Hull Grammar School, and at the age of 13 he attended Trinity College, Cambridge, and eventually received his BA degree. It is thought that in 1642 Marvell travelled in Europe and, while England was embroiled in its civil war, remained there until 1647, mastering several languages including French, Italian and Spanish.

In the war a great volume of poetry was written, produced and published in books, periodicals, newspapers or letters back to home. We often think of war as a necessity. We fight for a more just and better world. We often fail. But in our poets we gain a truth and a morality that shocks us, consoles us and holds our values to the light. In this volume we hear poems from the front, from home, from soldiers, from auxiliaries, from friend and from foe.

The church building has been pivotal to man’s spiritual and religious life for centuries. For many the interior of a church is literally their one to one with God. The interiors, whether soaring or simple, ornate or minimal, are built for communion, for worship. Outside and surrounding our many churches is the churchyard; the burial ground, the repository for faithful souls. An all-weather idyll of calm around where many a poet has sat and contemplated the surrounding world.

George Meredith, OM, was born in Portsmouth, England on February 12th, 1828. His mother died when he was five. As a 14-year-old he was sent to a Moravian School in Neuwied, Germany, staying there for two years. After reading law he was articled as a solicitor but quickly abandoned that career path for journalism and poetry. He collaborated with Edward Gryffydh Peacock, son of Thomas Love Peacock, in publishing a privately circulated literary magazine, the Monthly Observer.

Keats. A short life but a legacy of works that few, if any, can rival. And of course his end was to be tragically Romantic. Keats was returning one night to his home in Hampstead when he coughed. He coughed a single drop of blue blood upon his hand and said, ‘I know the colour of that blood, it is arterial blood, it is my death warrant, I must die’. And so it was that tuberculosis took its slow, devastating hold.

William Morris was born in Walthamstow, London, on 24 March 1834 and is regarded today as a foremost poet, writer, textile designer, artist and libertarian. Morris began to publish poetry and short stories in 1856. Morris' fascination with the ancient Germanic and Norse peoples dominated his writing, and he was the first to translate many of the Icelandic sagas into English. He also published limited-edition illuminated style books, with his design for The Works of Geoffrey Chaucer standing out.

Strictly speaking The Lake Poets were not a movement or school of poetry. They were only so named as such by The Edinburgh Review so that they could be disparaged. It was a spectacular backfire! The three main figures would be rightly seen as among the most monumental figures in English poetry - William Wordsworth, Samuel Taylor Coleridge and the underrated but immense Robert Southey, himself a 30-year poet laureate.

Samuel Taylor Coleridge was born on October 21st, 1772, in Ottery St Mary in Devon. As a child he was an early and devoted reader, and after being schooled at Christ's Hospital, a charity school, he attended, from 1791, Jesus College, Cambridge, and the following year won the Browne Gold Medal for an ode on the slave trade. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the 'Lake Poets'. Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade. Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler.

George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron, was a leading English poet in the Romantic mMovement along with Keats and Shelley. Byron was born on January 22nd, 1788. He was a great traveller across Europe, spending many years in Italy and much time in Greece. With his aristocratic indulgences and flamboyant style, along with his debts and a string of lovers, he was the constant talk of society.

Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family. He was educated at Eton and at Balliol College, Oxford, but did not complete a degree. In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year Poems and Ballads brought him instant notoriety. He was now identified with 'indecent' themes and the precept of art for art's sake.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

John Clare was born on 13th July, 1793 in Helpston, a few miles north of Peterborough. Schooled only until the age of 12, his early career was that of agricultural labourer, pot boy, gardener and lime burner. His early life of hardship and frequent malnutrition led to his diminutive stature of five feet and contributed to his later health problems. In 1820 his first poems were published and began to earn him a reputation as the 'Northamptonshire Peasant Poet'. His poetry sold well, but only occasionally did that and other incomes keep his head above water.

Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the 23 year age difference.

The Graveyard Poets, also known as 'Churchyard Poets' or 'the Boneyard Boys' began in pre-Romantic days with a leaning towards gloom, melancholy and the general decay of churchyards. It should be remembered that in the 18th century city graveyards were a teeming mass of overcrowding and disease, their country brethren better but hardly idylls of worship. What would eventually lead to the Gothic literary genre began, in the main, with reflections by Christian clergymen upon God, mortality and the assumed afterlife.

In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection, but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic, and by May 1868 Hopkins firmly 'resolved to be religious'. Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years.

Benjamin 'Ben' Jonson was born in June 1572. A contemporary of William Shakespeare, he is best known for his satirical plays Volpone, The Alchemist, and Bartholomew Fair and his equally accomplished lyric poems. A man of vast reading and a seemingly insatiable appetite for controversy, including time in jail and a penchant for switching faiths, Jonson had an unparalleled breadth of influence on Jacobean and Caroline playwrights and poets.

In 1667, Dryden published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London. This work established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate in 1668 and a couple of years later, historiographer royal (1670), as his talent encompassed many forms; from poetry to plays to translations. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697).