検索キーワード： ナレーター "Steven Crossley Crossley" すべてのカテゴリー

‘As gripping as any spy thriller, Hastings’s achievement is especially impressive, for he has produced the best single volume yet written on the subject’ Sunday Times ‘Authoritative, exciting and notably well written’ Daily Telegraph ‘A serious work of rigourous and comprehensive...

We are taught that the world is a top-down place. Acclaimed author, Matt Ridley, shows just how wrong this is in his compelling new book. We are taught that the world is a top-down place. Generals win battles; politicians run countries; scientists discover truths; artists create genres...

Brought to you by Penguin. The second Jackson Brodie novel (after Case Histories): literary crime from the prizewinning, number-one bestselling author of Big Sky and Transcription. It is summer, it is the Edinburgh Festival. People queuing for a lunchtime show witness a road-rage incident - a...

Sung in moments of personal isolation or on state occasions watched by millions, “Amazing Grace” has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation.

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."

Thailand, 1996: Supot, a postman with the Royal Thai Mail service, hates his job. The only bright spot in his life is watching classic movies with his best friend, Ali, the owner of a video store. These cinephiles adore the charisma of the old Western stars, particularly the actresses, and bemoan the state of modern Thai cinema—until a mysterious cassette, entitled Bangkok 2010, arrives at Ali’s store.

In this sweeping philosophical work, Amartya Sen proposes that the murderous violence that has riven our society is driven as much by confusion as by inescapable hatred. Challenging the reductionist division of people by race, religion, and class, Sen presents an inspiring vision of a world that can be made to move toward peace as firmly as it has spiraled in recent years toward brutality and war.

A skeleton buried on a lonely Northumberland hill? Nothing wrong with that. Garrigill was once an ancient burial ground. Archaeologist Rena Williams is here to excavate the site. She is an old friend of Arnold’s. And with his help, her team have uncovered more than a few old bones already. But never like this. The bludgeoned skull, the modern dental work…nothing about this death feels accidental. Or even all that old. Who was the dead man, and what did he know that was worth killing for?

From the moment Karen Stannard comes striding in the door, Arnold Landon knows his workplace will never be the same. Now, he is saddled with a project he never wanted: the Ridgeway Viking Trust. Its shady leaders tell him there’s treasure buried in the rolling Northumberland Hills—they just need one more payout to reach it. But is there more to the Trust than meets the eye? Muck-raking journalist Alan Crickley seems to think so. He’s got the scent of corruption and he’s on the trail... Until the day he drives his car into a ditch, a stone’s throw from the dig.

Colin Bannock is hiding quite the secret. By day, he’s a smooth-talking lawyer. After hours, he is someone else entirely. He corners Arnold Landon, wanting him to join his society of history fanatics. Appalled, Arnold declines outright. He’s never been a joiner and, besides, he has enough on his plate already. He is hunting for a lost and ancient treasure. And he knows the hiding place is close. Then Bannock’s body washes up on the banks of the River Tyne, battered and bloated beyond recognition. Was he also chasing the mythic treasure?

“A tour de force of storytelling.” —Louise Penny, #1 New York Times bestselling author of the Chief Inspector Gamache series “Jobb’s excellent storytelling makes the book a pleasure to read.” —The New York Times Book Review ”When a doctor does go wrong he is the first of...

Late one night, Lynne Anderson reveals to her lover that she has something to tell him. And it’s not just pillow talk. But before she can spill her shocking secrets, a shooter silences her and her lover for ever. Meanwhile, her husband Kevin Anderson has disappeared, leaving behind only a partial report on the ancient tower houses he and Arnold Landon are reviewing. Arnold is left trying to puzzle out Kevin’s skimpy notes. But the deeper he gets the more he fears for his missing coworker.

Arnold Landon steps out with his lady friend, hunting for relics on the deserted dig site where he works. Before long, they stumble on something under a bridge. The mangled remains of Arnold’s fellow historian. His chest gapes open, his insides arranged in a pair of bloody wings. Arnold’s no expert, but he knows a blood eagle when he sees one—the handiwork of a berserker warrior. Mad with blood lust and out for vengeance.

Andrews is found dead in his own living room. His head blown to bloody smithereens. Who will finish what the dead man started? The publisher turns to Arnold Landon. And why wouldn’t he pick up the mantle? Everyone tells him it’s safe. The police have their man for Andrews’ killing. But the closer Landon gets to Andrews’ checkered past, the less certain he becomes. Could the true killer be out there still? Watching, waiting for his chance to strike again …

A haughty professor comes calling on Arnold Landon for research assistance. But he’s overlooked an important fact. Landon already has a job at the council—along with a raft of superiors who’d rather he focused on the dispute at hand. Namely, who is the rightful owner of the Kilgour Estates? And the opulent manor house in the grounds? Dashing rake Patrick Yates insists it’s all his. But a black sheep in the family returns to claim otherwise. Who is telling the truth?

William Marble is in serious debt, struggling to keep his family afloat, and close to facing bankruptcy when an opportunity presents itself. His rich nephew visits one night, giving Marble the chance to slip poison into his drink. When Marble has all the money he has ever dreamed of, he thinks life will surely be easier for him. Instead, his troubles are just beginning, as things are about to get a whole lot worse. Slowly William’s family becomes caught in a dangerous web of fear, secrets, and blackmail.

The year is 2024, and the residents of the Tower, a virus-proof apartment building, live in a state of permanent lockdown. The building is controlled by James, who keeps the residents safe but incarcerated. Behind bricked-up front doors, their every need is serviced; they are pampered but remain prisoners. This suits Eugene just fine. Ravaged by the traumas of his past, the agoraphobic ex-detective has no intention of ever setting foot outside again.

Arnold Landon finds himself drawn into another bitter dispute over land—in which a defenseless old woman pays the ultimate price. To the casual observer, Penbrook Farm might seem like a ramshackle hovel, buried deep in the woods of Northumberland. But to fragile old Sarah Ellis, it’s home. And the developers can have the place over her dead body. Of course, no one ever expected it to come to that.

Arnold Landon can’t help but feel drawn to Oldham Manor, an atmospheric medieval house in the middle of nowhere. When he is invited to catalogue the library there, he jumps at the chance. The place is a maze of musty old papers and books. And that’s not all. Late one night, he stumbles on a secret passage, twisting deep under the ground. Where will it take him? And why was it walled up? When a stranger turns up dead in a ditch, Landon begins to realize that someone is watching his every move. And they have a plan to ensure the past stays buried for good.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne.