検索キーワード： ナレーター "Taryn Ryan" すべてのカテゴリー

Paige and Nick are happy. They have a beautiful home, a loving family, and most importantly, they would do anything for each other. Now, they are having a baby, and it feels like all their dreams are coming true. But joy turns to despair when they discover that Paige has a rare, life-threatening heart condition and they lose their longed-for child. Heartbroken, the couple must accept the reality that they may not become parents after all. Just as they begin to come to terms with their loss, Paige unexpectedly falls pregnant again.

Adelaide, 1931: Telephone switchboard operator Frances’ life is difficult as sole provider for her mother and adopted uncle. But it’s thrown into turmoil when she overhears a suspicious conversation on the phone, planning a murder. If a life is at risk, she should tell the police; but that would mean breaking her confidentiality clause and would cost her the job. And Frances soon begins to doubt the evidence of her own ears - it was a very bad line, after all. She decides to put it behind her and meets slightly dangerous nightclub owner Jack.

If you passed Alice on the street, you couldn’t help but smile. At how she holds hands with her husband, Jack, who she has been with since she was at university. At the way she admires her three boys, the center of her universe. But if you looked very closely, you’d see how tightly she holds Jack’s hand, afraid to let go. You’d see how carefully she watches her boys, scared to look away. She has told Jack that she ran away from home when she was younger - but she didn’t tell him the whole story.

Sydney journalist Chloe Brown is left devastated when her long-term boyfriend finally admits he never wants children. Impulsively, she takes a job on a small country newspaper in Queensland's far north to escape disappointment. But she soon realises that no place is free from trouble or heartache. The grouchy news editor, Finn Latimer, is a former foreign correspondent who has retreated after a family tragedy. Emily, the paper's elegant, 60-something owner, is battling with her husband's desertion. Meanwhile, the whole town is worried when their popular young baker disappears. 

In 1841, Australia's first children's book was published, the anonymous writer known only as 'a lady long resident in New South Wales'. The identity of the author was one of the most puzzling literary mysteries until 1981, when she was finally given a name: Charlotte Waring Atkinson. Today, her great-great-great-great-granddaughters Kate Forsyth and Belinda Murrell are also celebrated authors. They grew up on stories about Charlotte's life of love, grief and violence - and her struggle to assert an independent spirit.

It’s a dream come true for Frances Palmer: a voyage from Australia to England on the Empress of the Sea, together with her fiancé, Jack Sullivan, and her uncle Sal, a.k.a. ‘Salvatore the Magnificent’. They’ve been hired to entertain the passengers with magic tricks and daring stunts. But all is not well below deck, with jealousy and larceny ruffling the cheerful atmosphere. Frances and Jack soon find themselves in stormy seas, together with newfound allies.

To overcome her tragic past and move on, Bingun school teacher Tilly Schroder longs to love again, but her yearning lies neglected. Instinct tells her there is more behind the accidents five years ago, but how to uncover the truth? When a stranger returns to the district, change rustles into the small country town. New information comes to light, the catalyst for long hidden revelations. Can Tilly resist his mysterious appeal to finally break free and leave the past behind?

Crime fiction is the single most popular genre in international publishing, and Australia has some of the finest practitioners when it comes to walking the mean streets and nailing the bad guys. Australia's best crime writers - Michael Robotham, Kerry Greenwood, Shane Maloney, Peter Corris, Tara Moss and more - share the secrets to their success, their best-ever writing tips and their favourite 'must reads'. An ideal guide for aspiring writers and crime fiction fans alike.

1931. Frances Palmer is overjoyed when her brother, Rob, returns to Adelaide as a racecourse veterinarian. But all is not well on the turf, and when a man is murdered, there's only one suspect - Rob. Frances and her boyfriend, charming night-club owner Jack Sullivan, along with ex-vaudevillian Uncle Sal and their friends, have only one chance to unmask the real murderer by infiltrating the racecourse. The odds are against them...luckily, putting on a dazzling show where everything depends on sleight of hand is what they do best. But nothing is a dead cert against a cold-blooded killer.

Kree Garrett's younger brother Seth is all the family she has left, so when he goes missing while working in the Australian outback, she races from America to join in the search. To everyone's relief, Seth is rescued just in time by local volunteers and Kree finds, in an abandoned historic Cobb & Co coach house, the opportunity to thank the community she's fallen in love with. But it isn't only the town she's fallen for....

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

The Kane family, Lorcan, Naiyana and their young son, relocate from Perth to Kallayee, an abandoned mining town in the Great Victoria Desert to start over again, free from their chequered past. The town seems like the perfect getaway: Peaceful. Quiet. Remote. Somewhere they won’t be found. But...

An insurance investigation sounds pretty harmless, even if it is for 'Unusual Happenstance'. That's not usually a clause Normals use—it covers all-purpose hauntings, angry genii loci, ectoplasmic home invasion, demonic possession, that sort of thing—but Susan Beckett's claimed three times in three months. Her house keeps getting inundated with mud, but she's still insisting she doesn't need or want help... until the dry-land drownings begin.

'I find it impossible to read [Wood's recipes] without feeling a burst of fresh energy for the kitchen. . . essential nourishment for the reader every bit as much as for the cook' NIGELLA LAWSON To award-winning novelist Charlotte Wood, cooking is 'creativity in its purest form', nourishing the...

What if being alone isn’t something to fix ? but something to embrace? We've been sold the story that happiness requires a partner. That being single is a waiting room, a problem to solve, a gap to fill. But what if the most transformative relationship you'll ever have is the one with yourself?...

Stephanie cradles her coffee and gazes out to the little house at the end of her garden. The family who just moved in seem perfectly nice, if a little odd. And it’s only now that Stephanie realises: if she can see them, they can see everything inside her house, too… Single mother Stephanie is more than happy to welcome the Kemps to her property. Tragically, they have just lost everything in a fire. The rent money means Stephanie can keep her children in this beautiful, rambling home – so expensive to run, since the divorce – all while helping the Kemps get back on their feet.

When a teenage girl with haunted eyes enters Bec’s world, she stirs something in Bec she thought she’d buried long ago. Still reeling from the loss of her husband, Bec is barely keeping her life together. But there’s something about Skye, motherless, wary and alone, that reaches into the shadows of Bec’s past. Twenty years ago, she was that lost girl, grieving her twin brother and cut off from her parents after one terrible night. Now, with the threat of those same parents re-entering her life, Bec makes an impulsive decision: she offers Skye food, shelter and the promise of help.

When Space Captains Star Girl, Comet XS and Asteroid are sent to investigate, things get a little batty. On Planet Cavernellus caves are being bleached, and the alien babies are no longer hatching.

Planet Rednessis has been plunged into total darkness, and the reptaliens are turning on each other. When Space Cadet Star Girl goes with her two besties to investigate, they learn that being kept in the dark can be disastrous. Can the cadets sort themselves out in time to save both the planet and its inhabitants?

The GDC's alien community is in danger and needs help. When Space Captain Star Girl and three other captains are sent on a rescue mission to the GDC's space station, they know it's Make or Break. Can they break the evil spell, make it to agent year and save the alien community?