検索キーワード： ナレーター "Mark Rice-Oxley" すべてのカテゴリー

Richard Henry Malden was born in 1879. During his career he was a prominent Anglican churchman, editor, classical and Biblical scholar, as well as a writer of ghost stories. He died in 1951.

This story was printed with some fanfare in Pearson’s Magazine and lauded for its originality. Despite its success the author is as mysterious now as he was then. Did he write other stories? No one knows.

Amyas Stafford Northcote was born in 1864 to an aristocratic family. His literary career was mainly centered on one book ‘In Ghostly Company’ which, at the time, were favourably compared to those of M R James. He died in 1923.

Frederick George Loring was born in 1869. He was an English naval officer and writer, and an early expert in wireless telegraphy. As a writer his talents extended to both poetry and the short story; ‘The Tomb of Sarah’ being a classic of the genre. He died in 1951.

Edmund Gill Swain, born in 1861, was an English cleric and author. As a chaplain of King's College, Cambridge, he was a colleague of the scholar and author M R James. Swain is best known for his 1912 short story collection ‘The Stoneground Ghost Tales’. He died in 1938.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Mary Wollstonecraft Godwin was born on the 30th August 1797 in Somers Town, London. Her mother, the famous feminist philosopher, educator, and writer Mary Wollstonecraft died when Mary was only 11 days old and she was raised by her father. Her short stories, some based in Europe, tackle difficult situations and genres as well the obstacles that women were burdened with in society. Her editorship of her late husband’s poetry was also widely praised.

John Ferguson was born on the 18th August 1881 in Stirling in Scotland. His literary canon is exceedingly small, this being the only volume of his poems ever published. What is known is that he suffered from ill-health and these poems were written whilst in a sanitorium. The book itself was very successful after its publication in 1912, with at least 14 editions published during his lifetime. John Ferguson died on the 8th March 1928 and is buried in the cemetery at Stirling Castle. He was 46.

Richard Ellis-Roberts was born in 1879. In his literary career he was primarily a writer and translator and for short spells the literary editor of the New Statesman and Time and Tide. His short stories frequently investigate dark and malevolent forces. He died in 1953.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature. Jospeh Conrad died on the 3rd August 1924 at Bishopsbourne, Kent in England.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Sax Rohmer was born on February 15th, 1883 as Arthur Henry Sarsfield in Birmingham to working class parents. Rohmer started his career as a civil servant but soon had ambitions to change careers and write full time. Not content with just fiction he wrote poetry, songs as well as comedy sketches for music hall performers. From these varied beginnings he reinvented himself as Sax Rohmer.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. Whilst Tolstoy, Gogol, Dostoevsky, Pushkin and Chekhov are a given in any Russian collection we also explore and include Andreyev, Korolenko, Turgenev, Blavatsky and many others to create a world rich and dense across a sprawling landscape of diverse people, riddled with the class and unfairness in perhaps some of the most turbulent times that Russia has ever experienced.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. The zenith of Empire is bookended by two catastrophic wars that slaughter vast swathes of humanity. And yet authors manage to record and create fragile libraries of humanity, its talents, its dreams and increasingly its nightmares.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821 to distinguished multi-ethnic parents from a Lithuanian background. His childhood years were at the family home in hospital grounds which also contained an orphanage, an insane asylum and a cemetery for criminals. The young Fyodor often disobeyed his father by talking to the ill in the hospital gardens. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. As he began his next work he was arrested and incarcerated for treason and participation in the political and literary Petrashevsky Circle.