検索キーワード： 著者 "Willa Cather" すべてのカテゴリー

Brought to you by Penguin. This Penguin Classic is performed by Ako Mitchell. Ako directed and co-wrote I'm in the Corner with the Bluebells. He has performed extensively on the West End, starring in The Lion King and Sister Act among others. 'Quite simply a masterpiece ... I am completely...

Uprooted from a well-ordered life in Virginia when she was nine, Willa Cather came of age in the West during the last years of the American frontier. She developed a love for the beauty of the open grassland and an abiding interest in the Old World customs of her neighbors, the dreamers and builders who inhabit her fiction. This collection includes work from the early part of Cather''s career and clearly marks themes and landscapes that she would detail and explore for the remainder of her life.

In this volume whatever the odds stacked against our characters one thing is certain; they will prevail, and life will be good. But the journey is filled with complications and trials that only an author would dare put into words.

Some people have basic needs of foods and materials that only theft can provide an answer for, and some others just pursue the taking of what they want, whenever they want and from whoever they want. These are their stories.

Professor Godfrey St. Peter, on the cusp of moving to a new home, finds himself clinging to his old study and the memories it holds. His mind is gripped by the absence of his brilliant former student, Tom Outland, and the marriages of his daughters have introduced changes that he cannot embrace.

Echoes of the Frontier gathers thirteen unforgettable tales by literary giants such as Jack London, Willa Cather, Mark Twain, and Bret Harte—each story capturing a different facet of life at the edge of civilization. From the perilous ride of The Denver Express to the poetic solitude of On the Divide, and from the chilling desperation of Love of Life to the dry wit of Nevada Sketches, these stories illuminate the grit, dreams, and humanity of those who dared to tame the wild.

Death Comes for the Archbishop is a lyrical, fictionalized account of two Catholic priests sent to establish a diocese in the New Mexico Territory in the mid-1800s. The novel follows Father Jean Marie Latour and his friend Father Joseph Vaillant as they travel through the vast, rugged American Southwest, facing cultural challenges, isolation, and spiritual tests.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

The most romantic literary lovers in history: Jane Eyre and Mr. Rochester. Oliver Mellors and Constance Chatterley. Marie Shabata and Emil Bergson. Now, all three of their classic stories are collected in one volume.

In the American Civil War that began in 1861 the War was seemingly fought to end Slavery. A War for Good. The result a win for the good guys but a society that still bears fractures from this seminal period. The stories in this volume show the true scars that are endured as a riven Nations authors try to explain and reconcile.

Being an English author in a new and different culture seems to work its magic when these two are placed together in the same spot with a rich vocabulary; ideas seem more fully formed and characters have another edge to their existence. For the outsider looking in, more can be revealed and shared with ourselves.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

One January day, many years ago, the little town of Hanover, anchored on a windy Nebraska tableland, was trying not to be blown away. A mist of fine snowflakes was curling and eddying about the cluster of low drab buildings huddled on the gray prairie, under a gray sky. The dwelling-houses were set about haphazard on the tough prairie sod; some of them looked as if they had been moved in overnight, and others as if they were straying off by themselves, headed straight for the open plain. None of them had any appearance of permanence, and the howling wind blew under them as well as over them.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Published in 1915 and set in the 1890s, The Song of the Lark tells the story of Thea Kronberg, a gifted young singer who blazes her way into the world’s greatest opera houses. Thea’s arduous journey begins in Moonstone, Colorado, a burgeoning Western town, where she is one of seven children. Following an artistic awakening at an Arizona canyon, she eventually finds fame as an acclaimed opera singer, performing in Germany and at the Metropolitan Opera House in New York.