検索キーワード： ナレーター "Richard David" すべてのカテゴリー

Kansas doesn’t want it. Neither does Texas. The 35-mile wide strip of land destined to become the Oklahoma panhandle is a place unlike any other on the frontier: with no laws, no rules and a powerful attraction for killers, looters and fugitives. Frank Morgan, a gunfighter feared by all and hated by some, has been warned to stay the hell out of "the strip." But warnings never did work well on Morgan. So when an ambush robs him of his heart’s desire and nearly takes his life and his would - be murderers take refuge in the strip, the die is cast....

In California, Frank Morgan nearly found a home. But now he’s pulled up stakes and hit the road again, aiming to reach the high desert of Arizona. For Frank, the plan changes when he steps into a saloon in a dusty boom town called Los Angeles. That’s where he learns that his nemesis, Val Dooley, has found a new business: the selling of young women into prostitution, with the victims as young as 12 years old and the survivors ending up drugged and beaten. 

Emerging relatively unscathed from the apocalyptic rebirth of North America, Canada hides a trove of Cold War-era secret government installations known as Diefenbunkers, filled with caches of weapons, wags, and food. Ryan Cawdor and his companions agree to ride sec for a convoy headed west across the remnants of the old Trans-Canada Highway to retrieve the ultimate prize: four portable nuclear reactors. It's enough power to light up a ville for years, a bright beacon for a new tomorrow. But they have death on their trail.

The pristine coastal waters off San Clemente become a battleground over the island and its abandoned naval station. The rocky shores are rife with the sulfur mines that make Deathlands' richest jack - gunpowder. To maintain hell-fought possession, a ruthless sea baron and his fleet engage rebellion from the land. On this island populated by roaming bio-weap nightmares engineered by predark whitecoats, Ryan Cawdor is caught in a war he has no intention of fighting, but has every determination to survive.

The bear seems harmless—at first. Just a lost and confused grizzly poking around Big Rock. Then the killings begin. A horse wrangler is mangled. A rancher mauled. Then a bartender in the heart of town is found clawed to a bloody pulp. Now every man in Big Rock is taking up arms to hunt down the beast before it strikes again—which worries the local sheriff. He’s afraid this amateur hunting party could turn into a mass funeral real fast. So he asks Smoke Jensen to help keep everyone calm and contain the panic. Unfortunately, it’s too late. The panic is out of control. And the hunt is on.

The Everyday Bible guides you to listen to the entire Bible in 365 sections designed for short, daily segments. Each day is a blend of Scripture from the Old Testament, Psalms, Proverbs, and the New Testament. With no complicated charts or plans, this provides a simple way to read the Bible in...

The last two entries into the Sons of Ares had Fitchner on his heels. In the first, he was driven by love and desperation to save his wife Brynn before her execution at the hands of the Board of Quality Control. Then, in book two, Fitchner went head to head with both of his early allies — Arturius and Quicksilver. His wrath left Arturius dead and set back Quicksilver’s dream of expanding exploration and human habitation to other stars. In Forbidden Song, Ares may not always be in control. But he has a plan — and it’s a doozy.

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. After Trader and crew offload their last haul, they set their sites on the next score. An underground military installation.

The picturesque coastal town of Florence was known for millennia as a pleasure resort for the Nobility. As retribution for their decadence, the cruel and beautiful vampire inhabitants were ""punished,"" driven out more than a thousand years ago by a solitary traveler in black. Only one—Baron Meinster—refused to leave, only to be thrown to the waves by the mysterious assassin.

Even a reluctant hero can't refuse the last request of a beautiful woman. On her deathbed, the mortally wounded woman gives him a strange gem and asks him to deliver the priceless stone to her sister, far off in a North Sea fishing village. D's journey is made ever more perilous by a series of scoundrels and rogues hired by the girl's murderer. They'll stop at nothing to claim the jewel. Will they catch him?

In a world where communication with parallel tangent Earths, known as “realms”, has brought a disruptive influx of new beliefs and scientific innovation, college-student and fangirl Corazon Kagami continues to discover astonishing new facets to the abilities she’s unexpectedly acquired in the accident that transformed her into Tangent Knight Caprice, the foremost of a growing ensemble of armored super-warriors very much like the heroes and villains of her favorite tokusatsu shows.

Carving out a living in the Deathlands is no easy feat. To most, the only thing that matters is one more day spent above ground. To the man known as Trader, the only thing that matters is the bottom line. In a mutie-filled, irradiated wasteland, Trader and crew set out to find the scavvie Marsh Folsom. Stories going around say that Folsom has knowledge of an underground cache with a legendary bounty.

The companions' journey across Lake Huron is interrupted by a pirate attack during a furious storm, and Krysty is pulled overboard during the fray. The companions seek refuge on a submerged freighter occupied by ex-pirate “Mean Pete" Kellogg and his crew. They tell stories of "He Who Shouts in the Lake", a creature under the control of Heidecker labs. The stories say the director of Heidecker labs is brutal and unforgiving, burning local villages to the ground and infecting them with disease. Forget the stories. Ryan knows only one truth. He must get Krysty back.

The fallout from OVER THE EDGE is here! One life has been destroyed, another family has been torn apart—and only the kids of Riverdale High can save their town from imploding! Adapted from Archie issues and produced with a full cast of actors, immersive sound effects and cinematic music. 

Das unordentliche Gefühl, das wir Liebe nennen, beleuchtet Richard David Precht auf bewährt kluge und anschauliche Weise...

Reverend Richard Coles joins David Darlington in the Audible Studios to discuss his latest book, Bringing in the Sheaves.

The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published.

Contents: - Washington Irving. The Legend of Sleepy Hollow - Edgar Allan Poe. The Gold Bug - Herman Melville. Bartleby, the Scrivener - Bret Harte. The Luck of Roaring Camp - Leo Tolstoy. The Death of Ivan Ilyich - Fyodor Dostoevsky. The Dream of a Ridiculous Man - Rudyard Kipling. Rikki-Tikki-Tavi - Charlotte Perkins Gilman. The Yellow Wallpaper - Anton Chekhov. The Lady with the Dog - D.H. Lawrence. The Prussian Officer - James Joyce. Araby - Ivan Turgenev. First Love.

Four speculative stories of disasters, dystopias and destroyed civilisations John Christopher is probably best known for his seminal science ficion novel The Death of Grass and his ‘Tripods’ trilogy for young adults, which was adapted for BBC TV and became a cult classic. Alongside John...

Richard David Precht stellt die radikalste Frage unserer Zeit: Wenn Künstliche Intelligenz nicht nur schneller denkt, sondern auch schöpferischer arbeitet als der Mensch – was bleibt dann von Kultur? In seinem neuen Essay entwirft Precht ein eindringliches Szenario vom Ende der geistigen Selbstverwirklichung. Wo früher Kunst, Bildung und Kreativität Sinn stifteten, herrscht nun die Sofortness der Maschine. KI ersetzt nicht nur Arbeit, sondern das Erzählen, das Verstehen, das Menschsein selbst.