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The Absence of Mr Glass: "But What about the two voices?" asked Maggie, staring. - "Have you never heard a ventriloquist?" asked Father Brown. "Don't you know they speak first in their natural voice, and then answer themselves in just that shrill, squeaky, unnatural voice that you heard?" - There was a long silence, and Dr Hood regarded the little man who had spoken with a dark and attentive smile. "You are certainly a very ingenious person," he said; "it could not have been done better in a book.

"La musique," says Marmontel, with the same odd confusion of thought and language which leads him to give his very equivocal narratives the title of "Contes Moraux" — "la musique est le seul des talens qui jouissent de lui même; tous les autres veulent des temoins." He here confounds the pleasure derivable from sweet sounds with the capacity for creating them.

The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ball in seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Paradise of Thieves was published in The Wisdom of Father Brown. This mystery is a real cliff-hanger. The great Muscari, most original of the young Tuscan poets, walked swiftly into his favourite restaurant, which overlooked the Mediterranean, was covered by an awning and fenced by little lemon and orange trees. Waiters in white aprons were already laying out on white tables the insignia of an early and elegant lunch; and this seemed to increase a satisfaction that already touched the top of swagger.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple of murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

"The Thousand-and-Second Tale of Scheherazade" is a short story by American author Edgar Allan Poe (1809–1849). It was published in the February 1845 issue of Godey's Lady's Book and was intended as a partly humorous sequel to the celebrated collection of Middle Eastern tales One Thousand and One Nights. The tale depicts the eighth and final voyage of Sinbad the Sailor, along with the various mysteries Sinbad and his crew encounter; the anomalies are then described as footnotes to the story.

"The Fall of the House of Usher" is a short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine, then included in the collection Tales of the Grotesque and Arabesque in 1840. The short story, a work of Gothic fiction, includes themes of madness, family, isolation, and metaphysical identities. The story begins with the unnamed narrator arriving at the house of his childhood friend, Roderick Usher, having received a letter from him in a distant part of the country, complaining of an illness and asking for his help.

Whatever doubt may still envelop the rationale of mesmerism, its startling facts are now almost universally admitted. Of these latter, those who doubt, are your mere doubters by profession—an unprofitable and disreputable tribe.

The Duel of Dr. Hirsch is a short story by Gilbert Keith Chesterton: M. Maurice Brun and M. Armand Armagnac were crossing the sunlit Champs Élysées with a kind of vivacious respectability. They were both short, brisk and bold. They both had black beards that did not seem to belong to their faces, after the strange French fashion which makes real hair look like artificial. They were both young. They were both atheists, with a depressing fixity of outlook but great mobility of exposition.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

"Morella" is a short story in the Gothic horror genre by 19th-century American author and critic Edgar Allan Poe. An unnamed narrator, deeply affected by his friend Morella, marries her despite not feeling romantic love, drawn instead by an indefinable, intense connection. Morella, a reclusive and profoundly erudite woman, immerses him in her mystical studies, particularly German metaphysical texts on identity, pantheism, and reincarnation. Over time, the narrator grows disturbed by her eerie presence, her cold touch, and her otherworldly voice, which shift his joy into horror.

"William Wilson" is a short story by American writer Edgar Allan Poe, first published in 1839 in The Gift, with a setting inspired by Poe's formative years on the outskirts of London. The tale features a doppelgänger. The story follows a man of "a noble descent" named William Wilson. Although denouncing his profligate past, he does not accept full blame for his actions and says that "man was never thus ... tempted before".

The Head of Caesar is a short story by Gilbert Keith Chesterton: There is somewhere in Brompton or Kensington an interminable avenue of tall houses, rich but largely empty, that looks like a terrace of tombs. The very steps up to the dark front doors seem as steep as the side of pyramids; one would hesitate to knock at the door, lest it should be opened by a mummy. But a yet more depressing feature in the grey facade is its telescopic length and changeless continuity.

The ancient fable of two antagonistic spirits imprisoned in one body, equally powerful and having the complete mastery by turns of one man, that is to say, inhabited by both a devil and an angel seems to have been realized, if all we hear is true, in the character of the extraordinary man whose name we have written above. Our own impression of the nature of Edgar A. Poe, differs in some important degree, however, from that which has been generally conveyed in the notices of his death.

"The Imp of the Perverse" is a short story by 19th-century American author and critic Edgar Allan Poe. In the story, the narrator commits murder to inherit a man's estate. A coroner attributes the death to an act of God, and the narrator benefits from his crime. Several years later, the narrator starts obsessing about a possible confession for his crime.

"The Facts in the Case of M. Valdemar" is a short story by the American author Edgar Allan Poe about a mesmerist who puts a man in a suspended hypnotic state at the moment of death. An example of a tale of suspense and horror, it is also to a certain degree a hoax, as it was published without claiming to be fictional, and many at the time of publication (1845) took it to be a factual account.

Both by calling and conviction Father Brown knew better than most of us that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

"The Pit and the Pendulum" is a short story by American writer Edgar Allan Poe and a work of horror fiction. It was first published in 1842 in the literary annual The Gift: A Christmas and New Year's Present for 1843. The story is about the torments endured by a prisoner of the Spanish Inquisition, and is set very loosely during the Peninsular War between Spain and Napoleonic France (1808–1814), although it invokes the feared Inquisition of earlier centuries. The narrator of the story describes his experience of being tortured.

Poe prided himself on the variety of his subjects. This is his only tale that can possibly be read as a simple happy love story. Probably because of its superficial comedy — reminiscent of "Lionizing" — it has been more popular with ordinary readers than with professed critics.