検索キーワード： ナレーター "Rachael Beresford" すべてのカテゴリー

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women. But not so within the social sphere of the seance - a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and, most important, influence, as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. 

Cinderella stories captured the imagination of girls in the 1950s, when dreams of meeting the right man could seem like a happy ending, a solution to life's problems. But over the next 50 years women's lives were transformed, not by the magic wand of a fairy godmother, nor by marrying princes, but by education, work, birth control - and feminism.

Jacob Ashland's life has taken an unexpected turn. He's now the earl of Ashland and expected to marry. But he's done that before and had his heart ripped from his chest. When Charlotte shows up at his door needing protection, he offers to marry her - in name - only. Charlotte, an orphan, suspects her sinister cousin of terrorizing London. When her maid disappears, she fears for her own life and runs away. Lord Ashland offers marriage, and it's the perfect solution. But it isn't long before she finds herself falling for her new husband.

She's a plain Jane. He's uber famous. Who's stalking who? Author Sally Speck has it all-a promising career, great friends, a loving family. So when superstar celebrity Tom Darlington takes an interest in her, she thinks, why not? But the fun fling soon turns into a nightmare, as she's relentlessly hounded by the media and harassed by Tom's crazed fans. But more worrying is Tom's increasingly obsessive and frightening behavior.

Bridget's afterlife has finally settled down into a nice, safe, dead-body-free rhythm. And she couldn't be more discontent. And then someone starts murdering livies...with a scythe. Feeling partially responsible, Bridget jumps into the investigation with both feet, her best friend, Sabrina, and all of her housemates in tow. But, as crazy as it sounds, finding a killer isn't Bridget's biggest concern. Her biggest concern is how will she be able to survive the mundanity of the afterlife once the investigation is over.

Primary school teacher and singer Rosie Tanner has stopped waiting for someone with whom to have a baby. She's diving in and going it alone...although her pregnancy plans are a secret for now. Amber Kingsley's only goal is to stay sober and safe, so any complications like relationships are definitely out. That is, until she accidentally joins a community choir - despite having no musical talent or interest - after laying eyes on beautiful star soloist Rosie.

When Rachel and her husband, Adam, move to Maple Cottage in remote Cheshire, it should be the fulfilment of their dream to start a family. Haunted by her past and challenged by events around her, Rachel finds that her home is not the sanctuary she envisaged - and neither is her marriage. Adam's temper rages when he discovers he is infertile. She seeks solace in the arms of her gardener and falls pregnant. Dreams become reality - and a garden grows, but as every gardener knows, even the most beautiful plants can be toxic.

When uptight British bookshop owner Emily Bartlett goes to Las Vegas to get over a humiliating breakup, she's expecting to make a few mistakes. But when she meets Ruby Knight, a pessimistic American C-list TV actress with designs on a movie career, she makes a whopper. The pair get so incredibly drunk together that they end up getting accidentally married. In the cold light of day, both women are shocked to find themselves wedded to a virtual stranger. But maybe it's not such a big mistake? 

A symphony is made up of four parts.... That's us. Ivan, the pained ex-ballet dancer. Anton, the unpredictable artist. Erik, the damaged violinist. And me, Rose, their muse. The one. Together they cracked open my heart, they made me feel. Our love story isn't made up of fairy tales. It's dark, twisted, but, oh, so beautiful. And no one, not even the woman who tried to kill me, is going to destroy what we have. This is our final story, this is our symphony. Are you ready to listen?

Erik Hadley is a gifted violinist with a dark past and an even more troubled soul. His only place of safety, a glass room built to protect others from his violent outbursts. But it's nothing more than a prison, and I have every intention of setting him free. It won't be easy. There are those who want to keep him imprisoned, who want to keep him from me and a life beyond those walls. I can't let that stand, I won't. Will I be able to sever the strings that hold his mind hostage? Am I strong enough to cast that first stone?

He told me I was his muse. He lied. Anton Sachov, the artist, the man who only sees in monochrome. He wants something from me. Something precious; the meadow green of my eyes, the rich mahogany of my hair, the creamy white of my skin, the stark red of my blood, even the darkness of my soul. And he will do anything to get them.  

My dream of becoming prima ballerina is dead. Dropped by the Royal Ballet, I return home to my empty house in Cornwall with nothing but ghosts, and memories of a past I am desperate to forget. It takes months of depression before I pull myself out of the bleakness and attempt to start living again. With a new job as an assistant to the wealthy but elusive Sachov family, I find myself caught up in a tangled web of desire, pain, and sexual awakening that will either destroy me entirely or bring me back to life. My name is Rose, and I am their muse.

Desperation is a dangerous state of mind. It was desperation that drove me to London to salvage my family's reputation and finances in the first place. And it is desperation - and perhaps a little desire - that has gotten me into the situation I find myself in now. You see, I've become ensnared in the investigation of a traitor by Lord Dewhurst - the most insufferable, sinfully handsome man I've ever met. I know it is shocking, but in order to catch this spy and clear my name, I've no choice but to play the agent's bride. 

I've known him my entire life. Before marriage. Before fatherhood. Before betrayal. Now, he's one of rock's bad boys trying to be good. Trying to be the best father he can for his daughter. He's my brother's best friend. He's my boss. He has a wife. Max isn't mine to have, but I want him all the same. And I haven't survived all that I have to not go after what I want. 

Viscount Gavin Turley is convinced that love matches cause nothing but trouble. Still, after months of courting, he's fallen for Miss Georgie Featherton. He's passionate about her, in fact. But words of love are not an indulgence he will allow himself. When he presents Georgie with his marriage proposal, he will lead with his head - not his heart. His qualifications as a husband are excellent, after all. What could go wrong? 

In this captivating new Regency trilogy, best-selling author Ella Quinn picks up where her beloved Worthingtons series left off, as three Lords of London discover true love at last...Handsome, rakish, incorrigibly flirtatious - Fredrick, Lord Littleton, is notorious. Lady Adeline Wivenly is resolved to keep him at arm's length during her first season - until she overhears another woman's plot to trick him into marriage. Even a rogue is undeserving of such deception, and Adeline feels obliged to warn him - only to find herself perilously attracted... 

Missing shoes, stolen paperclips, and stalkers. Oh, what an afterlife! Bridget finally gets her first assignment as an Independent Authority agent: The not-so-glamorous case of The Paperclip Theft. Regardless, she is determined to close the matter quickly and move on to something more challenging. And then, the dead body of the Afterlife Arrivals commander topples out of the stationery cupboard.

Between her regular job in Afterlife Arrivals, training for her second job with IA, her community service on The Bus of Death, GA meetings, taking care of her housemates, and every other ghostly commitment in between, Bridget Sway is already stretched pretty thin. Then, her best friend, Sabrina, drops a bombshell. Sabrina thinks she was murdered. And, in the afterlife, murdered dead people usually turn into homicidal maniac dead people. Despite that, Sabrina thinks if they can work out who killed her, then she might be able to get the closure she needs.

At long last, all of Bridget Sway's dreams are about to come true! She is in a department store. Shopping. Yes. Shopping! She has new makeup. New shoes. And, most importantly, is finally about to get some new underwear. But, instead of finding a frilly knicker and bra set, she finds the body of a dead medium. A familiar dead medium.  

There is nothing cake can't solve. Not. One. Thing. Except, perhaps, the escape of a crazy homicidal ex-ward of Bridget Sway's handsome parole officer. Since Bridget has taken the ex-ward's place in the group home, and in the handsome parole officer's roster, it's likely she's a target for Crazy Katie's homicidal rage. When the bodies start dropping, what does Bridget do? Simple. She lets best friend, and ex-PI, Sabrina talk her into a "straightforward" evade and capture mission so they can hand the murderer over to the police and life can go back to normal. Yeah. Foolproof plan.