検索キーワード： 著者 "Aldous Huxley" すべてのカテゴリー

When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity. Cloning, feel-good drugs, anti-aging programs, and total social control through politics, programming, and media: has Aldous Huxley accurately predicted our future? With a storyteller's genius, he weaves these ethical controversies in a compelling narrative that dawns in the year 632 A.F. (After Ford, the deity). When Lenina and Bernard visit a savage reservation, we experience how Utopia can destroy humanity.

The critically acclaimed novelist and social critic Aldous Huxley, describes his personal experimentation with the drug mescaline and explores the nature of visionary experience. The title of this classic comes from William Blake's The Marriage of Heaven and Hell: "If the doors of perception were cleansed every thing would appear to man as it is, infinite. For man has closed himself up, till he sees all things through narrow chinks of his cavern."

In 1958, 27 years after Aldous Huxley wrote "Brave New World", he took another look at his remarkable fable and résumé the development since. His understandings are most alarming in his time already. They are even more alarming almost another half century later and shockingly up-to-date, considering recent developments. His prophetic view proofs once more, how terribly precise and visionary it was.

Brave New World is Aldous Huxley's dystopian novel. Borrowing from The Tempest , Huxley imagines a genetically-engineered future where life is pain-free but meaningless. The book heavily influenced George Orwell's 1984 and science fiction in general. The novel examines a futuristic society, called the World State, that revolves around science and efficiency. In this society, emotions and individuality are conditioned out of children at a young age, and there are no lasting relationships because "every one belongs to every one else" (a common World State dictum).

A Hollywood millionaire with a terror of death, whose personal physician happens to be working on a theory of longevity—these are the elements of Huxley's caustic and entertaining satire on man's desire to live indefinitely.

Brave New World remains startlingly relevant, offering a profound warning about the dangers of convenience without conscience, pleasure without purpose, and a society willing to sacrifice its humanity for the illusion of peace. It is a timeless meditation on what it means to feel deeply, think freely, and resist a world determined to design every aspect of existence.

One of the greatest prose writers and social commentators of the 20th century, Aldous Huxley here introduces us to a delightfully cynical, comic, and severe group of artists and intellectuals engaged in the most free-thinking and modern kind of talk imaginable. Poetry, occultism, ancestral history, and Italian primitive painting are just a few of the subjects competing for discussion among the amiable cast of eccentrics drawn together at Crome, an intensely English country manor.

When Aldous Huxley's Brave New World first appeared in 1932, it presented in terms of purest fantasy a society bent on self-destruction. Few of its outraged critics anticipated the onset of another world war with its Holocaust and atomic ruin. In 1948, seeing that the probable shape of his anti-utopia had been altered inevitably by the facts of history, Huxley wrote Ape and Essence.

In music, counterpoint is the art of writing melodies that play in conjunction with one another, according to a strict set of rules, in order to emphasize the melody by contrast. In debate, point/counterpoint is a means of persuasion in which the speaker begins by conceding to their opponent’s argument before refuting it wholeheartedly. Aldous Huxley follows these traditions in his masterpiece Point Counter Point. The polarity between passion and reason in the intellectual life of the 1920s is demonstrated both in form and in theme in Huxley’s ambitious satire.

Young Oxford tutor Theodore Gumbril has become thoroughly dismayed by the formality of college life and the staid British institutions of learning. An impetuous need for celebration, even rebellion, possesses him. He and his bohemian companions embark on wild and daring "bacchanalian" adventures that steer them resolutely away from stifling conventions of behavior. Antic Hay, first published in 1923, is one of Aldous Huxley's earlier novels, and like them is primarily a 'novel of ideas' involving conversations which disclose viewpoints rather than establish characters; its polemical theme unfolds against the backdrop of London's post-war nihilistic Bohemia. This is Huxley at his biting, brilliant best -- a novel, loud with derisive laughter, which satirically scoffs at all conventional morality and at stuffy people everywhere -- a novel that's always charged with excitement.

Mortal Coils is a collection of five pieces written by Aldous Huxley in the 1920s. The first one, "The Giaconda Smile", is a short murder story. "Permutations Among the Nightingales" is a play concerning amorous problems experienced by the patrons of a certain establishment. "The Tillotson Banquet" tells of an old artist who was thought to be dead. "Green Tunnels" is about the boredom of a young girl on holiday with her family. "Nuns at Luncheon" is a story told by a nun falling in love.

Unlike the dystopian vision described in Brave New World, or the psychedelic vision described in his The Doors of Perception, in The Art of Seeing, Aldous Huxley focuses on the actual vision of the human eye. Documenting his own profound near-blindness and subsequent attempts to improve his own sight, Huxley offers a thorough instruction manual on the controversial alternative vision therapy exercises developed by W. H. Bates.

The sixth and final cycle of Wheels was published in 1921, and is much shorter than the preceding volumes. Apart from the three Sitwells, the poets represented are Aldous Huxley, Alan Porter, Sherard Vines, H.R.Barbour, Charles Orange (Brian Howard), Paul Selver and Augustine Rivers. - Summary by Algy Pug

The Fifth Cycle of the Wheels poetry anthology was published in 1920 and contains poems by Aldous Huxley, Alan Porter, Leah McTavish Coehn, Geoffrey Cookson, William Kean Seymour, John J. Adams, Sherard Vines, and Osbert, Edith and Sacheverell Sitwell. The book was dedicated to Mrs Arnold Bennett, who is described as “poetry’s greatest interpretative artist.” - Summary by Algy Pug

A series of six volumes of Wheels anthologies was produced by members of the Sitwell family between 1916 and 1922. The fourth volume, published in 1919, contains several notable poems by the recently deceased Wilfred Owen. The other poets represented are Francisco Quevedo, Aldous Huxley, Arnold James, Iris Tree, Sherard Vines, and Edith, Osbert and Sacheverell Sitwell. - Summary by Algy Pug

Dive into Aldous Huxleys captivating first collection of short stories, featuring six thought-provoking tales and an engaging play titled Happy Families. Experience the dynamic performances by LibriVox volunteers, including Aston, Topsy, and Sir Jasper, brought to life under the skilled direction of Krista Zaleski. Join us on this literary journey that explores the complexities of human experience and relationships.

In the spirit of Christopher Marlowes epigram—My men like satyrs grazing on the lawns / Shall with their goat-feet dance the antic hay—this captivating narrative explores the lives of Huxley and his companions as they navigate the quest for meaning, love, and hope in the aftermath of World War I London.

Audiolibro producido con sonido 3D. El mismo esta diseñado para ser escuchado con auriculares. Las puertas de la percepción es un ensayo escrito por Aldous Huxley, publicado en 1954. En este trabajo, Huxley detalla sus experiencias al consumir la sustancia psicodélica mescalina. A lo largo del ensayo, reflexiona sobre la naturaleza de la realidad, la conciencia y la percepción. Profundiza en cómo ciertas sustancias pueden alterar nuestra percepción del mundo, lo que le lleva a ponderar los límites entre el ser interno y la realidad externa.

BBC Radio adaptations of Aldous Huxley’s finest works – plus a bonus documentary programme ‘Over nine hours’ worth of quality drama… The stories presented in ‘A BBC Radio Collection’ combine to give the listener a taste of Huxley’s versatility as a writer. His vivid imagination...

1984 by George Orwell and Brave New World by Aldous Huxley are two of the most famous and influential dystopian novels ever written. Both books depict a future world in which individual freedom and privacy are subordinated to the demands of a totalitarian state, and citizens are manipulated and controlled through technology, propaganda, and social conditioning. The two novels have often been compared and contrasted, and both are considered to be among the most important works of literature of the 20th century.