検索キーワード： 著者 "Charles de Lint" すべてのカテゴリー

Anyone who knows her wouldn’t be surprised to learn that Jilly sees the world through a prism of faerie tales. It was years before I came to understand that she wasn’t just being whimsical when she talked so easily about hobs and brownies and various kinds of faerie creatures. They were real. Faerieland, otherworlds, and all the denizens and creatures you might imagine to live there. It was all real. And so were ghosts. I remember when I first realized this. I felt like my head was going to explodeJuniper left her life as a Hollywood actor to live quietly back home in Newford.

Juniper should have known better after her last foray into the otherworld. But when she’s asked to look into a mysterious box full of poltergeists she ends up making a promise to seven teenage ghosts that puts here directly in the crosshairs of a blood witch’s deadly ire.

Jacky Rowan once slew giants. In this thrilling sequel, she is tricked and then enslaved by a master of vicious Unseelie creatures. This cruel thief is bent on stealing his very sustenance—not only from Jacky—but from all of the Seelie faerie court. Only the Moon herself and a handsome young fiddler, unaware of Faerie and the power of his music, have the magic to set Jacky free.

The undead are more alive today than ever. Immortal? Indeed! Nothing has sunk its teeth into 21st century popular culture as pervasively as the vampire. The fangsters have the freedom to fly across all genres and all mediums - there''s even apps for vamps. Whether roaming into romance, haunting horror, sneaking into science fiction, capering into humor, meandering through mystery - no icon is more versatile than the vampire.

In his stunning works. Charles de Lint has brought an entire imaginary North American city to vivid life: Newford, where magic lights the dark streets, myths walk clothed in modern shapes, and a broad cast of extraordinary people work to keep the whole world turning. At the center of it all stands a young artist named Jilly Coppercorn, with her tangled hair and paint-splattered jeans, whose paintings capture the hidden beings that dwell in the city's shadows.

Young Thomas Corn Eyes sees into the otherworld, but all he wants to do is get off the rez. Steve Cole escaped from his rock star life to disappear into the desert and mountains. Fifteen-year-old barrio kid Sadie Higgins has been discarded once too often. Blogger Leah Hardin needs to leave Newford, come to terms with the loss of her best friend, and actually engage with her life. When these lives collide in the Hierro Maderas Mountains, they must struggle to escape their messy pasts and find a way to carve a future for themselves.

Ever since Jilly Coppercorn and Geordie Riddell were introduced in de Lint’s first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize that they belong together. Now, in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea area, Jilly and Geordie’s story is finally being told.

When Sara and Jamie discovered the artifacts, they sensed the pull of a dim, distant place, a world of misty forests, ancient magics, mythical beings, ageless bards...and restless evil.

A faceless gang of bikers on a wild hunt through the streets of present-day Ottawa hurtles young Jacky Rowan across the threshold into the perilous land of Faerie. There, to her dismay, she is hailed as the Jack of Kinrowan, a once-and-future trickster hero whose lot is to save the Elven Courts from unimaginable evil.

Max Trader is a luthier, a maker of guitars. Johnny Devlin is chronically unemployed. Max is solitary, quiet, responsible. Johnny is a lady-killer, a drunk, a charming loser. When they inexplicably wake up in each other’s bodies, Johnny gleefully moves into Max’s comfortable and stable existence, leaving Max to pick up the pieces of a life he had no part in breaking. Penniless, friendless, homeless, Max begins a journey that will take him beyond the streets of the city to an otherworld of dreams and spirits, where he must confront both Johnny and his own deepest fears.

Tamson House, in modern urban Ottawa, is a rambling, eccentric curiosity of a house - and a place of hidden power. Built at a point where the leylines meet, upon land that was once a sacred site, it is the gateway to a spirit world where Celtic and Native American magic mingle and leak into our own. In the overgrown garden of Tamson House, a Coyote Man waits, green children walk, and music rises to greet the moon. From the garden, a vast and primal wood is just one spirit-step away, and in that wood is something that threatens the very existence of Tamson House.

Lily is a photojournalist in search of the “animal people” who supposedly haunt the city’s darkest slums. Hank is a slumdweller who knows the bad streets all too well. One night, in a brutal incident, their two lives collide - uptown Lily and downtown Hank, each with a quest and a role to play in the secret drama of the city’s oldest inhabitants. For the animal people walk among us. Native Americans call them the First People, but they have never left, and they claim the city for their own.

When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather’s cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey’s life, impelling her - armed only with her music - toward a terrifying confrontation.

Eithnie is a young painter who is acclaimed by the art world, until the critics start noticing that her work has lost the animating passion that had set her apart from the crowd. She returns to her cabin in Canada’s remote woods, hoping to find a place where she can seek solitude and focus on her art. At first, Eithnie’s muse remains elusive, but then, beautiful and disturbing creatures start slipping into her sketches unbidden.

What we've suspected is true. They're everywhere around us. Angels, that is, as nine of this generations boldest and most acclaimed fantasy writers tell us in this brilliant collection. At once highly imaginative and intensely spiritual, these stories are performed by top stars of television, film and music, who have themselves explored various areas of paranormal. It's a feast that will leave you infinitively more hopeful and a little less alone.

As the young student of the cruel, brilliant artist Vincent Rushkin, Isabelle Copley discovered that she could paint images so vividly real they brought her wildest fantasies to life. Now, 20 years later, Isabelle must come to terms with the shattering memories she has long denied and unlock the slumbering power of her brush. And, in a dark reckoning with her old master, she must find the courage to live out her dreams and bring the magic back to life.

Welcome to Newford: to the music clubs, the waterfront, and the alleyways where ancient myths and magic spill into the modern world. Gemmins live in abandoned cars and skells traverse the tunnels below, while mermaids swim in the gray harbor waters and fill the cold night with their song. Come meet Jilly, painting wonders in the rough city streets; and Geordie, playing fiddle while he dreams of a ghost; and the Angel of Grasso Street gathering the fey and the wild and the poor and the lost.

Grace, as her friends call her, has a Ford Motor Company tattoo running down her leg and grease worked deep into her hands. She works at Sanchez Motorworks customizing hot rods. Finding the line in a classic car is her calling. Now Grace has to find the line in her own life. Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business: He's haunted by the childhood death of his younger brother. He's never stopped feeling responsible.

Juniper Wiles once starred as a plucky teen detective in the popular TV show, Nora Constantine. When the series ended seven years ago, Juniper made a decision to leave LA and return home to Newford where she joined friends at the artists' collective, Bramleyhaugh, the center of which is her pal, beloved faerie artist Jilly Coppercorn.   

In the Old Country, they called them the Gentry: ancient spirits of the land, magical, amoral, and dangerous. When the Irish emigrated to North America, some of the Gentry followed...only to find that the New World already had spirits of its own, called manitou and other such names by the Native tribes. Now generations have passed, and the Irish have made homes in the new land, but the Gentry still wander homeless on the city streets. Gathering in the city shadows, they bide their time and dream of power.