検索キーワード： 著者 "Jane Gardam" すべてのカテゴリー

The three-day Folio Prize Fiction Festival 2014 brought together some great writers and audiences and gave them a real opportunitey to talk in depth about their work and similar subjects. The festival included interviews and discussions with top writers, novelists, poets, critics and publishers, including Eimear McBride, Paul Baggaley, Sergio De La Pava, Rachel Kushner, Sarah Hall, Pankaj Mishra, Stephanie Merritt, Jane Gardam and Mark Haddon.

Ein flirrender Sommerroman an der englischen Küste von der großen Erzählerin Jane Gardamy. Es ist Sommer, und Margaret ist acht und schwer genervt: Der frischgeborene Bruder ist hässlich und schreit, die Mutter hat sich in ein träge stillendes Wesen verwandelt, der Vater predigt gegen die Verderbtheit der Welt. Einmal in der Woche kann Margaret der Langeweile zu Hause entfliehen: Mittwoch ist Ausflugstag mit Lydia, dem neuen Hausmädchen, die mit ihrer selbstbewussten Körperlichkeit und handfesten Sprache in diese Familie platzt und als einzige Erwachsene wirklich zu wissen scheint, was sie will − Spaß.

Throughout her career prize-winning novelist Jane Gardam has been writing glorious short stories, each one hallmarked with all the originality, poignancy, wry comedy, and narrative brilliance of her longer fiction. Passion and longing, metamorphosis and enchantment are Gardam's themes, and like a magician she plucks them from the quietest of corners: from Wimbledon gardens and cold churches, from London buses and industrial backstreets.

In a rare New York appearance, the beloved British author of Old Filth and The Man in the Wooden Hat, the funny, romantic and surprising paired novels about a 50-year marriage between a crusty British barrister and his sparkling surprising Betty, discusses these books and Last Friends, her brand-new third chapter in this remarkable series. Paul Hecht will read from the book. In conversation with Stacy Schiff ( Cleopatra).

This is the third book in the Old Filth trilogy ( Old Filth, The Man in the Wooden Hat, Last Friends). Last Friends depicts the marriage of Edward Feathers and Betty as seen through the eyes of Edward’s friend and Betty's lover Terry Veneering.

Faith Fox has led a life full of heartbreak and abandonment, lacking in simplicity and love - and she's not even one week old. She has suffered the unexpected and inexplicable loss of her mother in childbirth; her father, an overworked doctor grown callous with stress, has neither the ability nor the interest to take on the difficult task of raising his child alone; her grandmother, Thomasina, has decided to abscond to Egypt with a retired general rather than acknowledge and accept the loss of her daughter, whom she loved so distressingly well.

In 1904, six-year-old Polly Flint is sent to live with her aunt’s in a house by the sea. Orphaned shortly thereafter, Polly will spend the next eighty years stranded in this quiet corner of the world as 20th century rages in the background. Throughout it all Polly returns again and again to the story of Robinson Crusoe, who, marooned like her, fends off the madness of isolation with imagination.

Marigold Green calls herself “hideous, quaint and barmy”. Other people call her Bilgewater, a corruption of Bill's daughter. Growing up in a boys' school where her father is housemaster, she is convinced of her own plainness and peculiarity. Groomed by the wise and loving Paula, upstaged by bad, beautiful Grace, and ripe for seduction by entirely the wrong sort of boy, she suffers extravagantly and comically in her pilgrimage through the turbulent, twilight world of alarming adolescence.

A rather mysterious old clergyman is dead, and his most adoring child, 16-year-old Athene is desolate. A statuesque beauty, greatly admired, she is also lonely, untouchable and living a secret life of fairly dangerous fantasy. Athene's mother, at once highly organized and monumentally vague, dispatches her children to spend the holidays with assorted friends and relatives. For Athene, victim of plans gone awry, that golden summer after the funeral becomes deliciously puzzling fodder for her fantasy.

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavory Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs. Frayling and Lydia the maid, given to the vulgar enjoyment of life; all contribute to Margaret's shattering moment of truth. And when the storm breaks, it is not only God who is on the rocks as the summer hurtles towards drama, tragedy, and a touch of farce.

A young girl aspiring to be a writer recounts her experiences growing up in England during the Second World War. An English schoolgirl has problems, many of them funny, in her attempts to grow up socially. A reissue. Literature of Delight. Headstrong, independent Jessica, at 13, already knows she will be a writer. This early work from a fine British novelist is one of her wittiest. A treasure for sophisticated readers, who won't be shy about seeking out Gardam's adult novels as well, such as Robinson Crusoe's Daughter.

Jane Gardam reveals again her brilliant diversity and deep understanding of the human condition. In "Light", an evocative, lyrical piece of magic realism, a beautiful Himalayan girl defies the destiny laid out for her by her mother but in so doing destroys the village in which she was born. In "Missing the Midnight", a young woman, having failed her exams and lost the man she loves, journeys home on Christmas Eve to the family she despises.

In 1904, when she was six, Polly Flint went to live with her two holy aunts at the yellow house by the marsh - so close to the sea that it seemed to toss like a ship, so isolated that she might have been marooned on an island. And there she stayed for 81 years, while the century raged around her, while lamplight and Victorian order became chaos and nuclear dread. Crusoe's Daughter, ambitious, moving and wholly original, is her story.

Dass Jane Gardam hinreißende Romane schreibt, war eine der wunderbaren Entdeckungen der letzten Jahre. Nun gibt es einen weiteren Schatz zu heben, Gardams Erzählungen: Hetty, die Familienmutter, die bei der Begegnung mit ihrem ehemaligen Liebhaber in einen somnambulen Zustand gerät. Der verstummte chinesische Junge, der einen vom Himmel gestürzten Schwan rettet und zur Sprache zurückfindet. Sie alle berühren uns und entwickeln ein Eigenleben, das über den Kosmos der Geschichten hinausgeht.

Jessica sagt bedingungslos und in den unmöglichsten Momenten die Wahrheit. Ihr Widerwille gegen Anpassung bringt sie in dem kleinen englischen Badeort ständig in verquere Situationen. Sie hat genau eine Freundin - der Rest ihrer kleinen kriegsüberschatteten Welt begegnet ihr mit einer Mischung aus Faszination und Abscheu. Aber das ist ihr egal, denn eigentlich braucht sie all ihre explosive Kraft, um Schriftstellerin zu werden. Oder ist sie das schon? "Weit weg von Verona" ist Jane Gardams erster Roman. Doch er enthält bereits all das, wofür sie bewundert wird - die atmosphärische Stärke, den Mut zum Geheimnis und ihren besonderen Witz.

Long ago, Old Filth was a Raj orphan - one of the many young children sent 'home' from the East to be fostered and educated in England. Jane Gardam's novel tells his story, from his birth in what was then Malaya to the extremities of his old age. In so doing, she not only encapsulates a whole period from the glory days of British Empire, through the Second World War, to the present and beyond, but also illuminates the complexities of the character known variously as Eddie, the Judge, Fevvers, Filth, Master of the Inner Temple, Teddy and Sir Edward Feathers.

In prose vibrant and witty, The Queen of the Tambourine traces the emotional breakdown - and eventual restoration - of Eliza Peabody, a smart and wildly imaginative woman who has become unbearably isolated in her prosperous London neighborhood. Eliza must reach the depths of her downward spiral before she can once again find health and serenity. This story of a woman's confrontation with the realities of sanity will delight listeners who enjoy the works of Anita Brookner, Sybille Bedford, Muriel Spark, and Sylvia Plath. Winner of the Whitbread Prize for Best Novel of the Year.

During one glorious summer between the wars, the realities of life and the sexual ritual dance of the adult world creep into the life of young Margaret Marsh. Her father, preaching the doctrine of the unsavoury Primal Saints; her mother, bitterly nostalgic for what might have been; Charles and Binkie, anchored in the past and a game of words; dying Mrs Frayling and Lydia the maid, given to the vulgar enjoyment of life - all contribute to Margaret's shattering moment of truth.

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

Manchmal vergisst Betty, dass sie keine Chinesin ist, so selbstverständlich nah ist ihr das Land, dessen Sprache sie seit Kindertagen beherrscht. Diese elementare Liebe zum Fernen Osten verbindet sie tief mit ihrem künftigen Mann Edward Feathers, dem jungen Star unter den Richtern der Krone in Hongkong. Als Betty Edward ewige Treue verspricht, weiß sie intuitiv, dass ihre Ehe kaum auf wilder Leidenschaft gründen wird.