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In these brilliant new poems, Tracy K. Smith envisions a sci-fi future sucked clean of any real dangers, contemplates the dark matter that keeps people both close and distant, and revisits the kitschy concepts like "love" and "illness" now relegated to the Museum of Obsolescence. These poems reveal the realities of life lived here, on the ground, where a daughter is imprisoned in the basement by her own father, where celebrities and pop stars walk among us, and where the poet herself loses her father, one of the engineers who worked on the Hubble Space Telescope.

My name is Alex, and I am a werewolf. As a boy, I was trapped halfway between human and wolf. Rylee rescued me and I became the first outcast to join her pack. In the Battle Against Orion, I sacrificed my life for hers and became the pillar which holds the Veil separating the human world and the supernatural world, closed. I kept the demons from spilling into the human world and left Rylee and our pack behind to live on.

After years of warfare, humanity has gained the upper hand and has pushed the Fhrey to the edge of their homeland but no farther. Now comes the pivotal moment. Persephone’s plan to use the stalemate to seek peace is destroyed by an unexpected betrayal that threatens to hand victory to the Fhrey and leaves a loved one in peril.   

In the ancient Castle Erorn, Corum of the Scarlet Robe dwells in isolation and sorrow. He has outlived his great love, Rhalina, and is tormented by voices in his dreams - a crowd of shadowy figures chanting his name. Unable to ignore their calls for help any longer, he will travel through eons of time to an age of tragedy, where the people of Tuha-na-Cremm Croich, descendants of Rhalina, are persecuted by the giant gods of the Cold Folk. A great black bull has the power needed to defeat the monsters of a new age.

The old races have perished. Across the 15 planes of reality, the ceaseless struggle between Law and Chaos continues. Corum, the Prince in the Scarlet Robe, has destroyed two of the company of Chaos, but Mabelode the Faceless will not see his actions go unpunished. The Eternal Champion must call upon the power of other incarnations - Elric and Erekosë - and travel to the last five planes to defeat the King of the Swords. At stake: not only the balance of forces at the crux of existence but also a personal vendetta....

Prince Corum has defeated the Chaos Lord Arioch. But any peace for him and his faithful Rhalina is brief. His actions have evoked the murderous anger of Arioch’s sister, the dreaded Xiombarg. The Prince in the Scarlet Robe must continue his odyssey, face the terror of the Mabden armies, and challenge the might of the Queen of the Swords. Only the legendary City of the Pyramid offers a glimmer of hope. But Corum must get there first, and along the way he will encounter horrifying creatures, strange forms of sorcery, and new planes of existence. 

Jon-Tom and Mudge are bored. Their adventuring days long behind them, the spellsinger and his once-thieving otter sidekick have settled into a life of tepid domesticity, and they are sick of it. They hunger for an old-fashioned adventure, but there are no more great evils to combat. And so they decide to follow the music. Literally.

The deadly White Wizards of Fairhaven, wielding the forces of chaos, threaten the ancient matriarchy of Sarronnyn, the last bastion of order in Candar. When Sarronnyn falls despite the assistance of the Black Order mages, Justen, a young Black Engineer, must escape the city and master forbidden technology that harness chaos itself. Even so, it may not be enough to halt conquest of the White Wizards.

The Hunter from the Woods marks the much-anticipated return of Michael Gallatin, the lycanthropic hero of Robert McCammon's classic, The Wolf's Hour. These all-new, interlinked stories offer a full measure of McCammon's trademark narrative excitement, and comprise a fascinating composite portrait of a unique fictional creation. The volume opens with a pair of brief glimpses into Michael's early life in Russia and his initial recruitment into the British Secret Service. It ends with a haunting vision of the werewolf at twilight. 

In a court of law, it takes 12 jurors to convict a killer. Two of them are Jensens. It all started when those Jensen boys, Ace and Chance, got roped into jury duty. It should have ended when justice was served with the killer dancing on the end of a rope. But no. This is just the beginning of the death sentence for Ace, Chance, and the other 10 terrified jurors.

Now a deputy US Marshal, Chet Byrnes hunts down the baddest hombres the west can throw at him. Chet and his crew must travel to New Mexico to free his cousin J.D. from a corrupt sheriff and his band of deputies. New allies will emerge to help Chet as he squares off with his greatest challenge yet; stopping bandits along the Arizona-Mexico border. Friendship will carry Chet across the Mexican border into a land where the only justice is found at the end of a six-gun.

The town of Midnight sits on a veil between the living and hell and this supernatural thriller takes a journey into that remote Texas town where nothing is what it seems. There is no such thing as bad publicity, except in Midnight, where the residents like to keep to themselves. When psychic Manfred Bernardo finds himself embroiled in a scandal and hounded by the press after one of his regular clients dies during a reading, he turns to enigmatic, beautiful, and dangerous Olivia Charity for help.

When sworn protectors of Earth, the Justice Platoon, are all horribly killed, their former arch-enemies come crawling out of the woodwork. Outnumbered, outgunned, and out of options, the US Government has no choice but to activate the Sidekicks Initiative, dragging the Platoon's middle-aged ex-sidekicks out of retirement. Now these three reluctant, out of shape former child-wonders must work together to stop the rising tide of supervillainy, avenge their former mentors' deaths, and bring the world back from the brink of destruction.

A TIME AND WASHINGTON POST BEST BOOK OF THE YEAR The New York Times Book Review Editors' Choice A stunning personal manifesto on memory, family, and history that explores how we in America might—together—come to a new view of our shared past “A vulnerable, honest look at a life...

The first volume in an anthology series that amplifies the voices of unsung Black poets to paint a more robust picture of our national past, and of the Black literary imagination, with a foreword by Tracy K. Smith A Penguin Classic Joshua Bennett and Jesse McCarthy repeatedly found themselves...

Winter blankets the land, and more than just hope has died. Prevented from invading the Fhrey homeland by the tower of Avempartha, the western army seeks a way across the Nidwalden River before the fane obtains the secret of dragons. As time runs out for both humanity and the mystic Suri, the only chance for the living rests with the dead. Having made their fateful choice, can a handful of misfits do the impossible, or are they forever lost to an inescapable grave? Do gods truly exist? Is it possible to know the future? And what lies beyond the veil of death?  

The Subway Stairs was written to be a thought provoking story about personal safety on the fringes of life. It's meant to bring to light the problems encountered when innocent law abiding citizens are put in extreme life threatening situations with no immediate protection from a government entity (the police). Being a country governed by laws we have very few rights left for self defense. In many cases our right to self defense is governed by a state that has little or no regard for your personal safety.

Duende, that dark and elusive force described by Federico Garcia Lorca, is the creative and ecstatic power an artist seeks to channel from within. It can lead the artist toward revelation, but it must also, Lorca says, accept and even serenade the possibility of death. Tracy K. Smith's bold second poetry collection explores history and the intersections of folk traditions, political resistance, and personal survival. Duende gives passionate testament to suppressed cultures, and allows them to sing.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy.  Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. 

Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."